Ghanaians have been urged to explore more of their own country as a way of reconnecting with their cultural heritage and strengthening national identity.

The call was made in an article by Maame Ama Boa Effah, an Intern with the Corporate Affairs Department of the Ghana Tourism Authority, who argues that increased domestic tourism could help preserve important aspects of Ghanaian culture.

According to her, social media and globalisation are influencing the way Ghanaians speak, dress, eat and interact, creating concerns that some traditional aspects of Ghanaian identity are gradually being lost.

She noted that the situation is particularly worrying because many Ghanaians travel within the country mainly for social obligations such as funerals, reunions and work-related activities, rather than for leisure and cultural exploration.

Effah pointed out that while Ghanaians readily mention international destinations such as the Eiffel Tower and Burj Khalifa when discussing places they want to visit, many have not explored the attractions and communities within Ghana.

She cited Ghana Tourism Authority data indicating that domestic tourism recorded 1.79 million visits in 2025, compared with Ghana’s population of more than 34 million.

She questioned how Ghanaians could preserve their heritage when they rarely visit the communities, historical sites and cultural centres where their traditions are preserved.

Effah also highlighted existing initiatives designed to promote domestic tourism, including the See Ghana, Eat Ghana, Wear Ghana, Feel Ghana campaign, which encourages citizens to travel within the country, experience local cuisine, appreciate Ghanaian fashion and engage with local music, folklore and traditions.

She also mentioned the VisitCapeCoast campaign, which seeks to position Cape Coast as a major tourism destination for both international visitors and Ghanaians.

However, she acknowledged that several challenges continue to discourage domestic tourism.

According to her, financial constraints, expensive inter-regional transportation, poor road conditions and high hotel prices make leisure travel difficult for many Ghanaians.

She noted that while air travel could reduce long travel times, airfares remain expensive and not every region has an airport.

Effah further argued that accommodation costs can discourage domestic tourists, particularly when residents face hotel rates they consider too high.

She suggested that hotels could introduce subsidised or tiered pricing for Ghanaian residents to make domestic tourism more affordable.

She also proposed that the Ghana Tourism Authority organise budget-friendly weekend group tours for residents and that regional exchange trips be incorporated into school programmes to expose young people to the different cultures and traditions across the country.

Effah welcomed ongoing efforts to improve regional connectivity, including plans for new and regional airports. She noted that developments such as the proposed Bolgatanga Airport and other regional airport projects could reduce travel times and encourage more inter-regional tourism.

She stressed that domestic tourism should not be viewed solely as recreation but also as a means of preserving Ghana’s cultural identity.

“Our identity is never truly lost; it waits in every village and festival and every story,” she wrote, arguing that the culture Ghanaians fear losing may still be available to them if they make the effort to explore their own country.

Effah concluded that reconnecting with Ghanaian culture could begin with something as simple as taking a bus to another part of the country and experiencing its people, traditions, food, stories and history.

By Maame Ama Boa Effah, Intern, Corporate Affairs, Ghana Tourism Authority.

Dolly Parton was one of the most influential figures in American country music, building a career that stretched across music, film, television, business and philanthropy.

Born on January 19, 1946, in Locust Ridge, Tennessee, Parton grew up in a large and poor family. Music was an important part of her childhood, and she began writing songs and performing at a very young age.

Her uncle, Bill Owens, gave her a guitar when she was seven, helping to strengthen her interest in songwriting and performance. As a child, she began appearing on local radio and television programmes.

At 13, Parton made her debut at the Grand Ole Opry in Nashville. She was introduced by Johnny Cash, one of the biggest names in country music at the time.

Her early recording career was not immediately successful. Some of her first releases, including Puppy Love and Happy, Happy Birthday Baby, failed to make a major impact on the charts.

Her breakthrough came when country music star Porter Wagoner invited her to join his television programme. The two became a successful musical partnership, recording numerous duets and helping Parton gain national recognition.

Their 1968 recording of The Last Thing on My Mind became a Top 10 country hit and was followed by several other successful collaborations.

Parton eventually established herself as a major solo artist and songwriter. Her ability to turn personal experiences and stories about ordinary people into powerful songs became one of the defining features of her career.

Dolly Parton’s Most Famous Songs

Jolene

Released in 1973, Jolene became one of Parton’s signature songs. It tells the story of a woman desperately pleading with another woman named Jolene not to take away her partner.

The song became internationally recognised and has been covered by numerous artists.

I Will Always Love You

Parton wrote I Will Always Love You in 1973 after deciding to end her professional partnership with Porter Wagoner.

She originally recorded the song herself, and it became a major country hit. Years later, Whitney Houston recorded a powerful version for the 1992 movie The Bodyguard. Houston’s version became a worldwide phenomenon and introduced Parton’s songwriting to an entirely new generation.

Coat of Many Colors

Released in 1971, Coat of Many Colors was inspired by Parton’s childhood and her family’s poverty.

The song tells the story of a coat her mother made for her from pieces of fabric. Although Parton was poor, the song emphasises the love and pride associated with her family rather than material wealth.

9 to 5

Written for the 1980 film 9 to 5, in which Parton also starred, the song became one of her biggest commercial successes.

It captured the frustrations of working life and became an anthem for workers, particularly women seeking better treatment and opportunities in the workplace.

Here You Come Again

Released in 1977, Here You Come Again became one of Parton’s major crossover hits. It helped expand her audience beyond traditional country music and demonstrated her ability to succeed in the wider pop market.

Two Doors Down

Released in 1978, Two Doors Down became another popular Parton recording and showcased her talent for combining country storytelling with accessible melodies.

Islands in the Stream

Parton teamed up with Kenny Rogers for Islands in the Stream, released in 1983. Written by the Bee Gees, the song became a massive international hit and remains one of the most recognised country-pop duets.

Real Love

Released in 1985, Real Love became another successful Parton recording and continued her run of country and crossover releases.

Why’d You Come in Here Lookin’ Like That

Released in 1989, the song became a popular country hit and reflected Parton’s playful and energetic musical personality.

Travelin’ Thru

Parton wrote and recorded Travelin’ Thru for the 2005 film Transamerica. The song earned an Academy Award nomination and demonstrated that her songwriting remained relevant decades into her career.

A Career Beyond Music

Parton’s achievements were not limited to recording and songwriting. She became an actress, television personality, author, businesswoman and philanthropist.

She appeared in films including 9 to 5, The Best Little Whorehouse in Texas, Steel Magnolias and The Beverly Hillbillies.

She also became closely associated with Dollywood, the theme park in Tennessee that developed into one of the region’s major tourist attractions.

Through her philanthropy, Parton also became known for supporting education and literacy. Her Imagination Library programme has provided millions of free books to children.

A Lasting Musical Legacy

Parton’s songwriting was heavily influenced by her childhood, family, relationships and observations of everyday life. She had a rare ability to transform personal experiences into stories that connected with audiences around the world.

From Jolene and Coat of Many Colors to I Will Always Love You and 9 to 5, her songs crossed generations and musical genres.

With more than 3,000 songs credited to her songwriting career and more than 100 million records sold worldwide, Dolly Parton’s influence extends far beyond country music.

Legendary American country music singer, songwriter and entertainer Dolly Parton has died at the age of 80, bringing an end to a remarkable six-decade career that established her as one of the most influential and recognizable figures in country music.

Parton sold more than 100 million records worldwide and wrote more than 3,000 songs throughout her career. Her team described the legacy she leaves behind as one built on “love, compassion, and resilience.”

Born into a large family and raised in poverty on a farm in Tennessee, Parton developed a passion for music at an early age. Her musical journey took a major step forward when her uncle, Bill Owens, gave her a guitar when she was seven years old.

While still a child, she began performing regularly on radio and quickly demonstrated a talent that would eventually take her to the international stage. In 1959, at just 13, Parton made her debut at the Grand Ole Opry, where she was introduced by country music legend Johnny Cash.

Her first efforts to establish herself as a recording artist were met with limited success. Early releases, including Puppy Love and Happy, Happy Birthday Baby, failed to make a significant impact on the charts.

Parton’s career changed dramatically after she joined forces with country singer Porter Wagoner. Their partnership produced a series of successful recordings, beginning with their 1968 duet The Last Thing on My Mind, which reached the country music Top 10.

The collaboration launched a six-year run of hits and helped establish Parton as a major force in country music. However, her most enduring contribution would come through the songs she wrote herself.

Among her best-known compositions were Jolene, Coat of Many Colors and I Will Always Love You. Her songwriting frequently drew from her personal experiences, exploring themes of love, poverty, family, heartbreak, perseverance and resilience.

I Will Always Love You became one of her most celebrated compositions. Although Parton originally recorded the song herself, it achieved worldwide popularity decades later when Whitney Houston recorded a version for the 1992 film The Bodyguard. Houston’s rendition introduced Parton’s songwriting to millions of listeners around the world and cemented the song as a global classic.

Despite decades of success, Parton never abandoned songwriting. In a 2016 interview, she revealed that inspiration continued to come to her regularly.

“Almost every day I come up with a few song titles or a sweet melody,” she said.

Parton’s influence extended far beyond music. Her career encompassed film, television and philanthropy, while her distinctive appearance, colourful personality and unmistakable voice helped make her one of the most recognisable entertainers in the world.

Her journey from a poor childhood in rural Tennessee to international superstardom became one of the most celebrated success stories in popular music.

Over the course of her career, Parton inspired generations of singers, songwriters and performers while building a vast catalogue of music that transcended country music and reached audiences across the world.

Her death marks the passing of an extraordinary entertainer whose songs, performances and songwriting legacy will continue to influence popular music for generations to come.

Source:BBC

Ghanaian rapper Sarkodie is set to return to Kumasi with the 2026 edition of his highly anticipated Rapperholic concert.

Dubbed “Rapperholic26,” the event is scheduled for Saturday, October 24, 2026, at the Baba Yara Sports Stadium in Kumasi.

The announcement comes after the success of the 2025 edition, which was held in the Ashanti Regional capital under the theme “Rapperholic: The Homecoming.”

Last year’s concert marked a significant moment for Sarkodie, as it symbolised his return to Kumasi, the city where he grew up and began building his music career.

Following the strong reception to the homecoming edition, Sarkodie has decided to keep the concert in Kumasi for a second consecutive year, once again choosing the Baba Yara Sports Stadium as the venue.

Rapperholic26 is expected to draw thousands of music fans from across the country for another major celebration of Sarkodie’s music and career.

Nigerian singer Tiwa Savage has rejected claims that she does not support female artistes, pointing to her long history of collaborations with women in the music industry.

The award-winning singer said she has worked with several female artistes over the years but questioned why many of the songs have not received the level of promotion she expected.

“I don’t feature female artists, which is also a lie, because check the female artists in Nigeria. I’ve done the most features with other females.”

Tiwa Savage questioned the role of industry gatekeepers in promoting songs involving female artistes, saying the lack of support can discourage further collaborations.

“Where are these gatekeepers? Why are they not promoting it? Why are people not promoting it?”

She mentioned some of the female artistes she has collaborated with, including Waje, Simi, Efya, Becca and Ayra Starr.

“When I did a song with Simi, a song with Efya, a song with Becca, I have a song with Ayra, the list goes on. Like, where are those songs?”

According to Tiwa, she has continued to collaborate with women despite the limited attention some of the projects receive.

“So how are you not going to encourage me to do more?”

The singer also addressed perceptions that she does not support other female artistes, explaining that she has deliberately used her platform to create opportunities for them.

She recalled inviting Yemi Alade to perform at one of her concerts after noticing that comparisons between the two artistes were beginning to emerge.

“When I did my concert, I pulled out Yemi Alade, because I saw that that comparison was starting to build.”

Tiwa Savage said she personally reached out to Yemi Alade because she wanted to prevent such comparisons from creating unnecessary tension.

She also cited her relationship with Ayra Starr, saying she has made similar efforts to support her.

“That’s the same thing I’ve done with Ayra, because I’m noticing that and I love Ayra.”

Tiwa Savage maintained that there are numerous examples of her supporting and collaborating with female artistes, despite claims to the contrary.

“So I do try. Repeatedly, there are so many examples that I could go on and on about.”

She said she often finds herself facing criticism regardless of the steps she takes.

“You’re damned if you do, you’re damned if you don’t, because somebody will still say… Somebody will always have something to say.”

Tiwa maintained that her catalogue and history of collaborations speak for themselves, insisting that she has repeatedly demonstrated her willingness to work with and uplift other female artistes.