Entertainment
A Mic Drop for Ghana’s Creative Economy: Sarkodie’s Rapperholic to Boost Ashanti Economy by Over GHS 20 million – Mel Kwesi Davis
When Sarkodie takes Rapperholic 2025 to Kumasi today, it’s not just another concert, it’s an economic, cultural and technical mic drop. It’s proof that Ghana’s creative economy is not a “side hustle” industry but a full-fledged engine of growth, powered by indigenous know-how and event management brilliance.
The numbers speak louder than any verse. With 30,000–40,000 fans expected, hotels in Kumasi are already near full. Average nightly rates have jumped from GHS 600 to GHS 1,000, translating into an estimated GHS 8–10 million in hospitality revenue. Restaurants, bars and transport services tuned up for their share of the pie. In fact, some insiders are joking that kwen kwen, Fufu and waakye may be harder to find this weekend of Rapperholic.
The two-week setup has potentially created 500 direct jobs from stage riggers to sound engineers—and about 1,500 indirect ones, from chop bar owners to ride-hailing drivers. That’s about GHS 2.5 million in wages injected into the local economy before Sarkodie even grabs the mic. The wider creative supply chain designers, dancers, DJs, and costume makers are expected to circulate another GHS 5 million. By conservative estimates, Rapperholic 2025 could generate over GHS 20 million (≈USD 1.6 million) in economic activity for Kumasi.
And let’s not overlook the craft. Local carpenters, designers, and lighting engineers brought the stage to life. They didn’t just import expertise; they built it right here. This is indigenous technical knowledge, refined by experience and sharpened by hustle. It’s event management, not as decoration but as development.
Ghana has been flexing this muscle for years. Look at the energy of Tidal Rave, the global draw of AfroFuture, the creativity of Chale Wote Arts Festival, the community of Rhythms and Brunch, and the soul-stirring impact of Women in Worship. And it doesn’t stop at concerts, our theatre stage is booming too. Productions like Death and the King’s Horseman, Run for Your Wife, and other standout plays prove that Ghanaian theatre is alive, commercially viable, and employing dozens of creatives per show. Every event raises the bar, every stage pushes the industry forward, and every crowd proves that Ghanaians don’t just attend events; we build economies around them.
And yes, let’s give credit where it’s due: companies like Event Republic continue to show that world-class event management can be “Made in Ghana.” Pulling off large-scale productions isn’t luck; it’s planning, foresight, and execution. With proper investment, this sector can rival cocoa and gold in its contribution to national development (and it’s way more fun to dance to).
But here’s the challenge: will the government and corporate Ghana keep pace? Imagine tax incentives for event production, infrastructure designed for mega concerts, grant schemes for creatives, and stronger partnerships with the private sector. Imagine the creative economy treated not as an afterthought but as a national strategy.
As Kumasi lights up for Rapperholic 2025, we’re not just watching Sarkodie perform. We’re watching the creative economy perform. And the verdict is clear: it’s a hit.
So here’s to the team, the talent, the city and the fans. Rapperholic 2025 is nothing short of legendary, and as we say in event management, the show must go on.
The Ghanaian gospel music scene is buzzing once again as sensational urban gospel artiste Raf Able drops his second single of the year, titled “No Wahala.” The vibrant and uplifting song reinforces his reputation as one of the most refreshing voices blending faith, inspiration, and contemporary sound in the gospel space.
Following the success of his earlier release this year, Raf Able returns with “No Wahala”, a feel-good anthem that encourages believers to trust in God’s divine plan and live free from anxiety, fear, and unnecessary stress. The phrase “No Wahala,” meaning “no trouble” or “no worries,” captures the central message of the song: that peace and joy come from unwavering faith in God’s promises.
With its catchy hooks, energetic rhythms, and relatable lyrics, “No Wahala” bridges the gap between traditional gospel and urban Afrobeat styles, appealing to both young and mature audiences. Raf Able’s delivery showcases his lyrical depth and musical versatility, making the track both spiritually grounding and sonically exciting.
“No Wahala” was birthed from his personal journey of learning to stay calm and trust God even in challenging seasons. “As believers, we sometimes worry too much about things beyond our control. This song is a reminder that once God is in charge, everything will fall in place.
“No Wahala” is now available on all major digital streaming platforms. Fans and gospel music lovers are already praising the track for its infectious energy and uplifting message.
As Raf Able continues to evolve artistically, “No Wahala” sets the tone for a new wave of gospel creativity, one that speaks the language of the streets while carrying the timeless truth of the Gospel.
Stream via the link below
Entertainment
MUSIGA Honors Nana Konadu Agyeman-Rawlings for Her Lifelong Support of Ghanaian Arts and Culture
The Musicians Union of Ghana (MUSIGA) has paid a heartfelt tribute to the late Nana Konadu Agyeman-Rawlings, recognizing her as a passionate advocate for the arts and a proud custodian of Ghana’s cultural heritage.
In a statement, the Union described its relationship with the former First Lady as one filled with warmth, wisdom, and a deep commitment to the creative industry. MUSIGA recalled her active role in organizing the 2021 tribute concert for her late husband, former President Jerry John Rawlings — noting that her personal involvement was key to the event’s success.
According to the Union, Nana Konadu worked hand in hand with MUSIGA to design a ceremony that not only honored the late former President but also celebrated the vital role of musicians in preserving the nation’s collective memory. Her collaboration, the Union said, embodied her belief that culture and service go hand in hand in shaping a better future for Ghana.
MUSIGA also extended warm wishes to her children — Kimathi, Ezanetor, Amina, and Yaa Asantewaa — praying for continued strength, wisdom, and vision for them all.
Quoting MUSIGA President Bessa Simons, the statement read: “Art is the heartbeat that keeps a nation singing through its trials and triumphs.” It added that Nana Konadu consistently urged the Union to keep that heartbeat alive — by uplifting artistes and honoring Ghana’s heritage.
The Union expressed deep gratitude to Nana Konadu for her leadership, generosity, and unwavering support, noting that her relationship with MUSIGA continues to inspire its mission to promote Ghanaian music, protect artistes’ welfare, and safeguard the country’s cultural legacy.
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