Entertainment
Two Years After Winning Copyright Case, Spiky Says CAF Has Yet to Pay Court-Ordered US$250,000 Compensation
Ghanaian music producer Kwabena Ofei-Kwadey Nkrumah, popularly known as Spiky, has revealed that he is yet to receive the US$250,000 compensation awarded to him by the Commercial Court following his successful copyright infringement lawsuit against the Confederation of African Football (CAF), nearly two years after securing judgment.
In a lengthy statement posted on his Facebook page on July 16, 2026, Spiky reflected on the difficult journey of enforcing the court’s decision, saying that although he won the legal battle, obtaining the compensation has proven to be a much greater challenge.
“Tomorrow marks exactly two years since I got judgment, and till now, no payment,” he wrote.
Multiple Court Appearances But No Payment
According to the producer, despite returning to court on several occasions and filing multiple legal applications, the judgment remains unenforced.
He explained that various legal processes have continued since the ruling, with additional court decisions and mounting legal fees, yet the compensation has still not been paid.
“We have gone back to court multiple times since then. Applications have been filed, decisions have been made, legal fees have continued to pile up, but still, here we stand. No execution,” he stated.
Spiky admitted that the prolonged legal process has taken a heavy financial and emotional toll on him.
He disclosed that some people who initially encouraged him to pursue the case have since advised him to let it go, arguing that simply winning the judgment should be enough vindication.
“A lot of people close to me have suggested that I give up and let it go. Some say I have already proven my point. Some say the judgment alone should be enough vindication,” he said.
However, he believes that winning a lawsuit and actually receiving the compensation awarded are two completely different battles.
“Winning a case and receiving what you won are two completely different battles,” he noted.
Spiky explained that many people mistakenly believe a court judgment automatically leads to payment.
He said successful litigants are often forced to locate a debtor’s assets, identify bank accounts that can be garnished and repeatedly return to court while paying additional legal fees simply to enforce an existing judgment.
To illustrate his experience, he compared the process to winning a race but being denied the prize.
“It feels like running a race, crossing the finish line first and then being told that the medal is locked in another building, and it is now your responsibility to find the building, locate the person holding the keys and pay for the door to be opened,” he remarked.
According to him, this discourages many ordinary people from seeking justice through the courts.
The producer said the burden extends well beyond lawyers’ fees.
He listed filing costs, transportation expenses, execution costs, lost working hours and the psychological strain of repeatedly reliving the legal dispute every time enforcement proceedings begin.
He lamented that the money spent pursuing enforcement could have significantly improved his personal life.
“The money I have spent so far… it could have gone into fixing my house, which I am now having to demolish and rebuild. It could have solved real and immediate problems in my life. Instead, it has gone into chasing something a court has already said I am entitled to.”
Spiky also criticised what he described as the ability of powerful institutions to prolong legal proceedings through additional applications, appeals and procedural challenges.
He argued that such tactics often exhaust individuals with fewer financial resources, particularly where there are no easily identifiable local assets that can be attached to satisfy a court judgment.
According to him, a judgment debtor may know they have lost the case yet still force the successful party to spend years pursuing payment.
“The judgment debtor knows you have won, but also knows that you may still have to chase them across accounts, companies, jurisdictions and legal technicalities before the judgment becomes anything more than words on paper.”
Despite his frustrations, Spiky stressed that his criticism is not directed at the courts themselves.
He maintained that the courts remain one of the few institutions where ordinary citizens can challenge powerful organisations and have their cases fairly examined.
“The courts remain necessary. They remain one of the few places where an individual can confront a powerful institution and have the merits of the matter examined. My concern is not that the legal system has no value. My concern is what happens after the court has spoken.”
He questioned the practical meaning of justice when successful litigants must spend years and additional money trying to enforce judgments already delivered in their favour.
“What does a judgment truly mean if the successful party must spend several more years and even more money trying to turn it into reality?”
Nevertheless, Spiky said he has no intention of abandoning the case and remains committed to pursuing enforcement of the judgment.
Background
The legal dispute dates back to July 17, 2024, when Commercial Court 7 in Accra ruled in favour of Spiky in his copyright infringement lawsuit against the Confederation of African Football (CAF).
Presiding judge Justice Emmanuel Loddoh found that CAF had infringed the producer’s copyright by using the instrumental beat of his song “Okomfo Anokye“ in promotional materials for the 2018 CAF Awards without first obtaining his permission.
The court awarded Spiky US$250,000 in damages and an additional GH¢40,000 in legal costs.
Nearly two years after the landmark judgment, Spiky says the compensation remains unpaid, with his legal efforts now focused solely on enforcing the court’s ruling rather than proving liability.
Entertainment
“I Was Scared” – KiDi Opens Up About Becoming a Father While Still in University
Award-winning Ghanaian musician KiDi has opened up about one of the most challenging periods of his life, revealing that he initially struggled with fear and uncertainty after learning he was going to become a father while still pursuing his university education.
Speaking on the Konnected Minds Podcast, the singer said the news came at a time when he was still trying to build his own future, making the responsibility of parenthood feel overwhelming.
“I was scared. I was in uni. I was scared. I was shaken,” KiDi admitted.
The “Touch It” hitmaker explained that the pregnancy affected his academic journey, as he had to prepare for his resit examinations while dealing with the emotional weight of becoming a father.
According to him, his biggest concern was how he would provide and care for a child when he was still trying to establish himself.
“So how to raise a child? I was still even raising myself. I was still trying to figure out my place in the world. So to come and add another human to that equation was such a scary concept.”
Despite those fears, KiDi said the unwavering support of his family, especially his mother, gave him the strength to push through the difficult period.
He recalled that knowing his family stood behind him kept him motivated to continue his education despite the challenges.
“One thing that kept me going was I always find a way. No matter how difficult it was. I knew I had my family. I knew I had those people behind me. My mom was always going to show up for me.”
The musician said that support ultimately enabled him to complete his studies and successfully sit for his resit examinations.
Reflecting on that period, he added humorously that he even relied on an energy boost to get through the exams.
“It helped me to finish my education. I even took some vim to go and write my resits.”
KiDi also disclosed that although he learned about the pregnancy early, he was unable to be actively involved throughout the pregnancy because he and the child’s mother were living in different countries.
As a result, he missed the antenatal appointments and only reunited with them after the baby was born.
“I wasn’t able to be there until he was actually born because we were in different countries,” he explained.
Entertainment
Stonebwoy and Medikal’s Friendly London Encounter Sparks Buzz Online
Entertainment
Stonebwoy Assures Top-Notch Security Ahead of BHIM Festival London 2026, Promises World-Class Experience
Ghanaian dancehall star Stonebwoy has assured fans that security at the upcoming BHIM Festival London will be of the highest standard, stressing that the event will mirror the safety, organisation, and premium experience that have become synonymous with his concerts in Ghana.
Speaking ahead of the highly anticipated festival scheduled for August 15, the award-winning musician said the safety of patrons remains a top priority, especially because his events regularly attract high-profile personalities, including government officials, traditional leaders, and dignitaries.
According to Stonebwoy, his concerts in Ghana have consistently hosted crowds of up to 50,000 people in a peaceful and well-organised environment, and he intends to replicate the same standards for the London edition.
“You’ve been to my festivals in Ghana, 50,000 people trooping and everything is clean, nice. They chill, they have fun. I’ve got people from the presidency at my show every time. MPs, high-caliber, high-class kings and queens, and security is top-notch,” he said.
The “Into the Future” hitmaker explained that the security arrangements for the London festival are being carefully planned to ensure attendees enjoy the event in a safe, comfortable, and enabling atmosphere.
He noted that the goal is to create an environment where music lovers can relax while experiencing an unforgettable festival.
“We’re going to implement the same qualities over here to make sure the people are safe and have a beautiful and enabling environment to enjoy themselves,” he added.
Beyond security, Stonebwoy promised fans a spectacular musical production, saying every aspect of the festival is being designed to meet the highest international standards.
He emphasised that he takes pride in delivering performances that reflect the dedication, hard work, and passion he invests in his craft.
According to him, while some artists simply perform their songs on stage, he strives to present music at the highest level of quality and representation.
“Some artists get on stage and deliver what they’ve got to deliver, but when you see the ones that put in the blood, sweat, tears and heart to beautify the craft, I choose to be one of those. The people deserve such quality acts, and that’s what I’m going to put up come the 15th of August.”
Stonebwoy also revealed that the Stonebwoy BHIM Festival London lineup will feature an unprecedented gathering of Ghanaian music legends alongside international reggae and dancehall acts.
He announced that celebrated Ghanaian musicians Kwabena Kwabena, Samini, and Ofori Amponsah will perform at the festival, describing the collaboration as a rare moment in Ghanaian music history.
In addition to the Ghanaian stars, Stonebwoy confirmed that Jamaican artistes Stylo G and Busy Signal will also perform.
He further disclosed that two additional Jamaican acts will be unveiled as surprise guests before the event.
The musician said the festival will celebrate the richness of Black music, bringing together different musical influences from Ghana and Jamaica in one unforgettable experience.
BHIM Festival London Set for August 15
The Stonebwoy BHIM Festival London is scheduled to take place on August 15 and is expected to attract fans from across the United Kingdom and beyond.
With assurances of world-class security, premium stage production, and a lineup featuring some of Ghana’s biggest music icons alongside internationally acclaimed Jamaican performers, the festival is shaping up to be one of the biggest African music events in London this year
Entertainment
Diana Hamilton Celebrates 21 Years of Marriage: “I’d Choose You All Over Again”
Award-winning Ghanaian gospel musician Diana Hamilton has celebrated 21 years of marriage with her husband, Dr. Joseph Hamilton, sharing a heartfelt tribute to mark the special occasion.
Diana Hamilton, renowned for hit gospel songs including Nyame Banbofo, Adom (Grace), and Mo Ne Yo, is one of Ghana’s most celebrated gospel artistes. Her music ministry has earned her numerous accolades and a loyal fan base across Ghana and beyond.
To mark their 21st wedding anniversary, the singer took to social media on August 6, 2026, sharing beautiful photos of the couple alongside an emotional message reflecting on their journey together.
“21 years with you feels like just 12 days. Thank you for loving me through every season of life. I’d choose you all over again, always, @drjosephhamilton. Happy 21st Anniversary to us!”
Reflecting on their journey together, Diana said the more than two decades they have spent as husband and wife have passed so quickly that they feel like only a few days.
In an earlier interview, the celebrated gospel artiste revealed that Dr. Joseph Hamilton is not only her husband but also the first and only man she has ever dated.
According to her, their relationship began during her final year at nursing school, laying the foundation for a lifelong partnership that eventually led to marriage.
She also disclosed that she had never been in a romantic relationship before meeting him and was a virgin when they first met.
“My husband is actually my first boyfriend. I’ve never been in a relationship with any other man before. There are no ex-boyfriends in my past; my husband is the only man I’ve known,” she said.
The touching post quickly drew congratulatory messages from fans, fellow musicians, and well-wishers, who praised the couple for their enduring love and wished them many more years of happiness.
Entertainment
“I Still Cry in Private”: Fameye Reflects on Lasting Pain of Growing Up Without Parents
Ghanaian musician Fameye has opened up about the emotional burden of growing up without both parents, revealing that although the pain is no longer as evident in his music, he still cries in private as he continues to cope with the loss.
Speaking in an interview with Kobby Kyei on August 6, 2026, the award-winning singer shared how losing his parents at a young age has shaped his life, influenced his music, and affected many of the decisions he has made over the years.
According to Fameye, his early songs reflected the emotional struggles he experienced while growing up because they were inspired by the hardships he faced.
“At the beginning of my career, people could hear the pain in my music because I cried a lot. People usually said I was always sad whenever I was recording. These days, I don’t cry in my songs anymore, but I still cry behind closed doors,” he said.
The musician explained that growing up without parents also meant missing out on the guidance and protection that many people take for granted. He believes there are certain decisions he might have made differently if his parents had been alive to advise him.
Fameye recalled one of the most difficult moments in his career, saying he felt completely helpless during a dispute within the music industry because there was no parent to stand by him or defend him.
“Whenever something goes wrong, I have to deal with it on my own. One of my darkest moments came when I had a problem with someone in the industry. They threatened to take me somewhere and curse me. At that moment, I kept asking myself, ‘Where are my parents? Who is there to defend me?'”
He also admitted that he sometimes feels envious when he sees parents publicly supporting and defending their children, particularly on social media, because it reminds him of what he has missed throughout his life.
“Sometimes I see parents standing up for their children on social media, and I wish my parents could also defend me publicly. Unfortunately, that has never been my reality.”
Fameye further revealed that the birth of his first child brought back painful memories of losing his mother. He said becoming a father made him realize even more deeply the absence of the grandmother who would naturally have helped care for his newborn.
“When my first child arrived, I was heartbroken. I kept asking, ‘Where is my mother who would have bathed the baby and cared for her grandchild?’ In the end, my partner and I had to do everything ourselves.”
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