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Joselyn Dumas not Appointed to any Position – Felix Kwakye Ofosu Clarifies

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Joselyn Dumas

The Minister of State in charge of Government Communications, Felix Kwakye Ofosu, has disputed reports suggesting that actress Joselyn Dumas has earned an appointment in John Mahama’s government.

This comes after news shared on various media platforms on March 2, 2025, that the filmmaker had been appointed as the Deputy Director of Diaspora Affairs at the Office of the President.

In a chat with myjoyonline.com, Felix said he could confirm the appointments of all other creative arts personalities to various positions in government except Joselyn’s.

“Miss Dumas has not been appointed to any such position. I can confirm that of the rest,” he told Myjoyonline.com.

In the past few weeks, Kofi Okyere Darko was appointed as Director of Diaspora Affairs at the Office of the President, Rex Omar earned a position as Coordinator of Blackstar Experience, Abeiku Santana as Deputy Chief Executive Officer of the Ghana Tourism Authority, Kafui Danku as Executive Secretary of the National Film Authority and James Gardiner as the Deputy Executive Secretary of the National Film Authority.

These appointments, confirmed by Felix Kwakye Ofosu, were not announced on the official social media handles of the Presidency or the Minister of Government’s Communications, a situation that raised doubts among some people.

They were made by either the media through their verifiable sources or close friends of the appointees just like Joselyn Dumas.

 

When the announcement of Joselyn’s appointment went viral on social media some social media users expressed anger, suggesting that she was not a member of the party.

“This should be fake news, or it will annoy the grassroots paaa. Hmmmmmmmm,” Quanta Masahudu posted on Facebook.

 

Salifu Mohammed Rabui also wrote: “This appointment nkoaa dier, daabi daabi. People worked so hard to win you power and these are the people you reward with appointment. Disappointing!”

Another comment by Raphael Ankonam says, “Why does Bridget Otoo not get appointments as of now? Ahhh.  This one di3 ahhh Mr. President. I called you 2 John, please don’t make a mistake in appointing anybody just like that. Oh, me, I said my own.  Because “nia obr3 na odie, na 3ny3 nia 3k)m di no”.”

Source: Myjoyonline.com

 

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Culture

Government Sets 2026 Rehabilitation of National Theatre in Motion, Plans Begin for Second Facility in Kumasi

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The National Theatre in Accra is finally on track for a major rehabilitation after years of calls for renewal. Funding for the project has been allocated in the 2026 national budget, marking a clear step toward restoring one of the country’s most important cultural landmarks.

 

Presenting the budget to Parliament, Finance Minister Dr Cassiel Ato Forson announced that the government will begin renovating the complex next year as part of a broader effort to revive key cultural infrastructure and strengthen the role of performance spaces in Ghana’s urban life.

He told the House, “Mr. Speaker, in 2026, government will rehabilitate the National Theatre in Accra. We will also commence site acquisition and design of a second national theatre in Kumasi.”

 

For the creative sector, this planned facelift goes far beyond cosmetic changes. The budget points to substantial capital work that will tackle the ageing structure and outdated technical systems, paving the way for higher-quality shows, year-round programming and increased revenue from ticket sales and venue rentals.

 

Management of the National Theatre has already been laying groundwork by improving governance and rebuilding institutional capacity, positioning the facility for consistent use once the refurbishment is complete.

 

The redevelopment also comes with clear practical targets. Upgraded sound, lighting and stage equipment will give local theatre companies the tools they need to stage larger productions and host touring shows. The project aims to create better rehearsal areas, improved backstage amenities and spaces that are more accessible to audiences. The vision is a modern complex capable of hosting international festivals, attracting cultural tourism and supporting a broad range of creative jobs.

 

The rehabilitation is being matched with efforts to professionalise the theatre’s management structure. The Ministry of Tourism, Culture and Creative Arts has recently moved to appoint and equip new boards and executive teams to ensure the facility is both artist friendly and financially sustainable when the work is done.

 

Strong administration will be key, as it will determine whether this renovation becomes a temporary improvement or the foundation for a long term cultural hub.

 

There is also fresh energy on the programming side. In recent months the National Theatre has resumed education and outreach activities, building momentum locally and signalling readiness to pair capital investment with renewed artistic activity.

 

If the commitments outlined in the 2026 budget are carried through, the National Theatre could shift from a reminder of past artistic glory to a vibrant, modern home for the performing arts.

Achieving that goal will demand transparent procurement, reliable funding and firm operational reforms. The intentions are now clear in the budget; the task ahead is to translate them into a theatre the country can use and be proud of.

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Culture

Ghana 🇬🇭 Tourism Authority’s CEO Strengthens Creative Arts Ties in Columbus 🇺🇸

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The CEO of the Ghana Tourism Authority, Mrs Maame Efua Houadjeto, has deepened Ghana’s cultural and creative diplomacy in Columbus, Ohio, meeting with top U.S. Arts and Culture leaders to build partnerships that bridge tourism, culture, and investment.

 

These engagements with the Columbus Association for the Performing Arts (CAPA), Greater Columbus Arts Council (GCAC), Columbus Artway Inc., and others are paving the way for a Creative Arts & Investment Delegation to Ghana in early 2026 — connecting Ghanaian creatives with international investors, art patrons, and institutions.

 

“The arts tell the story of our people — they are the soul of Ghana’s tourism identity,” said Ms. Houadjeto.

 

This initiative reinforces Ghana’s ambition to position itself as Africa’s Creative Capital, promoting cultural exchange through music, theatre, film, and visual arts, while driving jobs, investment, and global visibility for Ghanaian artists.

#ExperienceGhana #GhanaTourismAuthority #CulturalDiplomacy #CreativeEconomy #GhanaInTheWorld #GhanaTourism #VisitGhana #GlobalPartnerships #CreativeAfrica #GhanaArts

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KOFI ATTA KAKRA KUSI HONOURED FOR OUTSTANDING SUPPORT TO THE INTERNATIONAL EDITION OF ACCRA ARTS AND CRAFT MARKET, 2025

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In a heartfelt moment of honour and recognition, Kofi Atta Kakra Kusi, Deputy Director in charge of Corporate Affairs at the Ghana Tourism Authority (GTA), was honoured last night, Saturday, 25th October, 2025 at the W. E. B Dubois Centre for Pan African Culture in Cantonments, for his exceptional contributions and support to the International edition of the Accra Arts and Crafts Market that took place from 17th – 26th October, 2025. The honour was conferred by the Management of the Accra Arts and Crafts Market led by the Manager, Adnan Mohammed and Deputy Manager, Wango Abdul Karimu, during a Gala and Awards night hosted to mark the end of her 10-day exhibition. Mr. Kusi received a citation acknowledging his pivotal role in enhancing the event’s visibility by way of marketing and PR whilst fostering strategic partnerships.

 

Mr. Kusi’s professional journey reflects a blend of academic excellence, industry experience, and dedication to national development. A proud alumnus of Prempeh College, he earned his Bachelor of Arts in Philosophy from the University of Ghana, Legon, before obtaining a Master of Arts in Public Relations from the Ghana Institute of Journalism (now UNIMAC-GIJ) in 2020. He further pursued an MBA in Marketing at the Methodist University College Ghana, graduating in 2022. He also holds a Certificate in Tourism and Hospitality Management from the University of Johannesburg, South Africa.

 

His service to Ghana’s tourism sector spans over a decade. From 2010 to 2014, he served as Board Secretary to the Board of Directors of the Ghana Tourism Authority. He later worked as Special Assistant to the late CEO of the Authority, Mr. Charles Osei Bonsu, from 2014 to 2017. Mr. Kusi was appointed Principal Corporate Affairs Officer in 2019, a position he held until early 2024, when he was elevated to Deputy Director, Domestic Marketing. In February 2025, he was again appointed by elevation as the Deputy Director in charge of Corporate Affairs

Known for his strong Pan-African and nationalistic values, Mr. Kusi has played key roles in several national tourism committees and programmes, contributing to the development and promotion of Ghana’s tourism landscape.

The international edition of the Accra Arts and Crafts Market and fair spanning a period of 10 days did not only promote Ghanaian products but also support small and medium-sized entrepreneurs in exporting their goods beyond the country’s borders. The market fair has been going on for the past eight (8) years but the international edition started last year. Countries that participated included Nigeria, Togo, Benin, Burkina Faso, Niger, etc. It was a vibrant celebration of African creativity, culture, and craftsmanship. It brought together artisans, designers, and creators from Ghana and abroad, all showcasing a wide array of handmade products—fashion, art, crafts, décor, food, and more. The Accra Art & Craft Market is a platform that bridges the gap between artisans and audiences, elevating local crafts while promoting cultural heritage. The “international edition” reflects participation beyond Ghana, creating opportunities for exchange, exposure, and networking.

Attendees such as locals, foreigners, diasporans, tourists, diplomats, etc browsed and purchased authentic, locally made goods, enjoyed cultural performances, and engaged in cross-cultural exchange. The event was framed as an opportunity to “Experience the Magic of Africa through art, fashion, food, and more!” under the theme, “From Local Hands to the Global Stage”

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