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No Need for Creative Arts SHS; Kumasi Mayor Demands STEM Teacher Training School

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Metropolitan Chief Executive of the Kumasi Metropolitan Assembly (KMA), Hon. Richard Ofori Agyemang Boadi, popularly known as King Zuba, has called for the creative arts secondary school currently under construction to be converted into a teacher training facility dedicated to STEM education.

 

According to him, the move will help address the growing need for well-trained science, technology, engineering, and mathematics (STEM) teachers to effectively handle students in the country’s STEM-focused schools.

 

Speaking on the morning show of Kumasi-based Oyerepa FM with Nana Yaw Mensah Joel, the Mayor described the creative arts secondary school project as a misplaced priority, arguing that Ghana already has several institutions offering specialised training in various areas of the creative arts.

 

“We already have institutions like NAFTI, the School of Performing Arts at the University of Ghana, the Winneba School of Music, UNIMAC, and other specialised creative arts schools. Some of these facilities are even underutilised. So why build another huge secondary school for creative arts?” he questioned.

 

Hon. Ofori Agyemang Boadi stressed that creative arts is a broad field that cuts across broadcasting, film, music, theatre, and performance, adding that most practitioners in the industry are driven more by talent than formal secondary-level training.

 

He further noted that Ghana’s major challenge is not the lack of creative arts schools, but the absence of strong industry infrastructure to support practitioners already in the field, such as world-class theatres, recording studios, and production facilities.

 

“If you train thousands of students, where will they practise their craft? You don’t even have enough theatres in the country, yet you want to produce more creatives,” he stated.

 

The Kumasi Mayor proposed that since the building is already under construction, government should repurpose it into a tertiary-level institution or a specialised teacher education college focused on training STEM educators.

 

“We need teachers who are well equipped to teach science and technology. That is how we can strengthen our STEM schools and build industries. The world is moving towards industrialisation, and Ghana cannot afford to be left behind,” he added.

 

He reiterated that Ghana’s education system must be aligned with national development goals, warning that continued investment in poorly targeted educational projects could worsen unemployment rather than solve it.

 

The Creative Arts Secondary School was established by the then President Nana Addo Dankwa Akufo-Addo–led government as a specialised institution to nurture students with talent and interest in the creative sector, just as STEM schools were created to prepare future scientists and engineers.

 

The initiative was driven by the need to strengthen Ghana’s creative economy, which contributes significantly to revenue and employment, and was designed to combine creative arts training with science education to reflect the growing convergence of creativity and technology.

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The Church of Pentecost Causes Arrest of Gospel Musician Francis Amo Over Alleged Song Theft; Consultant Explains

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The Church of Pentecost has reportedly caused the arrest of gospel musician Francis Amo over allegations of song theft.

According to reports, the singer was invited by the Accra Central Police Command for questioning and was subsequently detained.

Speaking to Max TV on the matter, intellectual property expert and consultant Dr. Benjamin Oduro Arhin Jnr, popularly known as Bnoska Bnoska, confirmed the arrest. Dr. Arhin Jnr, who also serves as a lecturer and personal consultant to Francis Amo, confirmed that the arrest was initiated following a complaint from the church and explained the circumstances leading to it.

“Francis Amo has been ministering in the church since as far back as 2008 without taking any payment. About a month ago, he was invited to sing at Easter. During the event, the church taught him a song and instructed him to perform it at the service.

“The song, written and composed by a man identified as Elder Moses, is titled “Ode bone kye.” After his ministration, Francis Amo reportedly confessed to the church that he liked the song. He later proceeded to do a worship recording of the same song and sought permission to release it from Pastor Bortey, who instructed him to officially write to the church, which he did.

According to him, the pastor gave him approval and told him he could go ahead and release the song. He subsequently released the song on Wednesday. However, on Thursday, the pastor called him and instructed him to pull it down, which he complied with. It is further alleged that the church was dissatisfied with the manner in which he handled the situation.

While the original song was titled “Ode bone kye,” Francis Amo titled his version “Ne din de Jesus.”

“On Friday, the Accra Central Police Command called him and informed him that the leadership of the church had lodged a complaint against him, alleging that “you are a thief; you have stolen their song,” and that he should report to the police station to respond to the allegations.”

Dr. Arhin Jnr stated that they reported to the police as required by the invitation, after which Francis Amo was arrested and detained.

“According to the complaint filed against him, he is being accused of being evasive, recalcitrant, and disobedient towards the church, and is therefore being treated as a criminal who must face the full rigour of the law. Which is not the case, he concluded.

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Kwamang Homecoming Concert Positions Kwadwo Nkansah Lil Win as a Driving Force in Community-Centred Entertainment

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The success of the Kwamang Homecoming Concert has firmly established Kwadwo Nkansah Lil Win as a leading figure in Ghana’s growing movement toward community-centred entertainment. By hosting a large-scale event in his hometown of Kwamang in the Ashanti Region, the actor-musician demonstrated the power of taking entertainment beyond the traditional urban strongholds.

The event, which drew a massive crowd from across the country, transformed Kwamang into a vibrant cultural and entertainment hub. With electrifying performances, strong fan engagement, and a festival-like atmosphere, the concert not only entertained but also highlighted the untapped potential of local communities in driving the creative economy.

Industry observers note that Lil Win’s initiative reflects a broader shift within Ghana’s entertainment landscape, where artists are increasingly investing in their roots to drive sustainable, inclusive growth. The Kwamang Homecoming Concert stands as a clear example of how grassroots engagement can translate into national impact.

Beyond the stage, the concert delivered tangible economic benefits to the community, boosting local businesses, transportation services, and hospitality. It also reinforced the importance of cultural identity and community pride, as residents and visitors alike shared a moment of celebration.

As conversations around decentralising Ghana’s entertainment industry continue to gain momentum, Lil Win’s Kwamang Homecoming Concert may well serve as a blueprint for future artist-led initiatives aimed at bridging the gap between urban success and rural development.

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Kojo Preko Dankwa Recognised for Outstanding Media Consultancy at Heroines International Awards 26′

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The President of the Foundation of Concerned Arts Professionals (FOCAP), Kojo Preko Dankwa, has been honoured at the prestigious Heroines International Awards with the award for Outstanding Contribution to Media Consultancy

The recognition celebrates his remarkable impact and consistent dedication to advancing media practice, strategic communication, and consultancy within Ghana and beyond. Over the years, Kojo Preko Dankwa has distinguished himself as a leading voice in media advocacy, contributing significantly to the growth and professionalisation of the communication landscape.

His work through FOCAP, Kessben Media, and Krunch Point Desk Consultancy has empowered young communicators, strengthened media institutions, and promoted ethical standards within the industry. Known for his strategic insight and commitment to excellence, he has played a pivotal role in shaping narratives, guiding brands, and supporting initiatives that drive social and national development.

Kojo Preko Dankwa has expressed gratitude to the organisers for the recognition, noting that the honour serves as motivation to continue contributing meaningfully to the media and communication space. He also dedicated the award to aspiring media professionals, encouraging them to pursue excellence, innovation, and integrity in their work.

The Heroines International Awards, which celebrate individuals making a significant impact across various sectors globally, continue to spotlight excellence and inspire change-makers who are driving progress in their respective fields.

Kojo Preko Dankwa’s recognition not only highlights his personal achievements but also underscores the growing influence of Ghana’s media and communication industry on the global stage.

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