Award-winning Ghanaian rapper M.anifest has criticised the growing use of artificial intelligence to create songs, arguing that musicians who rely entirely on AI prompts are stripping music of its human creativity.

Speaking during an interview on Woezor TV on July 29, 2026, M.anifest slams AI-generated songs by insisting that artificial intelligence should support the creative process rather than replace it.

According to the rapper, AI has a place in music production, but allowing it to generate complete songs undermines genuine artistic expression.

“I’m not trying to downplay it. It’s good for a lot of things. But I’m against it when it comes to the creative side. Use AI for things like production. But making songs with prompts? That’s terrible. You should be ashamed of yourself,” he said.

The award-winning musician stressed that while technology can improve production quality, the heart of music should always come from human imagination and originality.

He questioned whether songs created entirely by artificial intelligence can truly be considered art.

“I want to call out some people I’ve seen even in Ghana using prompts to do this. Letting AI write your whole songs. Where’s the human involvement? Without human involvement, is it art? It’s just artificial,” M.anifest said.

The rapper explained that he is not opposed to technological advancement but believes musicians should use AI responsibly without replacing their own creativity.

Beyond his concerns about creativity, M.anifest slams AI-generated songs by urging digital streaming platforms to clearly identify music created primarily through artificial intelligence.

He said listeners should have the freedom to decide whether they want to consume AI-generated music, comparing the proposal to the “Parental Advisory” labels previously used for albums containing explicit content.

“I think there should be freedom of choice. If you like AI music, that’s fine. But it should be identified as such. Then you have the option to decide if you like it or not,” he stated.

M.anifest also suggested that streaming platforms should introduce a feature allowing users to filter out AI-generated music from recommendations and playlists.

“Me personally, I would like to ban AI artists from my DSP. There should be a button where, if you don’t want to hear AI-generated music, it doesn’t appear. Those who want to hear it can. I have no interest in listening to AI-generated music,” he added.

Despite his strong criticism, the rapper reiterated that he supports artificial intelligence when it is used to enhance technical aspects of creative work, such as production, editing and post-production.

However, he maintained that AI should never replace the artist’s imagination, originality and emotional input.

With debates over artificial intelligence continuing to reshape the global music industry, M.anifest slams AI-generated songs as a reminder that, in his view, authentic music must always begin with human creativity.

Ghanaian dancehall superstar Shatta Wale has opened up about why he has remained an independent artiste throughout his career, revealing that learning every aspect of the music business made him less dependent on traditional record labels.

The award-winning musician said his decision to stay independent was driven by his ability to manage key areas of his career, including music production, mixing, mastering, promotion and digital distribution, without relying on a record company.

According to Shatta Wale, taking full control of his music business has enabled him to generate income, save money and invest in other profitable ventures over the years.

Speaking about his journey, the On God hitmaker explained that he realised he was already performing many of the responsibilities typically handled by record labels.

“I found out I was doing everything a record label needed. Producing my own beats, mixing them, mastering them, doing my own flyers, uploading them on YouTube myself and on other stores myself because I’m a tech person, so I learnt all those things,” he said.

Shatta Wale noted that acquiring these skills gave him the confidence to run his career independently while building financial stability.

“I saw it from like 10 years ago that I could run myself properly and make money. I’ve been able to build that, save that money, even venture into playing games on my phone and winning bigger money with the same money. So I’ve flipped the money,” he stated.

Despite his preference for independence, the dancehall star acknowledged that record labels can play a significant role in helping musicians achieve international success through funding, marketing and industry connections.

However, he cautioned artistes to carefully understand the financial obligations and ownership arrangements that often accompany record deals.

“The advantage is that they can push you to become a superstar, but it’s up to you to maintain it. The money they put into you, you have to put it at the back of your mind that they are going to get a lot from you,” he explained.

Shatta Wale added that his years of experience in the music industry, coupled with ownership of his music catalogue and master recordings, have strengthened his position should he decide to partner with a record label in the future.

He stressed that retaining control over his music rights remains a top priority in any potential business agreement.

Shatta Wale’s remarks highlight his long-standing advocacy for artiste independence and underscore the importance of understanding the business side of the music industry before signing any record deal.

Source:Pulse

Ghanaian reggae musician Ras Kuuku has revealed that he is not attracted to white women despite claims that some of them show interest in him because of his Rastafarian identity.

The reggae artiste, speaking in an interview with Nana Romeo on Okay FM, said his decision has nothing to do with his dreadlocks or appearance, explaining that he did not grow his Rasta hairstyle to attract white women.

According to Ras Kuuku, although he receives attention from white women, including through social media, he has chosen not to pursue relationships with them.

“I don’t like white women. I hear they like Rastafarians, but I didn’t grow my Rasta because of them. I don’t even want to have a white child. We are on different sides, and I want it to remain that way,” he said.

The Ghanaian reggae musician added that his position is influenced by his personal interpretation of biblical teachings, stating that he does not support interracial relationships.

Beyond his views on relationships, Ras Kuuku also shared his thoughts about travelling and living abroad.

The musician said Ghana remains a special place for him because of the freedom, weather conditions, and lifestyle the country offers.

He explained that whenever he travels outside Ghana, he misses the country’s environment and social atmosphere.

“What makes me miss Ghana whenever I travel is the freedom here. Outside, the laws are too strict. If not for the fact that their systems work, many people wouldn’t want to stay there,” he stated.

Ras Kuuku further described extreme weather conditions abroad as uncomfortable, noting that both cold and hot seasons can be difficult to endure.

He said Africa is blessed with favourable weather, which is one of the reasons he always looks forward to returning home after international trips.

The reggae artiste concluded that despite the advantages of developed countries, Ghana’s freedom, climate, and way of life remain among the things he values most.

Osebo Cautions Mourners Over Bottled Water: Ghanaian fashion entrepreneur and prominent Kristo Asafo Mission member, Osebo the Zaraman, has advised mourners attending the final funeral rites of the late Apostle Kwadwo Safo Kantanka to exercise caution before drinking bottled water served at the event.

Speaking at the funeral grounds in Gomoa Mpota in the Central Region, Osebo demonstrated what he described as a simple method for determining whether bottled water is safe to drink.

According to him, mourners should first squeeze the bottle before opening it.

He explained that if the bottle compresses easily, it should be discarded. However, if it remains firm and does not collapse, people should still clean the mouth of the bottle with a clean handkerchief before drinking.

“If you’re given bottled water to drink, squeeze the bottle first. If it compresses easily, throw it away. If it doesn’t, clean the mouth of the bottle before drinking it because some people are cobras,” Osebo said.

His remarks drew attention from mourners gathered at the funeral as thousands continue to pay their last respects to the renowned inventor, industrialist and founder of the Kristo Asafo Mission.

Funeral Continues Despite Court Injunction

The final funeral rites of Apostle Kwadwo Safo Kantanka are currently underway at Gomoa Mpota despite a 10-day interim injunction issued by the Accra High Court.

The court order, granted on July 29, 2026, temporarily restrains former Dome-Kwabenya Member of Parliament Sarah Adwoa Safo from proceeding with the funeral arrangements until a legal dispute before the court is resolved.

The injunction followed objections raised by Nana Kwadwo Safo Akofena I, who described the announced burial date as “null and void” due to unresolved disagreements surrounding the funeral arrangements. He indicated that a new burial date would be announced after the legal issues are settled.

Despite the court order, preparations at the funeral venue have continued, with friends, relatives, members of the Kristo Asafo Mission and sympathisers arriving in large numbers, many travelling in chartered buses to honour the late spiritual leader.

Okyeame Kwame’s ” No Hep” song has been released by Ghanaian rapper and National Hepatitis Ambassador, Okyeame Kwame, as part of efforts to support the country’s campaign to eliminate viral hepatitis.

The new song, titled “No Hep,” is aimed at raising awareness, encouraging Ghanaians to get tested, reducing stigma, and promoting vaccination against hepatitis.

Speaking during an interview on World Hepatitis Day, Okyeame Kwame, popularly known as “The Rap Doctor,” explained that he chose music as a tool because of its ability to reach a wider audience and communicate health messages effectively.

According to him, the Okyeame Kwame No Hep song will help make hepatitis education more relatable and easier for people to understand.

“I made this song because I want to help the ministry promote the elimination of hepatitis from Ghana. Music has the power to drive messages home quickly. If people begin singing ‘No Hep, no more,’ they will be encouraged to go for testing, and the stigma around the disease will reduce,” he said.

The musician revealed that the song will be available on digital platforms including YouTube, Facebook, Spotify, and other major streaming services, while radio stations across the country will also broadcast it to reach more Ghanaians.

Okyeame Kwame also shared that his involvement in hepatitis advocacy started over two decades ago when he discovered the high cost of hepatitis B testing and vaccination while preparing for marriage.

He explained that the situation motivated him to establish an initiative that provided free hepatitis testing to help people access important health services.

The rapper expressed optimism about the progress Ghana has made in the fight against hepatitis, noting that treatment costs have reduced significantly compared to previous years.

He highlighted that hepatitis C medication is now available for free in Ghana, while testing services have also become more accessible.

As part of activities marking World Hepatitis Day, Okyeame Kwame encouraged Ghanaians to take personal responsibility by getting tested, receiving vaccination when necessary, and seeking medical attention if they test positive.

He believes that increased awareness, early detection, and access to treatment will help Ghana achieve its goal of eliminating viral hepatitis in the coming years.