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[EDITORIAL] Soliciting Funds for the Less Privileged: A Noble Cause or a Clever Scam?

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In recent years, fundraising for the less privileged has become a common feature of Ghana’s social landscape. Whether on the streets, on the radio, or through social media live streams, there’s no shortage of appeals for help. These campaigns often tug at the heartstrings, showcasing the suffering of individuals and urging the public to step in. At first glance, such efforts appear noble and an opportunity for citizens to extend a helping hand to the forgotten members of society. But beneath the emotional appeals, a pressing question lingers: Are all these initiatives genuinely about helping the needy, or are some simply clever schemes for personal gain?

Cases That Sparked Public Debate

One recent high-profile instance involved Kofi Adoma’s fundraising for a mentally ill man. The well-known broadcaster rallied his followers to contribute, attracting donations from across the world. While many lauded the gesture, others quietly questioned the follow-up: What systems ensure that such funds reach the beneficiary and are used for their stated purpose?

As it stands now, the mentally ill man is still on the street. The question remains, was the donation worth the cause?

Similarly, the DL F.M. crew made headlines after they solicited donations for another mentally challenged man. Once again, the public responded generously, but murmurs arose about how such funds are handled and whether the beneficiaries truly receive the full measure of support promised.

Then there’s the Okomfour Kwadee saga. The legendary hiplife musician battling mental health and addiction issues is another striking example. Over the years, multiple fundraising drives have been launched in his name, yet there remains a cloud of uncertainty about whether these campaigns deliver sustained help or simply vanish into thin air after the money is raised.

Beyond these notable instances, countless similar stories unfold daily across Ghana. Street collectors appeal for money for alleged medical emergencies, often without providing proof. Social media campaigns for “urgent hospital bills” disappear without updates once contributions roll in. Community radio appeals gather funds for accident victims whose identities are never confirmed.

The lack of formal oversight means that these initiatives operate in a largely unregulated space. While many organisers are genuine and committed to helping, the rise in questionable appeals has made the public increasingly wary. The truth is uncomfortable: the act of giving is only as noble as the honesty of those entrusted to collect and manage the funds. Without proper accountability, generosity risks becoming just another profitable venture for the unscrupulous.

In a society where empathy runs deep, the challenge lies in balancing the instinct to give with the need for verification and transparency. If fundraising for the less privileged is to retain its credibility, there must be structures in place to ensure that those who give and those who receive can both trust the process.

The Transparency Problem

Part of the issue is that fundraising in Ghana’s informal space is almost entirely unregulated. There is no requirement for fundraisers to publish receipts, keep audited accounts, or even identify themselves formally. Once money changes hands — whether through mobile money, cash, or crowdfunding platforms — the trail often goes cold.

Social media has made this even easier. On platforms like Facebook and TikTok, emotional live videos can draw hundreds of donors in hours, with little to no verification. In 2023 alone, the Ghana Police Service reported over a dozen cases of “false representation for donations,” warning the public to be cautious.

Where Do We Go from Here?

This is not to suggest that all fundraising is fraudulent. Many community-led campaigns have changed lives, from funding life-saving surgeries to rebuilding homes destroyed by floods. But the rising number of questionable cases threatens to erode public trust, making it harder for genuine causes to get support.

The solution lies in accountability:

  • Fundraisers should provide documented proof of need before going public.
  • Independent oversight from NGOs, religious bodies, or local authorities should verify and monitor campaigns.
  • Donors should insist on regular updates and receipts before contributing.

In a society where compassion runs deep, the challenge is to protect generosity from becoming a lucrative side hustle for the dishonest. If we fail, the losers will not just be the donors, but also the truly vulnerable, whose voices will be drowned out by growing cynicism.

After all, giving is noble, but only when it truly reaches the hands it was meant for.

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Entertainment

Skits to Silverbird Cinemas: Ben South Makes History with Movie Premiere, “24”

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Ben South, a popular Ghanaian skit maker and comedian, has made history by producing his own movie, “24”, which premiered at Silverbird Cinemas.
The event was attended by notable celebrities and entertainment executives, including King Promise, Ghana’s 2024 Artiste of the Year, Kobi Rana, Jeffery Nortey, Albert Bondah, Maame Serwaa, Sammy Rasta, 39/40, Queci Official, AJ Brown, Bantama MP, Hon. Asenso Boakye and the CEO of Ghana Music Awards USA.
Ben South’s journey to becoming a movie producer is a testament to his versatility and creativity.
He initially gained fame as a skit maker, known for his hilarious and relatable content on social media platforms. His talent and dedication earned him recognition, including a feature in Sarkodie’s “No Sir” video, which further boosted his popularity.
Before venturing into comedy, Ben South was a trained nurse who decided to pursue his passion for entertainment. He has since become one of Ghana’s most beloved comedians, making his stand-up comedy debut at the “A Fool in April” show earlier this year.
The premiere of “24” marks a significant milestone in Ben South’s career, showcasing his ability to produce high-quality content beyond skits. The movie’s success is expected to pave the way for other skit makers to explore opportunities in film production.
https://youtu.be/GmrF347kvWY?si=vigI2RcuB4hXvEZE
The event was a celebration of Ben South’s hard work and dedication to his craft, with attendees praising his creativity and entrepreneurial spirit. As the Ghanaian entertainment industry continues to evolve, Ben South’s achievement serves as inspiration for aspiring artists and other comedians.
https://youtu.be/S29XDWzzGOs?si=o9QWe3uua2vVmw7W
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Raf Able Strengthens his Gospel Mission with Second 2025 Single “No Wahala”

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The Ghanaian gospel music scene is buzzing once again as sensational urban gospel artiste Raf Able drops his second single of the year, titled No Wahala.” The vibrant and uplifting song reinforces his reputation as one of the most refreshing voices blending faith, inspiration, and contemporary sound in the gospel space.

Following the success of his earlier release this year, Raf Able returns with No Wahala”, a feel-good anthem that encourages believers to trust in God’s divine plan and live free from anxiety, fear, and unnecessary stress. The phrase “No Wahala,” meaning “no trouble” or “no worries,” captures the central message of the song: that peace and joy come from unwavering faith in God’s promises.

With its catchy hooks, energetic rhythms, and relatable lyrics, No Wahala bridges the gap between traditional gospel and urban Afrobeat styles, appealing to both young and mature audiences. Raf Able’s delivery showcases his lyrical depth and musical versatility, making the track both spiritually grounding and sonically exciting.

No Wahala was birthed from his personal journey of learning to stay calm and trust God even in challenging seasons. “As believers, we sometimes worry too much about things beyond our control. This song is a reminder that once God is in charge, everything will fall in place.

No Wahala is now available on all major digital streaming platforms. Fans and gospel music lovers are already praising the track for its infectious energy and uplifting message.

As Raf Able continues to evolve artistically, No Wahala sets the tone for a new wave of gospel creativity, one that speaks the language of the streets while carrying the timeless truth of the Gospel.

Stream via the link below

https://distrokid.com/hyperfollow/rafable1/no-wahala/

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MUSIGA Honors Nana Konadu Agyeman-Rawlings for Her Lifelong Support of Ghanaian Arts and Culture

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The Musicians Union of Ghana (MUSIGA) has paid a heartfelt tribute to the late Nana Konadu Agyeman-Rawlings, recognizing her as a passionate advocate for the arts and a proud custodian of Ghana’s cultural heritage.

 

In a statement, the Union described its relationship with the former First Lady as one filled with warmth, wisdom, and a deep commitment to the creative industry. MUSIGA recalled her active role in organizing the 2021 tribute concert for her late husband, former President Jerry John Rawlings — noting that her personal involvement was key to the event’s success.

 

According to the Union, Nana Konadu worked hand in hand with MUSIGA to design a ceremony that not only honored the late former President but also celebrated the vital role of musicians in preserving the nation’s collective memory. Her collaboration, the Union said, embodied her belief that culture and service go hand in hand in shaping a better future for Ghana.

 

MUSIGA also extended warm wishes to her children — Kimathi, Ezanetor, Amina, and Yaa Asantewaa — praying for continued strength, wisdom, and vision for them all.

 

Quoting MUSIGA President Bessa Simons, the statement read: “Art is the heartbeat that keeps a nation singing through its trials and triumphs.” It added that Nana Konadu consistently urged the Union to keep that heartbeat alive — by uplifting artistes and honoring Ghana’s heritage.

 

The Union expressed deep gratitude to Nana Konadu for her leadership, generosity, and unwavering support, noting that her relationship with MUSIGA continues to inspire its mission to promote Ghanaian music, protect artistes’ welfare, and safeguard the country’s cultural legacy.

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