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Kojo Preko Dankwa Appointed Acting Director of Communications for Creative Arts Federation of Ghana

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Kojo Preko Dankwa, President of the Foundation for Concerned Arts Professionals and head of production and content at KESSBEN FM in Accra, has been appointed as the Acting Director of Communications for the Creative Arts Federation of Ghana.

This position places him on a path towards success, drawing on the milestones he has achieved in his career as a media professional. His appointment highlights his deep knowledge and technical expertise in the creative arts industry.

Known for advocating for the advancement of this sector, Dankwa’s role involves coordinating the Federation’s media and public relations efforts. He will be responsible for developing the Federation’s communications strategy, serving as the official spokesperson, and liaising with member associations and the press. Leveraging his media background, he is expected to enhance the Federation’s profile and articulate a cohesive vision for the sector.

This appointment has generated considerable interest within creative circles. Industry insiders assert that Dankwa’s track record as an award-winning broadcaster and dedicated arts advocate makes him an ideal choice for managing the Federation’s messaging. Although coverage of the Federation in mainstream media has been limited, reactions on social media, among creatives and journalists, have been positive. Many have cited his familiarity with the sector’s challenges and networks.

Veteran producers and arts pundits have publicly welcomed a communications leader who “knows the system” and can navigate both government and artist constituencies. In interviews following his appointment, Dankwa has emphasised the importance of collaboration among arts groups and transparent information-sharing, indicating that he will advocate for active engagement programs. As a key figure in the creative arts industry, Kojo brings extensive experience in media management and consultancy.

He is also the CEO of Krunch Point Desk, a media consultancy firm based in Accra, Ghana. His contributions to the creative arts industry are unparalleled, particularly in areas such as creativity, brand positioning, and consultancy. **Consultancy and Creative Industry Roles** Beyond his broadcasting career, Dankwa is a prominent media consultant and entrepreneur. He founded Krunch Point Desk Consultancy, which provides public relations advice, content production, and training services for clients across various industries. His firm offers marketing materials that promote PR support and content production for businesses. Through this consultancy, he has advised numerous organisations on communications and branding, drawing on his decades of media experience.

A significant force in the creative arts, Kojo established the Foundation for Concerned Arts Professionals (FOCAP), a creative advocacy group that serves as a watchdog for the industry. His detailed investigations into illegal activities at the former creative arts agency significantly impacted the sector and led to changes in the current administration. Kojo Preko Dankwa has worked with many prominent media outlets, including the Multimedia Group’s Adom FM and Asempa FM, as well as EIB Network’s KASAPA FM and Peace FM, among others.

His insights on creative issues across various platforms have been influential in the industry’s progress. His recent appointment as Acting Director of Communications signals growth and stability for the sector, ensuring that it can achieve its vision and mission.

Summary:

Kojo Preko Dankwa is a highly experienced media professional and arts advocate, with a career spanning top-tier radio production, programming management, and public speaking. He has received numerous accolades for his broadcasting work and operates a successful consultancy.

As the leader of FOCAP, he has influenced arts policy discussions and fostered international collaborations. His new role as Acting Communications Director of the Creative Arts Federation enables him to apply his expertise on an industry-wide scale, a move that commentators believe will strengthen communications and advocacy for Ghana’s creative sector.

Below is the official appointment letter from the Creative Arts Federation of Ghana.

3 – Kojo Preko Dankwa – Appointment Letter

Check the full profile of this media mogul and innovative thinker, Kojo Preko Dankwa, below:

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Sista Afia Opens Up About Fear of Becoming a Single Mother

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Ghanaian musician Sista Afia has opened up about her fears surrounding motherhood, revealing that she is more concerned about raising a child alone than motherhood itself.

In a post shared on her X page, the singer said the increasing number of single mothers in the current generation has made her reflect deeply on the kind of family she wants to build.

Sista Afia stressed that she is not afraid of becoming a mother, but fears finding herself in a situation where she has to raise a child without the love, commitment and family structure she has always envisioned.

“Seeing how many single mothers there are in this generation honestly scares me,” she wrote.

According to her, her concern is not simply about having a child, but about becoming a “single mother” or “baby mama” without the kind of committed relationship and family she desires.

“I’m not afraid of motherhood, but I’m afraid of becoming a single mother or just a ‘baby mama’ without the love, commitment, and family I always envisioned,” she added.

The musician said her ultimate desire is to build a home and a family, rather than simply have a child.

“I want to build a home, not just have a child,” Sista Afia stated.

She admitted that the thought of ending up in such a situation frightens her deeply, highlighting the importance she places on love, commitment and family when it comes to motherhood.

“And honestly, that fear scares the hell out of me,” she concluded.

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The Pitt Is Up for 25 Emmys — But Its Biggest Fans Are Real-Life Doctors

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By Angel No Lie | KPD Online | September 14, 2026

Few television medical dramas have received the kind of endorsement that The Pitt has earned from the people who actually work in emergency rooms.

Noah Wyle poses in the press room during night two of the Creative Arts Emmy Awards on Sunday, Sept. 6, 2026, in Los Angeles. (AP Photo/Chris Pizzello)

But beyond Hollywood’s awards race, The Pitt has developed an unusually enthusiastic audience among emergency physicians and other healthcare professionals — largely because many of them say the fictional hospital looks remarkably close to the reality of their working lives.

A medical drama that feels different

Focused Medical Team in Protective Gear. Gerran Howell, left, Amielynn Abellera, Noah Wyle, Sepideh Moafi and Supriyah Ganesh in a scene from Season 2 of “The Pitt.” (Warrick Page/HBO Max)

Set in the emergency department of the fictional Pittsburgh Trauma Medical Center, The Pitt follows doctors, nurses and patients through the pressure of a busy hospital.

Each episode covers part of a working shift, allowing the series to focus not only on dramatic medical emergencies but also on the less glamorous realities of emergency medicine: overcrowding, long waits, difficult patients, exhausted staff, limited resources and the emotional consequences of making rapid decisions.

That attention to detail has caught the attention of doctors.

Show host Mariska Hargitay poses for photographs during a press preview for the 78th Primetime Emmy Awards on Thursday, Sept. 10, 2026, in Los Angeles. (Photo by Caroline Brehman/Invision/AP)

Dr. Steven A. Valassis, an emergency physician at Hartford HealthCare St. Vincent Medical Center, described the series as a “strikingly authentic portrayal of emergency medicine”, particularly its depiction of what happens inside a busy emergency department.

Other emergency physicians have made similar observations. Harvard’s review of the programme spoke with four doctors about its accuracy, examining everything from patient volume and emergency-room culture to the notorious waiting room.

Why doctors see themselves in the show

This combination of images shows, from left to right on the top row: Macaulay Culkin, Alan Cumming, Jon Hamm, Marcello Hernández, and Dan Levy. On the bottom row, from left to right: Niecy Nash-Betts, Keke Palmer, Amy Poehler, Florence Pugh, and Zendaya. (AP Photo)

For many healthcare workers, the attraction isn’t simply the medical procedures.

It is the environment.

Real emergency departments frequently involve simultaneous emergencies, overcrowding and difficult decisions about which patient needs attention first. Doctors and nurses must balance speed with safety while dealing with patients and families who may be frightened, angry or confused.

Those pressures are central to The Pitt.

A 2026 analysis by emergency-medicine expert Jesse M. Pines noted that the series captures issues such as staffing shortages, emergency-department crowding and the practice of keeping admitted patients in emergency departments because hospital beds are unavailable.

That realism can be reassuring for medical professionals — but it can also be uncomfortable.

Some emergency workers have said the programme is so close to their professional experience that watching it after work can feel like returning for another shift. Others have recommended it to relatives as a way of helping them understand what working in emergency medicine is actually like.

The realism starts behind the cameras

The authenticity is not accidental.

The team from “Widow’s Bay” poses in the press room with the award for outstanding sound mixing for a comedy or drama series (half-hour) and animation during night two of the Creative Arts Emmy Awards on Sunday, Sept. 6, 2026, in Los Angeles. (AP Photo/Chris Pizzello)

The production has relied on practicing medical professionals to help actors understand how emergency departments operate and how medical procedures are performed.

UCLA Health emergency physician Dr. Jacob Lentz, for example, has served as a medical consultant on the series. He and other real emergency doctors helped train members of the cast in skills including suturing, using stethoscopes, putting on sterile gloves and applying other clinical techniques.

The series also has medical expertise within its production team. Executive producer Joe Sachs is himself a practicing emergency physician, bringing first-hand knowledge of the profession into the show’s development.

The result is a production where small details matter — from how doctors move around a patient to the way staff communicate during a crisis.

Not everything is completely real

Doctors are not claiming that The Pitt is a documentary.

Television still has to tell stories, and that means compressing events, increasing drama and occasionally taking creative liberties.

But the distinction is important: medical professionals appear to value the show precisely because its departures from reality occur within a setting that otherwise feels familiar.

As Dr. Pines observed, The Pitt is still television, but many of its emergency cases and the operational pressures surrounding them resemble real-life emergency medicine far more closely than many earlier medical dramas.

From critical success to Emmy favourite

The show’s realism has been accompanied by major awards recognition.

The Pitt won Outstanding Drama Series at the 2025 Emmys, while Noah Wyle won Outstanding Lead Actor for his portrayal of Dr. Michael “Robby” Robinavitch. The series subsequently returned with an even larger Emmy presence in 2026.

This year, the series leads all Emmy nominees with 25 nominations. Wyle is again nominated for lead actor, while Katherine LaNasa, Taylor Dearden, Fiona Dourif and Sepideh Moafi are among the performers recognised in supporting actress categories. Patrick Ball, Gerran Howell and Shawn Hatosy are among the supporting-actor nominees.

The Television Academy’s records show that The Pitt has accumulated 38 nominations and nine Emmy wins across its two seasons.

The ultimate compliment may come from the hospital floor

For a television drama, Emmy nominations are an important measure of success.

But for The Pitt, perhaps an even more meaningful achievement is that people who actually work in emergency departments are watching it and recognising their profession.

The series does not portray emergency medicine as a succession of miraculous diagnoses and heroic saves. Instead, it shows a demanding workplace where exhaustion, uncertainty, overcrowding, teamwork and difficult human decisions are part of the job.

That may explain why the programme has connected so strongly with doctors.

Hollywood may be handing out the trophies, but some of The Pitt‘s most important critics are the doctors watching from the emergency room.

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Choirmaster Shares Emotional Tribute One Month After Beverly’s Death

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Ghanaian musician Choirmaster, real name Eugene Baah and a member of the Praye music group, has opened up about the pain of losing his late wife, actress Beverly Afaglo.

In a heartfelt Instagram post shared on September 10, 2026, Choirmaster said life has felt as though it came to a standstill since Beverly’s passing.

He said he deeply misses her voice, smile, presence and the everyday moments they shared.

Reflecting on their life together, Choirmaster admitted that he regrets not appreciating some of those moments enough while she was alive.

“It’s been a month already since you left us, and somehow the world has continued moving even though mine feels like it stopped,” he wrote.

Choirmaster also reflected on the difficult nature of grief, describing it as “love with nowhere to go.” He said the love he has for Beverly would remain with him.

He expressed gratitude for the life they shared, the memories they created and the love she gave him, adding that Beverly would continue to remain part of who he is.

He further said he would honour her memory by carrying her in his heart every day.

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Adekunle Gold takes legal action after false report about daughter

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Nigerian singer Adekunle Gold has revealed that he resorted to legal action after a man circulated false information online claiming that his family had lost their daughter, Adejare Kosoko.

The singer made the revelation during an appearance on the One 54 Podcast, where he spoke about the growing challenge of misinformation on social media.

Adekunle Gold said he has accepted that public scrutiny comes with being a celebrity and does not usually concern himself with comments or stories directed at him. However, he said his daughter is not part of that bargain and would not be dragged into false narratives.

According to him, rather than confronting the individual or taking matters into his own hands, he reported the incident to the appropriate authorities.

The matter was subsequently taken to court, where the man was sentenced to two years in prison or given the option of paying a fine, the singer said.

“Somebody had put out fake news about my family losing our daughter. I can take anything. Talking about me all day, I’m cool. I signed up for this, not my daughter,” Adekunle Gold said.

He explained that he deliberately followed the legal process instead of seeking personal revenge.

“I did the right thing, reported it to the authorities, and then they took it to court. The court sentenced him to, I think, two years’ imprisonment or he should pay a fine,” he added.

Adekunle Gold said the incident generated significant reactions online, with many people discussing the court action and the false report.

He stressed that he could have chosen to personally confront the man but decided against such an approach.

“I followed the right channels. I didn’t even do what other people would do, you know, find the boy, beat him up and all of that. I didn’t do all of that. I just went to the right channels, and it was dealt with,” he said.

The musician also expressed concern about the volume of unverified information circulating online, saying social media users can sometimes encounter stories about themselves that leave them questioning whether the events actually happened.

He called for some form of regulation to address the spread of false information on social media.

“It’s crazy what’s happening on social media now. Sometimes you see news about yourself, and even you will be wondering, like, ‘Oh, did this happen?’” he said.

Adekunle Gold added that the amount of misleading information being circulated online makes some form of regulation necessary.

Source:NiajaNews.com

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I Wouldn’t Have Married Simi – Adekunle Gold Opens Up on Genotype

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Nigerian singer Adekunle Gold has disclosed that genotype compatibility was one of the major considerations before he married his wife, singer Simi.

Speaking on the One 54 podcast, Adekunle Gold stressed the importance of knowing one’s genotype before entering a serious relationship or making decisions about having children.

The singer, who has spoken openly about his personal experiences with sickle cell disease, said he and Simi took genotype tests when they first met to establish whether they were medically compatible.

According to him, the test showed that Simi is AA, a result he said gave them confidence about their compatibility as they pursued their relationship.

“There is so much awareness to be done, and that is what we do. People need to understand that if you have sickle cell, forget about love; you can’t be with someone with sickle cell too. It makes no sense to bring a child into the world who will be sickly,” he said.

When asked what he would have done if Simi had been SS, Adekunle Gold said he would not have proceeded with the marriage.

“There’s no way I would have married my wife Simi if she was sickle cell. The first thing we did when we met was a genotype test to know if we matched. If we didn’t, I wouldn’t have married her. She is AA,” he stated.

The singer further disclosed that he would also not have married Simi if she had been AS, citing his concerns about the possibility of their children inheriting sickle cell disease.

“I wouldn’t have married my wife Simi if she were SS or AS. She’s AA. I don’t think it makes sense to bring a child into this world and make them go through all that,” he added.

Adekunle Gold has previously shared details about the sickle cell crises he experienced while growing up, including periods when his condition was severe enough to make him uncertain about living into adulthood.

His personal experiences, he explained, have shaped the way he views genotype compatibility, relationships and decisions about starting a family.

He also emphasised the need for greater public education on genotype testing, particularly among young people who are entering relationships and considering marriage.

Source:NaijaNews.com

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