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Five Urban Gospel Artists who have Carved a Niche in Ghana’s Music Industry

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Urban gospel music has grown into one of the most vibrant subgenres in Ghana’s contemporary music landscape, offering young Christians a voice that resonates with their culture and lifestyle. Unlike traditional gospel, which is deeply rooted in highlife and choral styles, urban gospel embraces Afrobeats, hip-hop, trap, and R&B while maintaining a strong spiritual message. Among the artists driving this movement, Scott Evans, KobbySalm, Raf Able, Kingzkid, and Queendalyn Yurglee stand tall as leading voices who have carved a niche for themselves in Ghana’s music industry.

Scott Evans: The Afrobeat Worshipper

Scott Evans has carved a niche as one of the few gospel musicians boldly embracing Afrobeats in worship. His songs combine groovy, danceable rhythms with lyrics rooted in faith, creating music that speaks to both church audiences and mainstream listeners. Known for his youthful appeal, Evans has become a symbol of how gospel can be trendy without compromising its message. His artistry reflects a passion for reaching the unchurched through relatable soundscapes. Known for fusing Afrobeat rhythms with spirit-filled lyrics, he has earned a reputation for making gospel music accessible to mainstream audiences. His songs carry both a celebratory tone and a deep sense of worship, proving that faith can be expressed in modern, youthful styles without losing its message.

 

KobbySalm: The Urban Gospel Pioneer

KobbySalm is regarded as one of the pioneers pushing urban gospel into the limelight in Ghana. A rapper and songwriter, he has consistently used his craft to blend hip-hop, trap, and Afrobeats with strong Christian messages. His groundbreaking album This Is Who I Am established him as a voice for young Christians who wanted to celebrate their faith in a modern style. Beyond music, KobbySalm advocates for urban gospel recognition and sees the genre as an avenue for evangelism. KobbySalm has been vocal about using music as a tool to preach the gospel, particularly targeting young people who might otherwise feel disconnected from traditional forms of worship.

 

Raf Able: The Rising Voice

Among the new wave of gospel artists, Raf Able is emerging as a fresh and dynamic force. His music is characterised by powerful lyrical content and modern production, targeting young audiences searching for hope and identity in Christ. Though relatively new, Raf Able’s consistency and dedication have placed him on the radar as one of the future leaders of urban gospel. Raf Able’s music resonates with themes of hope, faith, and perseverance, packaged in rhythms that appeal to the modern listener. His entry into the scene highlights the diversity and growing depth of Ghana’s urban gospel movement. He represents the next generation determined to sustain and expand the genre’s relevance.

 

Kingzkid: The Trailblazer

Kingzkid is often described as a trailblazer in Ghana’s urban gospel space. With more than a decade of experience, he has remained consistent in delivering Christian hip-hop and contemporary gospel to both local and international audiences. Known for songs such as “I Got My Jesus On” and “Breakthrough,” Kingzkid has inspired many younger acts to embrace gospel rap. His ability to merge worship, rap, and urban sound has made him a household name and mentor within the genre. A strong advocate for Christian hip-hop and urban gospel, his performances and songs reflect his mission to bring youthful energy into gospel music.

 

Queendalyn Yurglee: The Soulful Worshipper

Queendalyn Yurglee represents the growing influence of female voices in urban gospel. Her music is a refreshing mix of contemporary worship and urban influences, carried by her soulful and powerful vocals. Songs like You Are God highlight her deep spiritual conviction, while her style connects with both older and younger audiences. Queendalyn is steadily building her brand as one of the women reshaping gospel music in Ghana, proving that the movement is not only male-dominated. She offers a refreshing balance between traditional gospel messages and modern artistry. Her music appeals across age groups, marking her as one of the female voices carrying urban gospel forward.

 

Conclusion

Together, Scott Evans, KobbySalm, Raf Able, Kingzkid, and Queendalyn Yurglee represent the evolving face of gospel music in Ghana. Through their unique approaches, they are breaking barriers, attracting younger generations, and redefining how gospel is consumed in the country. As urban gospel continues to gain traction, these artists stand as proof that faith-driven music can thrive in contemporary spaces without losing its spiritual essence.

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Shatta Wale hints at contesting Ablekuma South seat as independent candidate in 2028

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Musician Shatta Wale

Ghanaian dancehall star Shatta Wale has opened up about the possibility of venturing into politics, revealing that he may consider running for office as an independent parliamentary candidate if there is significant public demand ahead of the 2028 elections.

 

He said this during an interview on Asempa FM’s Ekosii Sen talk show with OB. Government name, Charles Nii Armah Jnr., said he does not intend to affiliate with any political party should he decide to enter the political arena.

 

According to him, his interest in politics would be driven by a desire to serve the people rather than by personal wealth. He disclosed that if the opportunity arises, he would consider contesting the parliamentary seat for Ablekuma South as an independent candidate.

 

“If the people push me to go into politics, I will consider it. I won’t do it because I’m rich, but because I want to serve the people. I would contest the Ablekuma South seat, but I won’t join any political party. I would prefer to run as an independent candidate if the calls become stronger by 2028,” he said.

 

Shatta Wale also spoke about his strong attachment to Ghana, explaining that his love for the country is one of the reasons he continues to live here despite opportunities to travel or relocate abroad.

He noted that traveling outside the country can be quite costly for him, which makes him more comfortable staying in Ghana.

“I love Ghana so much. Anytime someone asks me to travel abroad, I feel a bit uneasy because I end up spending more money there. Life outside is expensive,” he explained.

The musician added that living in Ghana allows him to enjoy a level of freedom that he values.

“In Ghana, I feel free. Sometimes I go to certain places and I’m able to walk around without any problem,” he said.

He also urged Ghanaians to cultivate a positive mindset, emphasizing that a constructive outlook can drive meaningful change in society.

“If you keep a positive mindset, you can influence change in many ways,” he added.

 

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Legendary musician Sloppy Mike Gyamfi Accuses Kuami Eugene of Song Theft

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Legendary Highlife musician Sloppy Mike Gyamfi has accused fellow Highlife artiste Kuami Eugene of using his song without authorization.

According to the veteran musician, Kuami Eugene performed his song word for word and uploaded it on YouTube without seeking permission from him. He explained that although the younger artiste sang the song well and added some flavour to it, he did not contact him beforehand to seek clearance.

Speaking on the flagship Ekwanso Dwoodwoo drive time show on Okay FM with host Nana Romeo, Sloppy Mike Gyamfi said he was surprised when he heard the rendition of his song Asem Kakra Bi online.

“Kuami Eugene has taken my song. Visit his YouTube platform; he did it very well.

He sang the song so nicely, and I was awed when I heard it. Just Google Asem Kakra Bi and you’ll find it. He did a very good job on the song though. But Kuami never spoke to me about the song. It’s not like he sampled it or took some parts of it; he sang it word for word,” he said.

When asked by Nana Romeo whether Kuami Eugene was supposed to seek permission before using the song, the veteran musician responded that the right procedure would have been to request clearance.

However, Sloppy Mike Gyamfi indicated that he does not hold any personal grudge against the Angela hitmaker, describing him as someone he sees as a son.

“I won’t fault him that much. He’s like my son, so if he admires my work and uses it, I have no problem with it,” he noted.

Despite his forgiving stance, the veteran musician maintained that proper respect and due process should have been followed.

He added that although Kuami Eugene may know his work, the artiste has never personally introduced himself to him.

“I have forgiven him, but if someday he introduces himself to me, I will be happy. He should bring me my portion of the earnings. Not giving me even a penny is not right,” he added.

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Police Arrest Counsellor Lutterodt Over Alleged Incitement in Viral Video About Late Highlife Star Daddy Lumba

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Marriage counsellor and public commentator Cyril George Carstensen Lutterodt, popularly known as Counsellor Lutterodt, has been arrested by the Ghana Police Service over remarks made in a viral video that allegedly incited youth to storm the residence of late highlife legend Daddy Lumba.

The arrest was carried out by the Criminal Investigations Department (CID) following investigations into comments authorities say were offensive and capable of disturbing public peace.

In a press release issued on March 10, 2026, and signed by Chief Inspector Brigitte Babanawoo, Public Relations Officer of the CID, police indicated that Lutterodt’s remarks were linked to issues surrounding the late musician.

“Police investigations indicate that the suspect made some comments in relation to issues surrounding the late musician which are considered offensive and capable of causing a breach of the peace,” the statement said.

Although the police did not disclose the exact content of the viral video, reports suggest the remarks targeted the memory of Daddy Lumba and circulated widely on social media, sparking public outrage. Lutterodt is alleged to have encouraged some youth to exhume the musician’s body from his residence in East Legon.

Counsellor Lutterodt is a well-known figure in Ghana’s media landscape, frequently appearing on radio and television programmes to provide relationship advice and commentary on social issues. His outspoken style has often generated both support and controversy.

Police confirmed that he has since been granted bail but will be arraigned before court on Wednesday, March 11, 2026.

According to the CID, Lutterodt will face charges of offensive conduct conducive to the breach of the peace under Section 207 of the Criminal Offences Act, 1960 (Act 29), as well as inciting violence under provisions of the Public Order Act, 1994 (Act 491).

The offences relate to behaviour or speech that could provoke violence, public disorder, or actions likely to disturb societal peace.

Daddy Lumba, widely regarded as one of Ghana’s most influential highlife musicians, died on July 26, 2025, leaving behind a celebrated musical legacy and a large fan base across the country and beyond.

Lutterodt is expected to appear before an Accra court on Wednesday, where the charges will be formally read and his legal team will respond.

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