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[VIDEO] Bola Ray Named First Inductee into New Platform Celebrating Creative Excellence “The Creatives Space of Fame”

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Ghanaian media icon and entrepreneur Nathan Kwabena Anokye Adisi, widely known as Bola Ray, has been unveiled as the first inductee into The Creatives’ Space of Fame, a new recognition platform designed to honour individuals who have shaped the country’s creative and cultural industries through innovation, leadership, and impact.

The initiative, developed by Nana Otu Gyandoh under the theme “A Decade in the Making,” has been in preparation for over ten years. It serves as what organisers describe as a living hall of honour a platform that not only celebrates artistic excellence but also documents the systems, institutions, and networks built by creative pioneers.

Bola Ray’s selection as the debut honouree comes as no surprise to many who have followed his career. From his early days at Radio Universe in 1997 to his breakout years at Top Radio and his defining era on Joy FM’s Drive Time, Bola Ray’s voice became synonymous with energy, professionalism, and a new era of Ghanaian urban broadcasting. His charisma later found expression on TV3’s Music Music, where he connected with audiences across television and live events.

 

Transitioning from media personality to business leader, Bola Ray has built an enduring legacy as the Chief Executive Officer of EIB Network, home to Starr FM, GHOne TV, and Live FM. Under his leadership, the group has become a model of media innovation in West Africa. Through his events company, Empire Entertainment, he also founded the Ghana Meets Naija concert, a cultural exchange that helped bridge Ghanaian and Nigerian music long before Afrobeats became a global movement.

The official citation highlights his distinguished service to the creative and media industries, visionary leadership, and commitment to building sustainable systems that empower young creatives.” It further recognises his role in promoting African culture and fostering cross-border collaboration in entertainment.

Bola Ray’s influence extends beyond broadcasting and events. His 2021 memoir, It Is Possible, offers deep insights into his career and serves as an inspirational guide for emerging creatives and entrepreneurs. His philosophy of building systems, not moments continues to shape his approach to business and leadership.

In a recent milestone, Bola Ray was appointed Brand Ambassador for GoldBod Jewellery, a subsidiary of the Ghana Gold Board, merging his personal brand with Ghana’s gold and luxury export story.

As the first figure to be immortalised in The Creatives’ Space of Fame, Bola Ray’s recognition reflects more than two decades of influence and innovation. It also signals a new chapter in Ghana’s creative journey, one that honours builders, not just performers, and recognises those whose vision continues to elevate the industry for generations to come.

 

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The Church of Pentecost Causes Arrest of Gospel Musician Francis Amo Over Alleged Song Theft; Consultant Explains

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The Church of Pentecost has reportedly caused the arrest of gospel musician Francis Amo over allegations of song theft.

According to reports, the singer was invited by the Accra Central Police Command for questioning and was subsequently detained.

Speaking to Max TV on the matter, intellectual property expert and consultant Dr. Benjamin Oduro Arhin Jnr, popularly known as Bnoska Bnoska, confirmed the arrest. Dr. Arhin Jnr, who also serves as a lecturer and personal consultant to Francis Amo, confirmed that the arrest was initiated following a complaint from the church and explained the circumstances leading to it.

“Francis Amo has been ministering in the church since as far back as 2008 without taking any payment. About a month ago, he was invited to sing at Easter. During the event, the church taught him a song and instructed him to perform it at the service.

“The song, written and composed by a man identified as Elder Moses, is titled “Ode bone kye.” After his ministration, Francis Amo reportedly confessed to the church that he liked the song. He later proceeded to do a worship recording of the same song and sought permission to release it from Pastor Bortey, who instructed him to officially write to the church, which he did.

According to him, the pastor gave him approval and told him he could go ahead and release the song. He subsequently released the song on Wednesday. However, on Thursday, the pastor called him and instructed him to pull it down, which he complied with. It is further alleged that the church was dissatisfied with the manner in which he handled the situation.

While the original song was titled “Ode bone kye,” Francis Amo titled his version “Ne din de Jesus.”

“On Friday, the Accra Central Police Command called him and informed him that the leadership of the church had lodged a complaint against him, alleging that “you are a thief; you have stolen their song,” and that he should report to the police station to respond to the allegations.”

Dr. Arhin Jnr stated that they reported to the police as required by the invitation, after which Francis Amo was arrested and detained.

“According to the complaint filed against him, he is being accused of being evasive, recalcitrant, and disobedient towards the church, and is therefore being treated as a criminal who must face the full rigour of the law. Which is not the case, he concluded.

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Kwamang Homecoming Concert Positions Kwadwo Nkansah Lil Win as a Driving Force in Community-Centred Entertainment

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The success of the Kwamang Homecoming Concert has firmly established Kwadwo Nkansah Lil Win as a leading figure in Ghana’s growing movement toward community-centred entertainment. By hosting a large-scale event in his hometown of Kwamang in the Ashanti Region, the actor-musician demonstrated the power of taking entertainment beyond the traditional urban strongholds.

The event, which drew a massive crowd from across the country, transformed Kwamang into a vibrant cultural and entertainment hub. With electrifying performances, strong fan engagement, and a festival-like atmosphere, the concert not only entertained but also highlighted the untapped potential of local communities in driving the creative economy.

Industry observers note that Lil Win’s initiative reflects a broader shift within Ghana’s entertainment landscape, where artists are increasingly investing in their roots to drive sustainable, inclusive growth. The Kwamang Homecoming Concert stands as a clear example of how grassroots engagement can translate into national impact.

Beyond the stage, the concert delivered tangible economic benefits to the community, boosting local businesses, transportation services, and hospitality. It also reinforced the importance of cultural identity and community pride, as residents and visitors alike shared a moment of celebration.

As conversations around decentralising Ghana’s entertainment industry continue to gain momentum, Lil Win’s Kwamang Homecoming Concert may well serve as a blueprint for future artist-led initiatives aimed at bridging the gap between urban success and rural development.

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Kojo Preko Dankwa Recognised for Outstanding Media Consultancy at Heroines International Awards 26′

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The President of the Foundation of Concerned Arts Professionals (FOCAP), Kojo Preko Dankwa, has been honoured at the prestigious Heroines International Awards with the award for Outstanding Contribution to Media Consultancy

The recognition celebrates his remarkable impact and consistent dedication to advancing media practice, strategic communication, and consultancy within Ghana and beyond. Over the years, Kojo Preko Dankwa has distinguished himself as a leading voice in media advocacy, contributing significantly to the growth and professionalisation of the communication landscape.

His work through FOCAP, Kessben Media, and Krunch Point Desk Consultancy has empowered young communicators, strengthened media institutions, and promoted ethical standards within the industry. Known for his strategic insight and commitment to excellence, he has played a pivotal role in shaping narratives, guiding brands, and supporting initiatives that drive social and national development.

Kojo Preko Dankwa has expressed gratitude to the organisers for the recognition, noting that the honour serves as motivation to continue contributing meaningfully to the media and communication space. He also dedicated the award to aspiring media professionals, encouraging them to pursue excellence, innovation, and integrity in their work.

The Heroines International Awards, which celebrate individuals making a significant impact across various sectors globally, continue to spotlight excellence and inspire change-makers who are driving progress in their respective fields.

Kojo Preko Dankwa’s recognition not only highlights his personal achievements but also underscores the growing influence of Ghana’s media and communication industry on the global stage.

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