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Entertainment Journalist Albert Mensah Blankson (BETOS) Writes: LONG FOR THE RICH, SHORT FOR THE POOR

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Read with an open mind.

In Ghana, the rich can keep it long, while the poor must keep it short. This, in summary, is what I deduced from the recent public debate about haircuts in Senior High Schools. Not many have taken the time to learn about the origins of the age-old directive on haircuts in second-cycle institutions in Ghana.

 

Before the trans-Atlantic slave trade, hair grooming and styling were deeply rooted in African life and were a great source of pride, especially for women. As the Holy Book of Christians states, “a woman’s hair is her crown and glory”, forming part of her self-esteem and beauty.

 

1 Corinthians 11:15 (KJV) says:

“But if a woman has long hair, it is a glory to her: for her hair is given her for a covering.”

This verse is part of Apostle Paul’s teaching on head coverings and the symbolic significance of hair in worship and cultural expression. It emphasises that a woman’s hair is a natural adornment, a mark of beauty and honour.

 

The Europeans observed how Africans expressed identity through hairstyling and introduced haircuts as a means to diminish that identity, subjecting them to cruelty by shaving their hair. That’s how it all began.

As a colonial control mechanism, it was designed to make Black people feel less confident in their identity and sense of pride. I will explain this further.

 

In the early days of education in Ghana, students completed school with their natural hair, neatly kept in cornrows and beautiful braids. It neither hindered behaviour nor affected academic performance.

The rule of compulsory haircuts was historically used as a tool to subdue and punish rebellious slaves. Beneath that, however, lay a scheme to suppress what Europeans described as the “wild” appearance of people of African descent, those who wore braids, twists, or locs.

To “tame” this so-called wildness, Black people were forced to adopt colonial hairstyles that left their scalps bare for easier identification.

Fast forward to 2025, and we are still confronted with the remnants of that colonial system. The tools of segregation against African cultural identity and freedom remain deeply embedded within our regulations, behavioural codes, and educational standards.

Did you know that this politics of hair is not limited to education in Ghana? It is also a global issue, one that Black people continue to battle in the diaspora. Many have faced discrimination in various professional fields because of the colour or texture of their hair. They were not denied opportunities for appearing unkempt, but simply because they appeared “wild”, a European label for the confidence and authenticity of Blackness.

 

Some employers have even established arbitrary regulations prohibiting braids, twists, locs, and dyed hair. These bans clearly restrict freedom and autonomy in ways that uniquely affect Black women, rendering them invisible. Yet, Black women have not been silenced. Their battles in the workplace have sometimes led to legal action. Although not always successful, these cases demonstrate how Black women’s hair, its style or colour, has been both a symbol of their marginalisation and their liberation.

My research uncovered several such cases documented in The Journal of Pan African Studies, Vol. 12. One of the earliest, in 1981, involved Renee Rogers, who sued American Airlines over a policy banning all-braided hairstyles. This was followed by several others, including Mitchell vs. Marriott Hotel and Santee v. Windsor Court Hotel.

 

Mitchell was threatened with termination unless she changed her cornrows and was forced to take a one-month leave to “fix” her hair or purchase a wig. Santee, who applied for a housekeeping job at Windsor Court Hotel, was denied employment after refusing to change her blonde hair colour.

https://youtu.be/bxkRg9vmjpg?si=rmYX88sy1zZnE6m_

 

In 2008, Patricia Pitts sued her employer, Wild Adventures, after being chastised for her hairstyle. When she switched from braids to two-strand twists to please her supervisor, she was again told that her twists looked too much like locs.

In Burchette vs. Abercrombie & Fitch, an employee in the Fifth Avenue store was told to remove her blonde highlights or face termination. Even UPS and FedEx faced lawsuits over their bans on braided or loced hairstyles.

More recently, in 2016, Chastity Jones filed a claim with the U.S. Equal Employment Opportunity Commission (EEOC) against Catastrophe Management Solutions after her job offer was rescinded because of her locs. The Circuit Court of Appeals ruled that banning locs during hiring was legal. When Jones and the NAACP appealed to the U.S. Supreme Court, the Court refused to review the case (May 2018).

 

These rulings opened the door for more school and workplace policies prohibiting hairstyles and colours associated with specific racial and ethnic identities, in essence, legalising misogynoir.

 

Back in Ghana, the case of Tyrone Marhguy vs. Achimota School exemplifies the depth of this battle over hair politics. Sadly, such discriminatory practices persist within institutions that preach rules, ethics, and discipline. Ironically, these same rules, flimsy in justification, often spare foreign students, mostly white or Caucasian.

 

Private and so-called “international” schools impose no such laws forcing girls to cut their hair. Parents with deep pockets do not demand that their daughters shave their heads to become better-behaved. There is no evidence that long hair hinders learning or discipline.

 

Remain rich, and you have a choice: your daughters will never suffer haircut trauma. In some cases, boys with locs or twists go unquestioned. There is no empirical evidence showing that students with long hair are less disciplined.

 

On the contrary, most new entrants, children from low-income families, have no choice but to obey the haircut rule.

Where, then, is the equality? Doesn’t forced conformity through deprivation of one’s natural identity defeat the very idea of equality? How does natural hair determine the quality of tuition or learning?

Until we come to a deeper understanding of our identity as a people, it will remain “long hair for the rich, short hair for the poor.”

It shocks me how some Ghanaian women, who have yet to rediscover their African identity, resist embracing their natural crown. It is uncomfortable to note that many of these women, who have found consolation in wigs, lack curiosity about the deeper meaning of Blackness.

The young girls who are forced to lose their crowns of beauty will later chase Brazilian and Chinese hair after high school. Where, then, lies the sense of pride, self-worth, and identity? Are we empowering children to understand themselves through education, or are we producing batches of conformists whose self-esteem depends on societal dictates?

 

How did schools in old Ghana handle discipline without haircuts? How do neighbouring countries, where long hair is allowed, fare in behavioural rankings, and does Ghana outperform them?

As I walk through the cities and towns, I worry about the moral character of Ghanaians, the product of this long-held haircut policy.

After decades of compulsory short hair, we remain a nation that lacks seriousness about basic civic duties. A person who neglects discipline in all aspects of life is reckless in nearly everything. A country that cannot fix roads, provide clean water, or maintain infrastructure seeks to solve discipline through forceful haircuts.

 

A country drowning in filth believes it can purify minds with scissors.

 

Conformity is not a cure for behaviour. It only breeds pretenders, people who look disciplined but are hollow inside. It subtly trains citizens to value appearances over integrity, a culture of hypocrisy.

Is it any wonder, then, that we are among the most corrupt? The answer is simple: we have focused too much on appearances and succeeded in destroying honesty from within.

 

The so-called “right” people, those with clean haircuts, pious looks, and quiet demeanours, are often the same who loot the state and pollute the environment while pretending to fix it.

We have mastered the art of pretence, not the truth of self.

Unless we wake up from this self-destruction, even in the next hundred years, it will still be: Long hair for the rich, short hair for the poor.

By Albert Mensah Blankson

#BetosIsHere

 

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Entertainment

The Energy Man Londona Nie Set for Comeback After Successful Recovery Journey

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Popular Ghanaian media personality Nana Yaw Kumi Jnr, affectionately known in the entertainment space as Londona Nie, is reportedly making a strong recovery after surviving an accident that occurred some months ago on the Kwabenya stretch shortly after work.

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Following news of the accident, social media was flooded with prayers, encouraging messages, and support from listeners, colleagues, friends, and well-wishers who expressed concern over his health and recovery.

Thankfully, fresh updates indicate that the celebrated on-air personality is recovering steadily and regaining his strength day by day. Insiders close to the presenter have disclosed that his health condition has improved significantly, with expectations high for his return to the airwaves in the near future.

Londona Nie, who hosts the drive-time and entertainment show on Top 103.1 FM, is widely admired for his energetic style of presentation, humour, and ability to connect with his audience. His absence has undoubtedly left a void among his loyal listeners who continue to anticipate his comeback.

As recovery continues, many supporters remain optimistic and grateful for the progress made so far.

Without a doubt, “The Energy Man” will soon return to the microphone stronger, healthier, and more energised than ever.

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Entertainment

Highlife Star Quarme Zaggy Drops Official Artwork for Upcoming Single “PRAYERS”

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Ghanaian versatile Highlife musician Quarme Zaggy has officially unveiled the artwork for his forthcoming single titled PRAYERS, a move that is already generating excitement among music lovers and fans across social media.

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Industry observers believe the single could become an inspirational anthem, especially at a time when many young people continue to rely on hope and faith while navigating life’s challenges. The title itself has already sparked conversations among followers, with many anticipating a motivational and spiritually uplifting message from the artist.

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Fans and entertainment enthusiasts are now eagerly awaiting the release of PRAYERS,” as many believe the song could further strengthen Quarme Zaggy’s presence within Ghana’s contemporary Highlife scene.

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Entertainment

Actress and wife of musician Choirmaster, Beverly Afaglo, has reportedly passed away.

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Actress and wife of musician Choirmaster, Beverly Afaglo, has reportedly passed away.

According to a report shared by Hitz FM and cited by KPDonline.net, the musician announced the heartbreaking news, saying:
kpdonline.net
My heart is shattered beyond words.”
Choirmaster mourned the death of his beloved wife, actress Beverly Afaglo.
The cause of her death has not yet been disclosed.

We are closely following developments and will provide updates as more information becomes available.
May Beverly Afaglo rest in peace, and may her family find strength during this difficult time.

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