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Janet Jackson Shines at 2025 AMAs: “I Don’t Consider Myself an Icon” — But the World Does

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Janet Jackson reminded the world why she’s a legend at the 2025 American Music Awards, where she was honored with the prestigious ICON Award — even if she humbly insists she doesn’t see herself that way.

The five-time Grammy winner and trailblazing artist took the stage in Las Vegas on Monday, May 26, in her signature effortlessly cool style: baggy jeans, a crisp white tee, and a puffer jacket. As the crowd roared, she launched into a nostalgic performance of her 2001 fan favorite “Someone to Call My Lover,” before turning up the energy with a dynamic rendition of “All for You,” complete with a fiery guitar solo and a high-energy dance break.

It marked her first televised live performance since 2018 — and it was nothing short of electric.

Actress and director Tasha Smith presented Jackson with the ICON Award, calling her a “force of nature who shaped generations through sound, style, and strength.”

Fighting back emotion, Jackson, 59, began her acceptance speech with warmth and humility. “I love you so much,” she said, looking out at the crowd. “I am so, so honored. I am so grateful. But — I mean no disrespect — I don’t consider myself an icon.”

She continued with heartfelt candor: “My family, myself, our dream wasn’t to be famous. We weren’t raised like that. We just loved music, dancing, and singing. Fame was just a result of hard work and dedication. Our story — my story — is an American story. This could’ve only happened in America.”

Reflecting on her journey, Jackson expressed hope that her career has helped inspire others to chase their dreams. “I pray that I’ve been an inspiration for other artists to follow their own path,” she said. “Because of you and God, I’m standing here.”

She closed her speech with a message of faith and gratitude. “Thank you to the AMAs for this incredible honor, to my team, and to every fan who stood by me. And last but not least, keep God in every part of your life — that’s where He wants to be. I love you so much.”

Earlier this month, upon learning she would receive the award, Jackson shared her excitement on Instagram: “Thank you so much, AMAs!! It’s an honor. We look forward to being on your stage again. See you in Vegas!”

The ICON Award celebrates artists whose music has made an undeniable cultural and global impact — past recipients include Rihanna and Lionel Richie. But this year, the spotlight was all on Janet, a true pioneer whose influence transcends generations.

As if this week weren’t big enough, Jackson is also in the midst of her Las Vegas residency, JANET JACKSON: LAS VEGAS, with six shows running through May 31 at Resorts World.

The 2025 American Music Awards aired live from Fontainebleau Las Vegas on CBS and Paramount+, with Jennifer Lopez returning to host the event’s 50th anniversary celebration.

But no moment was more unforgettable than seeing Janet Jackson — graceful, grounded, and glowing — accept an award she may not claim for herself, but that the world knows she’s earned a hundred times over.

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The Church of Pentecost Causes Arrest of Gospel Musician Francis Amo Over Alleged Song Theft; Consultant Explains

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The Church of Pentecost has reportedly caused the arrest of gospel musician Francis Amo over allegations of song theft.

According to reports, the singer was invited by the Accra Central Police Command for questioning and was subsequently detained.

Speaking to Max TV on the matter, intellectual property expert and consultant Dr. Benjamin Oduro Arhin Jnr, popularly known as Bnoska Bnoska, confirmed the arrest. Dr. Arhin Jnr, who also serves as a lecturer and personal consultant to Francis Amo, confirmed that the arrest was initiated following a complaint from the church and explained the circumstances leading to it.

“Francis Amo has been ministering in the church since as far back as 2008 without taking any payment. About a month ago, he was invited to sing at Easter. During the event, the church taught him a song and instructed him to perform it at the service.

“The song, written and composed by a man identified as Elder Moses, is titled “Ode bone kye.” After his ministration, Francis Amo reportedly confessed to the church that he liked the song. He later proceeded to do a worship recording of the same song and sought permission to release it from Pastor Bortey, who instructed him to officially write to the church, which he did.

According to him, the pastor gave him approval and told him he could go ahead and release the song. He subsequently released the song on Wednesday. However, on Thursday, the pastor called him and instructed him to pull it down, which he complied with. It is further alleged that the church was dissatisfied with the manner in which he handled the situation.

While the original song was titled “Ode bone kye,” Francis Amo titled his version “Ne din de Jesus.”

“On Friday, the Accra Central Police Command called him and informed him that the leadership of the church had lodged a complaint against him, alleging that “you are a thief; you have stolen their song,” and that he should report to the police station to respond to the allegations.”

Dr. Arhin Jnr stated that they reported to the police as required by the invitation, after which Francis Amo was arrested and detained.

“According to the complaint filed against him, he is being accused of being evasive, recalcitrant, and disobedient towards the church, and is therefore being treated as a criminal who must face the full rigour of the law. Which is not the case, he concluded.

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Kwamang Homecoming Concert Positions Kwadwo Nkansah Lil Win as a Driving Force in Community-Centred Entertainment

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The success of the Kwamang Homecoming Concert has firmly established Kwadwo Nkansah Lil Win as a leading figure in Ghana’s growing movement toward community-centred entertainment. By hosting a large-scale event in his hometown of Kwamang in the Ashanti Region, the actor-musician demonstrated the power of taking entertainment beyond the traditional urban strongholds.

The event, which drew a massive crowd from across the country, transformed Kwamang into a vibrant cultural and entertainment hub. With electrifying performances, strong fan engagement, and a festival-like atmosphere, the concert not only entertained but also highlighted the untapped potential of local communities in driving the creative economy.

Industry observers note that Lil Win’s initiative reflects a broader shift within Ghana’s entertainment landscape, where artists are increasingly investing in their roots to drive sustainable, inclusive growth. The Kwamang Homecoming Concert stands as a clear example of how grassroots engagement can translate into national impact.

Beyond the stage, the concert delivered tangible economic benefits to the community, boosting local businesses, transportation services, and hospitality. It also reinforced the importance of cultural identity and community pride, as residents and visitors alike shared a moment of celebration.

As conversations around decentralising Ghana’s entertainment industry continue to gain momentum, Lil Win’s Kwamang Homecoming Concert may well serve as a blueprint for future artist-led initiatives aimed at bridging the gap between urban success and rural development.

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Kojo Preko Dankwa Recognised for Outstanding Media Consultancy at Heroines International Awards 26′

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The President of the Foundation of Concerned Arts Professionals (FOCAP), Kojo Preko Dankwa, has been honoured at the prestigious Heroines International Awards with the award for Outstanding Contribution to Media Consultancy

The recognition celebrates his remarkable impact and consistent dedication to advancing media practice, strategic communication, and consultancy within Ghana and beyond. Over the years, Kojo Preko Dankwa has distinguished himself as a leading voice in media advocacy, contributing significantly to the growth and professionalisation of the communication landscape.

His work through FOCAP, Kessben Media, and Krunch Point Desk Consultancy has empowered young communicators, strengthened media institutions, and promoted ethical standards within the industry. Known for his strategic insight and commitment to excellence, he has played a pivotal role in shaping narratives, guiding brands, and supporting initiatives that drive social and national development.

Kojo Preko Dankwa has expressed gratitude to the organisers for the recognition, noting that the honour serves as motivation to continue contributing meaningfully to the media and communication space. He also dedicated the award to aspiring media professionals, encouraging them to pursue excellence, innovation, and integrity in their work.

The Heroines International Awards, which celebrate individuals making a significant impact across various sectors globally, continue to spotlight excellence and inspire change-makers who are driving progress in their respective fields.

Kojo Preko Dankwa’s recognition not only highlights his personal achievements but also underscores the growing influence of Ghana’s media and communication industry on the global stage.

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