Connect with us

Entertainment

I have no challenger –Stonebwoy on Artiste of the Year race

Published

on

VIRTUALLY ticking all the category’s boxes as well as habouring a strong conviction of making history as the first artiste to win the ultimate Telecel Ghana Music Awards (TGMAs) Artiste of the Year (AOTY) award back to back, Dancehall artiste Stonebwoy has declared he has no challenger in this year’s race.

 

Stonebwoy, the reigning TGMA Artiste of the Year believes it is a done deal for him although he is vying for the TGMA topmost prize again this year against strong contenders including King Promise, Black Sherif, Kweku Smoke, Joe Mettle, King Paluta and Team Eternity Ghana.

According to the category’s definition, “The Artiste of the Year is the Artiste(s) adjudged by the Academy, Board and the General Public as the artiste with the highest audience appeal and popularity in the year under review. The artiste(s) must have released a hit single/EP/album and must be one of the artistes with the highest nominations in the year under review.

In an interview with Graphic Showbiz on Monday, March 24, Vida Adutwumwaa Boateng, Head of Public Relations for Burniton Music Group (BMG), the music label of Stonebwoy, explained that with regard to work done in the year under review, the Jiggle and Whine artiste stood tall.

“With regard to the category definition that places premium on the artiste with the highest audience appeal and highest nominations, no one in that category beats Stonebwoy.”

“First, Stonebwoy has three major hits, Psalm 23, Ekelebe and Jiggle and Whine on the Up and Runnin6 album and they have been nominated in various categories in this year’s TGMAs. This is a record no artiste in the calendar year can boast of.”

“Imagine a solid 13-track album which features Wyclef Jean, Spice, Odumodublvck, Ginton IR Sais, Duncan Mighty, Amaria BB, which has gained popularity not only in Ghana but the Caribbeans and globally.

“Also, this year, Stonebwoy had eight nominations, making him the highest nominee in this year’s TGMA, and none of his contenders in AOTY category beats that record.”

“His street credibility is unmatched, his shows are always sold out not just in Ghana but his recent tour in the UK proves his appeal beyond our country,” she said.

Ms Boateng argued that the ongoing debate and opinions of why Stonebwoy shouldn’t be the favourite since he has won twice already and as such this year’s bragging rights should be given to younger artistes is needless.

She mentioned that the award is given on merit, cautioning industry players not to be swayed by the fanatic views of followers of artistes.

“For those saying that he’s won it before so he should leave it for the youngsters, let them understand that Stonebwoy’s brand is built on hard work and consistency. His consistency has made him the people’s favourite performer and Ghana’s biggest music export. We shouldn’t compromise on consistency just to reward new entrants into the AOTY category,” she stated.

Describing Artiste of the Year as healthy competition, Stonebwoy congratulated the other nominees, noting that such creative competitiveness should be encouraged.

 

On the back of a successful Up and Runnin6 concert in London where he filled the 02 Shepherd’s Bush Empire, Stonebwoy expressed appreciation to Live Nation, for the partnership that made it successful.

 

“This wasn’t my first time performing in the UK but this live concert brought refreshing connection to the fans in U.K who cut across natives of the Caribbean, Nigeria, Ghana and the U.K,” he said.

Source: Graphic Online

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

[EDITORIAL] Daddy Lumba’s Death: A Legacy Earned, Not Just Lived

Published

on

The saddened passing of Charles Kwadwo Fosu, popularly known as Daddy Lumba, marks a significant moment in Ghana’s cultural and musical history. More than just the death of a beloved highlife icon, his departure reminds us of the power of a legacy built not by mere existence but by tireless effort, sacrifice, and unwavering consistency.

Over the decades, Daddy Lumba became more than a musician. He was a movement — a voice that echoed through the hearts of Ghanaians both at home and abroad. His music told stories of love, pain, hustle, and triumph, all wrapped in rhythms that defined generations.

But one may ask: Was his legacy something he lived into by chance, or something he earned through deliberate action?
It’s a fair question. In a world where fame is often fleeting and influence can be manufactured overnight, Daddy Lumba stood as a symbol of authenticity. From humble beginnings to nationwide acclaim, every milestone in his career bore the fingerprints of hard work, personal sacrifice, and a deep connection to his audience.

There were times when even fans questioned whether his success was driven by branding or by true substance. But looking back, it becomes clear his journey was not accidental. It was crafted. It was fought for. It was earned.

 

Notable Achievements: A Musical Trailblazer

Daddy Lumba’s career spanned over three decades and produced more than 30 studio albums, making him one of the most prolific Ghanaian musicians of all time. His debut album “Yɛɛyɛ Aka Akwantuo Mu” (1989), in collaboration with Nana Acheampong, was a turning point for Ghanaian highlife music and introduced a new wave of modern highlife with a romantic edge.

Some of his biggest hits, including “Aben Wɔ Ha”, “Theresa”, “Sika Asɛm”, “Asee Ho”, and “Ebi Se 3yɛ Wo Ya”, became anthems in Ghana and beyond. His lyrics often reflected real-life situations, earning him admiration across age groups and class lines.

He won numerous awards, including multiple Ghana Music Awards and Lifetime Achievement recognitions. His ability to remain relevant in a fast-changing music industry without compromising his signature style is a testament to his brilliance and staying power.

Notably, Daddy Lumba was also known for mentoring and supporting emerging talents. Many artists, including Ofori Amponsah and Great Ampong, credit part of their rise to his influence and guidance.

Beyond the music, he became a household brand — his voice, appearance, and persona synonymous with quality and prestige in Ghanaian music.

 

A Legacy to Be Celebrated

Whether you admired him for his lyrical genius, vocal uniqueness, stage presence, or his trademark flair, there’s no denying the impact he made. His name became a cultural trademark not only in music but in the hearts of millions.

As Ghana mourns this profound loss, it is only right that we also celebrate the legend while reflecting on the values he stood for: dedication, perseverance, and excellence. Daddy Lumba’s legacy is not just in his songs; it’s in the standard he set for every aspiring artist.

In death, as in life, he remains unforgettable.
And that is the mark of a legacy truly earned.

Continue Reading

Entertainment

Lilwin Declares himself King of Ghana Movies at ‘Captain Ibrahim Traoré’ Premiere

Published

on

Popular Ghanaian actor and filmmaker Kwadwo Nkansah, widely known as Lil Win, has once again demonstrated his versatility and vision with the successful premiere of his latest movie, Captain Ibrahim Traore (The Last African Hero). The grand event, held at the Kumasi SG Mall, drew a star-studded audience and high-profile dignitaries from Ghana and beyond, making it one of the most impactful film premieres in recent Ghanaian cinematic history.

The movie, inspired by the bold and rising leader of Burkina Faso, Captain Ibrahim Traore, explores themes of African unity, leadership, and resistance against neo-colonialism. Through a captivating storyline and powerful performances, Lil Win brings to the screen a narrative that challenges Western portrayals of African leadership while celebrating the courage and resilience of the continent’s youth.

The premiere was graced by key government ministers, traditional leaders, and the Ambassador of Burkina Faso to Ghana, who praised the film for its strong Pan-African message and cultural significance. Security was tight, and media coverage widespread, reflecting the magnitude of the event.

 

“This movie is not just entertainment, it’s a message. A call to African pride and strength. We need to celebrate our heroes while they’re still alive,” Lil Win said in his address at the premiere. “Captain Traore represents hope for the future of Africa.”

Attendees were visibly moved by the powerful storytelling and applauded Lil Win for daring to spotlight a contemporary African leader in a heroic light, a rare move in Ghanaian mainstream film.

 

Aside from his acting and directorial work, Lil Win’s production company also ensured high production quality, blending local authenticity with a cinematic edge that rivals international standards. The film was shot across various locations in Ghana and includes a blend of action, drama, and political commentary.

 

Social media has since been buzzing with positive reactions, with many praising Lil Win for taking a bold step in shifting the focus of Ghanaian cinema toward continental consciousness and leadership advocacy.

With Captain Ibrahim Traore (The Last African Hero), Lil Win is not just telling a story — he’s sending a clear message: Africa has its heroes, and their stories deserve to be told on the big screen.

 

Story By : Zolla Nie (Livenewsgh)

Continue Reading

Entertainment

Makra Mo Under the Stars: Candlelight Vigil Held for Daddy Lumba

Published

on

🕯️ “Makra Mo, But The Legend Lives On” – Ghana Bids Farewell to Daddy Lumba

Highlife icon’s death unites a nation in sorrow, memories, and song

 

His music still dances through our speakers—on the streets, in trotro radios, and market stalls—but the man behind the voice now rests in silence.

 

Aben Wo Aha, but now, Lumba wɔ aseɛ hɔ.

Ghana is mourning the loss of a true musical titan, Charles Kwadwo Fosu, affectionately known as Daddy Lumba. A man whose voice defined generations, stitched memories into melodies, and captured hearts through every lyric, has taken his final bow after over 35 years of shaping the country’s soundscape.

 

Though the flames of his artistry burned bright, today the stage is quiet. Yet, the spotlight he earned refuses to dim.

 

A Candle for the King

Tonight, thousands will gather at Independence Square for a national candlelight vigil in his memory. Since last Tuesday, his family has opened a book of condolence at both his residence and DLFM, the radio station he founded (106.9 MHz), where his voice once ruled the airwaves.

 

Just last September, Lumba turned 60—celebrating with rare public appearances and laughter. In hindsight, many now see that glow as his final farewell.

 

A Life of Mystery and Melody

Daddy Lumba was a star who never chased the spotlight, choosing to let his music speak louder than interviews or headlines. His reclusive nature only heightened the anticipation whenever he emerged.

 

In 1998, Gaddy Laryea’s Media Majique and Research Systems pulled off a milestone: Lumba’s first-ever live performance at Miss Ghana. It shattered myths about his stage presence and proved his magic wasn’t limited to the studio.

 

His manager at the time, the late Kwasi Brenyah of Peace FM, helped pull the strings behind the scenes—true to Lumba’s quiet but powerful style.

Tributes: From Icons, Friends & the Nation

The news of his passing has sparked a wave of tributes from musicians, politicians, and fans alike.

 

The legendary gospel trio Daughters of Glorious Jesus remembered him as “a big brother” and a man whose gospel songs carried depth and divine sincerity.

 

“He wasn’t just a singer—he was a storyteller,” said Edna Sarpong. “Slow to anger, deep in soul. His silence spoke volumes.”

 

Monica Owusu Ansah added, “I wish he had left a protégé… The man had a heart for God. He could sing about anything—and make you feel everything.”

 

Gospel artist Diana Asamoah called him “a brother in the spirit,” saying, “His gospel songs were born from truth, not showbiz.”

 

Music executive Bullet called Lumba “a pillar of authenticity,” while NPP flagbearer hopeful Kwabena Agyapong described the loss as personal: “He was a friend. His voice walked us through both private pain and public joy.”

 

Former President John Mahama posted:

“Lumba’s unmatched musical genius carried us through the phases of life… His legacy will echo through the ages.”

 

Other stars including Sarkodie, M.anifest, Wendy Shay, Guru, Pat Thomas, and Sista Afia have also paid glowing homage.

 

His Music Lives On

In the wake of his passing, Daddy Lumba has re-entered the charts with a vengeance. On Apple Music Ghana, 30 of his songs hit the Top 100—Makra Mo surging straight to No. 1.

 

His 2008 political anthem Nana Ye Winner showed that Lumba could wade into politics without fracturing his appeal. His music transcended politics, class, and even religion.

 

From heartbreak to humor, sensuality to spirituality, Lumba was a lyrical genius. His use of Asante Twi—rich in proverbs, wit, and wordplay—gave his songs a rare, enduring texture.

 

Songs like Sika Asem, Tokuro Mu, Se Sumye Kasa, Yentie Obiaa, and Mesom Jesus tackled everything from love and lust to faith and truth.

 

Most hauntingly, he never feared death—he sang about it. Tracks like Adaka Teaa, Makra Mo, and Yemfa Odo were his own elegies, composed long before his final breath.

The Legacy of Charles Kwadwo Fosu

Born on September 29, 1964, in Nsuta, Ashanti Region, Daddy Lumba’s journey was as remarkable as his music. From humble beginnings to national treasure, he redefined highlife, fusing it with modern flair while keeping its soul intact.

 

His music wasn’t just entertainment—it was an emotional archive of Ghana’s soul.

 

Continue Reading

Trending

Copyright © 2025 KPDOnline. Powered by AfricaBusinessFile