Ghanaian artist CityGod Aruu has once again stepped into the spotlight with a heartfelt new release titled “Obaa Hemaa,” a song that beautifully captures the essence of womanhood through sound, emotion, and message.

Rooted in admiration and respect, Obaa Hemaa, a phrase that translates to “Queen” in Akan, serves as a musical tribute to women, celebrating their strength, grace, resilience, and undeniable influence in society. The record blends soulful melodies with expressive lyricism, allowing CityGod Aruu to connect deeply with listeners while delivering a message that feels both personal and universal.

From the very first note, the song establishes a warm and reflective tone, drawing attention to the often-unspoken value of women in everyday life. Rather than relying solely on catchy rhythms, CityGod Aruu leans into storytelling, using his voice to highlight themes of appreciation, love, and recognition. It is this intentional approach that gives Obaa Hemaa its emotional weight and lasting impact.

Musically, the track is a smooth fusion of contemporary Ghanaian sounds with subtle traditional influences, creating a rich backdrop that complements the song’s message. The production remains clean and balanced, allowing the vocals and lyrics to take centre stage without distraction.

Beyond its sonic appeal, Obaa Hemaa arrives at a time when conversations around respect, empowerment, and the role of women in society continue to gain momentum. In this context, the song stands not just as entertainment but as a cultural statement, one that encourages listeners to reflect, appreciate, and celebrate the women in their lives.

For CityGod Aruu, this release marks another step in his artistic journey, showcasing growth in both sound and storytelling. Known for his versatility and authenticity, he continues to carve a space for himself in Ghana’s competitive music landscape by staying true to meaningful content.

As audiences embrace Obaa Hemaa, it becomes clear that the song is more than just a release; it is a tribute, a message, and a reminder. A reminder that behind every story, every success, and every community, there is the enduring presence of women who deserve to be celebrated.

With this latest offering, CityGod Aruu not only delivers music but also emotion, solidifying Obaa Hemaa as a standout piece that resonates far beyond its runtime.

In Ghana’s creative arts space, talent alone is not enough. What keeps the industry moving are people who can adapt, solve problems on the spot, and hold a production together when things get uncertain. That is where a true utility player stands out. And in recent times, Albert Bondah has proven exactly why that role matters, especially with his work on “Laugh It Off” by Parrot Mouth.

Fresh off the momentum of successfully steering Lekzy De Comic’s “A Fool in April”, Albert stepped into “Laugh It Off” with both confidence and pressure. The expectations were higher this time. The audience anticipated a seamless experience. The team itself included seasoned practitioners, many with years more experience. It was not just another show. It was a test of leadership, adaptability, and execution under pressure.

And the challenges came early.

From coordinating a diverse team to managing creative differences, Laugh It Off demanded more than technical know-how. There were moments when plans had to change on short notice. Timing had to be adjusted. Resources had to be stretched. At certain points, the weight of leading experienced hands could have easily unsettled the process. But this is where Albert’s strength as a utility player became clear.

Instead of resisting the pressure, he leaned into it. Drawing from his journey across theatre, comedy, and production, Albert approached each challenge with a calm, solution-driven mindset. His experience from past productions, especially handling unpredictable situations like adverse weather in earlier shows, helped him stay grounded.

On Laugh It Off, he knew when to step in, when to delegate, and when to simply let creativity flow. More importantly, he listened. Working with experienced professionals taught him the value of collaboration at a deeper level. He understood that leadership in creative spaces is not about control, but about direction.

By blending his own ideas with the input of others, he created an environment where everyone could contribute effectively. The result was a show that felt cohesive, engaging, and well-executed.

There were lessons too. Laugh It Off reinforced the importance of preparation, but also the need to stay flexible. It highlighted the value of clear communication within a team. And above all, it showed that experience is not just about how long you have worked, but how well you can apply what you know in real time. Albert brought all of that to bear.

From his early days as a student producer at Cape FM to working across major productions in Ghana’s creative arts industry, he has built a reputation for reliability and versatility. But with Laugh It Off, he did more than just contribute; he led, adapted, and delivered under pressure.

Albert Bondah- Comedy Promoter

This is what makes him a creative utility player. He is not confined to one role. He understands the full scope of production. He can move between responsibilities without losing focus on the bigger picture. And when it matters most, he shows up with solutions, not excuses.

As the curtains closed on “Laugh It Off”, one thing became clear: the success of the show was not accidental. It was the result of experience, meeting preparation, and preparation meeting preparation.

For brands, producers, and creatives looking to execute high-quality productions, Albert Bondah represents something valuable: a dependable force behind the scenes who ensures that ideas do not just stay ideas but come to life, even in the face of challenges. In an industry that thrives on unpredictability, that kind of consistency is rare. And it is exactly why Albert continues to stand out.

Written by: Lord Kofi Amoabeng [Creative Writer & Digital Media Marketer]

Tension is rising within the Africa University of Communication and Business (AUCB) following a dispute involving SRC presidential aspirant Haruna Rashid Yussif, who has raised concerns over the conduct and outcome of the recent Student Representative Council (SRC) elections.

Haruna Rasfid Yussif, a prominent contender in the race, is reportedly contesting aspects of the electoral process, questioning both transparency and fairness. His grievances are believed to stem from irregularities observed before and during the voting process, which he argues may have influenced the final results.

According to emerging reports, sections of his campaign team have also expressed dissatisfaction, calling for a thorough review of the election procedures. While full official details remain limited, discussions circulating within student circles suggest that the matter could escalate if not addressed by university authorities.

The SRC election, a key democratic exercise within the institution, is expected to reflect the voice and choice of the student body. However, controversies such as this risk undermining confidence in the process, particularly among candidates and their supporters.

Observers note that disputes of this nature are not uncommon in student politics, but the response from university management will be critical in determining how the situation unfolds. Calls for dialogue, transparency, and possible redress mechanisms are already gaining traction.

As of now, the leadership of the Africa University of Communication and Business has yet to issue a comprehensive public statement addressing the concerns raised by Haruna Rashid Yussif.

The coming days are expected to be decisive as stakeholders await clarity, accountability, and a resolution that preserves the integrity of student governance on campus.

The silence from authorities at the Africa University of Communication and Business is only adding to the pressure. Students across campus are beginning to ask tough questions about accountability, fairness, and whether the SRC election truly reflected the will of the people.

Student politics may often mirror national dynamics, but this situation is fast escalating beyond routine disagreement. If not addressed swiftly, it risks eroding trust in the very system meant to represent student voices.

For now, all eyes are on the university’s leadership. Will they step in to investigate and restore confidence, or allow the controversy to deepen?

One thing is clear: this isn’t just about an election anymore. It’s about credibility.