The 6th edition of the Ghana Minister of the Year (MOTY) Awards is set to take place on Saturday, June 6, 2026, at the La Palm Beach Convention Centre in Accra.

The annual event, which has become one of the country’s notable governance recognition platforms, seeks to honour Ministers of State whose performance and policy delivery made significant impact within the past year.

Organisers say this year’s awards come at a time when government institutions are under increasing public scrutiny over economic recovery efforts, sector reforms, and service delivery.

Six ministers have been shortlisted for the ultimate Minister of the Year 2025 award after what organisers describe as months of public nominations, stakeholder consultations, and performance assessments.

The nominees are:
Eric Opoku, Minister for Food and Agriculture
Cassiel Ato Forson, Minister for Finance
Haruna Iddrisu, Minister for Education
Emmanuel Armah Kofi Buah, Minister for Lands and Natural Resources
Samuel Okudzeto Ablakwa, Minister for Foreign Affairs
Elizabeth Ofosu-Adjare, Minister for Trade, Industry and Agribusiness

All six ministers are expected to receive recognition on the night, with one eventually emerging as the overall Minister of the Year 2025.

According to organisers, the awards are aimed at promoting accountability and excellence in public service by recognising ministers whose policies and leadership contributed positively to national development.

The event is expected to attract government officials, diplomats, private sector players, civil society organisations, and members of the media.
The ceremony will begin at 6:00pm at the La Palm Beach Convention Centre in Accra.

The awards scheme is powered by Big Events Ghana.

The Ghanaian media and entertainment industry has been thrown into a state of shock following reports of a fatal accident involving popular media personality, Londona Niee, a renowned drive-time and entertainment show host with TOP MEDIA GROUP operators of TOP F.M and TOP TV.

According to multiple eyewitness accounts, the tragic incident occurred yesterday at approximately 7:15 PM along the busy Kwabenya Road stretch heading toward Ashongman estate in Accra. The accident reportedly caused severe traffic congestion as residents, commercial drivers, and motorists gathered at the scene following the unfortunate development.

Sources close to the area disclosed that emergency response personnel arrived at the scene shortly after the accident was reported, while officers from the Ghana Police Service moved in to control traffic and begin preliminary investigations into the cause of the crash. However, official details surrounding the exact circumstances that led to the accident are yet to be released by authorities.

Londona Niee has, over the years, built a strong reputation within Ghana’s entertainment landscape through his energetic presentation style, impactful entertainment discussions, and consistent support for emerging talents in the creative industry. His work with TOP MEDIA GROUP has earned him admiration from listeners and followers across the country, making him one of the recognisable voices within the urban entertainment media space.

Known for his charisma and deep connection with audiences, Londona Niee has contributed significantly to entertainment journalism and radio programming, often using his platform to promote Ghanaian music, artists, and entertainment culture.

Meanwhile, investigations are ongoing as authorities work to establish the full details surrounding the incident. Family members, colleagues, and close associates have yet to officially address the situation publicly.

The unfortunate incident once again raises concerns about road safety on some of Accra’s busiest highways, particularly during evening rush hours, where heavy traffic and reckless driving continue to pose serious risks to motorists and pedestrians.

More updates will be provided as the story develops.

Veteran Ghanaian filmmaker and creative arts advocate Socrate Safo has shared a sobering perspective on the current state of Ghana’s movie industry, claiming that many modern-day producers have never experienced the level of financial success that once existed within the sector.

Speaking during an interview with Roman Fada on Entertainment Lounge, Socrate Safo reflected on the industry’s golden era, describing a time when movie production was highly profitable, and producers could confidently invest in projects with expectations of strong returns.

According to him, the structure of the industry has changed dramatically over the years, making it increasingly difficult for filmmakers to generate substantial revenue from their productions.

“The current crop of movie producers haven’t seen money in the industry,” he stated, emphasising that many younger producers entered the business at a time when the commercial systems that once supported filmmaking had already weakened.

Socrate Safo explained that in earlier years, producers benefited from strong movie distribution channels, high audience demand, and booming physical sales. He noted that the industry once created significant economic opportunities for actors, directors, marketers, and production teams alike.

However, he believes piracy, poor distribution systems, inadequate investment, and changing viewing habits have gradually affected profitability within the sector. According to him, many producers today struggle to recover production costs, making sustainable filmmaking increasingly challenging.

The veteran filmmaker also highlighted the impact of digital transformation on the industry, arguing that while online platforms and streaming services have changed content consumption globally, many Ghanaian filmmakers are still trying to adapt to the evolving landscape.

His comments on Entertainment Lounge have reignited conversations about the need for stronger support systems for Ghana’s film industry. Stakeholders continue to call for improved infrastructure, investment opportunities, effective copyright enforcement, and policies that promote local film consumption.

Despite his criticism of the current state of the industry, Socrate Safo remains hopeful that Ghanaian cinema can regain its strength if deliberate efforts are made to rebuild the business side of filmmaking.

For many observers, his remarks serve as both a reflection on the industry’s past success and a warning about the urgent need to create a sustainable future for the next generation of movie producers.