Patricia Asiedua Asiamah, widely known as Nana Agradaa, has spoken publicly for the first time following her release from prison, describing her time in custody as a profound spiritual journey anchored in prayer, scripture, and steadfast faith in God.

Addressing the media after regaining her freedom on March 3, the controversial evangelist recounted the anxiety and uncertainty she experienced upon being taken into custody. According to her, the initial moments were filled with fear and a sense of the unknown.

She revealed that on her way to prison, she felt as though she was heading toward death. Standing at the prison gate, she said she surrendered herself completely to God, admitting she had no idea what awaited her inside. Clutching her Bible, she prayed for mercy before walking through the gates.

Nana Agradaa said the announcement of a 15 year sentence was difficult to process. She described the moment as overwhelming, questioning how she could face such a lengthy term behind bars. The reality of the sentence, she noted, forced her to reflect deeply on her circumstances.

With what seemed like a daunting future ahead, she said she turned entirely to prayer and the Word of God for strength. According to her, faith became her only source of hope during that period.

While in custody, she immersed herself in biblical accounts of imprisonment and divine intervention. She cited stories from the Book of Acts, including the imprisonment and subsequent release of Peter, as well as Paul and Silas, who were freed after praying while in chains. She said these accounts strengthened her belief that prayer and faith could bring deliverance even in the most difficult situations.

She also reflected on the opening verses of the Gospel of John, emphasizing the power of the Word through which she believes God created the heavens and the earth. In her view, if divine power could shape creation, then a 15 year sentence was insignificant before God.

Nana Agradaa further referenced the story of Jonah, who repented after disobedience and received mercy, and King Nebuchadnezzar, who, according to the Bible, regained his kingship after humbling himself before God. She explained that these examples reinforced her conviction that repentance and humility could lead to restoration.

According to her, she made a personal vow during her incarceration, promising to dedicate herself fully to God’s service if granted mercy and freedom. She said she reminded God of His unchanging nature and asked for the same intervention shown to biblical figures in the past.

Her release comes under Ghana’s remission policy, which allows eligible inmates to benefit from a reduction of up to one third of their sentence for good behaviour while serving their term.

A quiet but significant power struggle within Ghana’s creative arts administration has reportedly culminated in President John Dramani Mahama revoking the appointment of Gideon Nii Aryeequaye as Acting Executive Secretary of the Creative Arts Agency.

Multiple sources close to developments within the sector have disclosed to Ghana’s reliable creative arts tourism and culture website KPDONLINE.NET that the decision did not come suddenly but followed weeks of internal disagreements over leadership direction, institutional authority, and control of the creative arts space.

Mr. Aryeequaye has since been reassigned to the Ministry of Tourism, Culture and Creative Arts, reportedly without a defined portfolio, a move insiders describe as a clear indication of an ongoing restructuring exercise within the sector.

According to highly placed industry sources, tensions had been mounting between the leadership of the Creative Arts Agency and the sector ministry led by Abla Dzifa Gomashie.

Sources claim disagreements centred on the operational independence of the Agency, policy control, and the broader direction of Ghana’s creative arts governance framework.

Insiders further suggest that the Ministry is pursuing a consolidation agenda aimed at bringing creative arts administration directly under ministerial supervision, a move some stakeholders interpret as a possible downsizing or restructuring of the Agency’s authority.

The sudden leadership change has sent shockwaves across Ghana’s creative industry, with practitioners questioning what the future holds for institutional representation and policy advocacy within the arts ecosystem.

Industry observers believe the President’s intervention signals the government’s determination to restore alignment within the sector while redefining how creative arts institutions function under national development priorities.

While official details surrounding the revocation remain limited, sources indicate that additional administrative changes could follow as the government reassesses structures within tourism, culture, and creative arts governance.

For now, stakeholders remain watchful as one of Ghana’s most critical cultural institutions faces what many describe as a defining moment.

Stay with KPDONLINE.NETfor exclusive updates as this developing story unfolds.

Ghanaian musician Smiling Osei has officially unveiled his brand-new single titled “AGABA,” a song that beautifully blends authentic African rhythms with contemporary musical expression.

The new release showcases Smiling Osei’s signature vocal delivery and storytelling prowess, reflecting themes of resilience, identity, and cultural pride. “AGABA” is expected to resonate strongly with lovers of indigenous Ghanaian sound and contemporary Afro-inspired music.

Following internationally recognised tracks such as Gye Wani and Okyena Asem Nti, Smiling Osei continues to carve a unique musical lane that bridges his Ghanaian heritage with modern global vibes. Born in Ghana and currently based between the Netherlands and across Europe, Smiling Osei is an artist and songwriter known for celebrating cultural fusion and authentic expression. Over time, he has built a diverse catalogue that resonates withaudiences across Africa, Europe, and beyond.

AGABA is now available worldwide on streaming platforms.