Entertainment
8 Events that Ignited Detty December in Ghana
For decades, December in Ghana was defined by homecomings, church conventions, family reunions and modest nightlife. Today, it is a full-blown cultural economy known globally as Detty December, a season that transforms Accra into one of Africa’s busiest creative, tourism and entertainment hubs. From music festivals and fashion runways to beach raves and luxury nightlife, Detty December did not happen by accident. It was ignited by a series of bold, culture-shaping events that reimagined what Ghana’s festive season could be.
Here are 8 key events that lit the fuse and turned December in Ghana into a global movement.
- Afrochella (AfroFuture): The Spark That Went Global

No event embodies Detty December more than Afrochella, now rebranded as AfroFuture. Launched with a vision to celebrate African excellence, AfroFuture fused music, fashion, art, food and heritage into a single experience. Its timing, strategically placed in late December, made it the perfect anchor event for the festive calendar.
AfroFuture attracted thousands of young Africans and diaspora returnees from the United States, Europe and the Caribbean. More importantly, it reshaped Ghana’s global image from a historical destination into a contemporary cultural capital. Social media virality, influencer attendance and international media coverage turned AfroFuture into a gateway through which Detty December was introduced to the world.
- BHIMFEST

Celebrating a decade of Bhim Concert, now turned festival, Stonebwoy’s BhimFest added diversity to Detty December’s sonic landscape. Rooted in reggae and dancehall but open to Afrobeats and highlife, the concert attracted both local fans and international acts.
Beyond music, BhimFest symbolised unity, resilience and Ghana’s place within global Black music culture. Its growth highlighted how December events could also carry strong identity and community narratives.
The concert now turn Festival featured an impressive lineup of artists from the diaspora, each bringing their unique flair to the stage. Performances ranged from smooth reggae rhythms that had the crowd swaying in harmony to pulsating dancehall and Afrobeat that ignited a dance frenzy. The diversity of music reflected the growing dynamism of Ghana’s music industry, showing that genres like reggae, dancehall and Afrobeat are not just entertainment, they are unifying forces that bridge generational and social divides.
Beyond the music, the BhimFest stood out for its sense of community. Organisers emphasised messages of peace, collaboration, and national pride throughout the event, encouraging attendees to connect not just through the music but through shared values. Fans took to social media in real time, sharing videos, dance clips, and moments of solidarity, further amplifying the concert’s theme of unity.
The event also highlighted the evolving professionalism in Ghana’s live music scene. From seamless stage production and sound management to engaging crowd interactions, the BhimFest demonstrated how local events can rival international standards while retaining an authentic Ghanaian flavour.
In many ways, the BhimFest was more than just a musical showcase; it was a celebration of culture, togetherness, and the enduring power of music to bring people together. As Ghana continues to nurture its creative arts industry, events like this serve as a reminder that music is not just heard, but felt, shared, and experienced collectively.
- THE GTCO CHRISTMAS CONCERT

When conversations turn to Detty December in Ghana, the focus often gravitates toward late-night raves, beach parties and high-octane music festivals. Yet, quietly and consistently, one event has stood as the cultural soul of the season: the GTCO Christmas Concert. More than a musical showcase, the concert has become a national ritual, uniting faith, artistry, corporate responsibility and Ghanaian excellence under one grand Christmas experience.
While Detty December thrives on excitement and nightlife, the GTCO Christmas Concert offers balance, reminding the nation and its visitors that celebration can also be reflective, elegant and deeply rooted in tradition.
- Kweku Smoke Revival Concert

The Detty December also witnessed one of the creative artistry nights as Kweku Smoke took the stage for his much-anticipated Revival Concert. The event drew fans from across the country, all eager to enjoy an immersive night of live performances, soulful tunes, and high-energy beats.
The concert showcased Kweku Smoke’s signature style, blending hiplife, afrobeat, and contemporary Ghanaian sounds. Landing from a chopper, each performance resonated with fans, who sang along to hit tracks and enjoyed the lively stage presence that has become Kweku Smoke’s trademark. The concert also featured surprise guest appearances from some of Ghana’s top artists, adding even more excitement to the night.
The Revival Concert was more than just entertainment it was a celebration of Ghanaian culture and creativity.
From flawless sound management to visually stunning stage effects, the Revival Concert reflected a new level of professionalism in Ghana’s live music scene. Attendees were treated to a seamless experience, with every detail from lighting to crowd engagement carefully curated to create a memorable night.
- Rapperholic: The Power of Consistency

When Sarkodie launched Rapperholic, it was a bold attempt to place hip-hop at the centre of Ghana’s December calendar. Over the years, Rapperholic evolved into one of the most anticipated concerts in West Africa.
Its consistency-built trust with fans and tourists alike. For many diaspora visitors, attending Rapperholic became a December ritual. The concert also demonstrated how artist-led events could scale into national cultural assets.
6. Medikal’s “Beyond Control” Concert

Medikal took centre stage during the festive season with his highly anticipated “Beyond Control” Concert, delivering one of the most talked-about performances of Detty December.
Held amid an electrifying atmosphere, the concert drew thousands of fans who gathered to celebrate Medikal’s music, journey, and influence within Ghana’s hip-hop and hiplife scene. From the opening moments, the rapper’s commanding stage presence and energetic delivery kept the crowd fully engaged.
Medikal thrilled patrons with back-to-back performances of his biggest hits, blending hard-hitting rap with infectious party anthems that defined the Detty December mood. The audience responded with massive sing-alongs, turning the venue into a sea of excitement and unity.
The Beyond Control concert also featured surprise guest appearances from fellow artistes, adding to the night’s energy and reinforcing Medikal’s strong industry connections. Each performance elevated the experience, making the concert a celebration of collaboration and Ghanaian music excellence.
Beyond entertainment, the concert served as a reflection of Medikal’s growth and resilience in the music industry. His ability to headline a major Detty December event further solidified his position as one of Ghana’s most influential rap acts.
As Detty December continues to position Ghana as a global entertainment destination, Medikal’s Beyond Control concert stands out as a highlight showcasing the power of live music, youth culture, and the ever-evolving Ghanaian sound.
7. Rhythms on the Runway: Fashion Meets Festivity

Long before December became crowded with festivals, Rhythms on the Runway had already established itself as a premium end-of-year event. By merging high fashion with live musical performances, it appealed to both the creative elite and the social class seeking refined entertainment.
The event elevated Ghanaian designers, models and musicians, while positioning fashion as a central pillar of Detty December. It also drew corporate sponsorships, diplomats and tourists, proving that creative events could command prestige and economic relevance.
- TASTE THE CULTURE

Ghana was more than a place to visit; it is a culture to be experienced. Taste The Culture was an open invitation to travellers from around the world to immerse themselves in the heartbeat of Ghana through its food, music, art, festivals, and everyday way of life.
From the vibrant rhythms of traditional drumming and contemporary music to the rich flavours of local cuisine, Ghana offers a sensory journey unlike any other. Visitors are welcomed not just as tourists, but as participants in a living culture shaped by history, creativity, and community. Every meal tells a story, every dance carries meaning, and every craft reflects generations of heritage.
Ghana’s creative arts and cultural festivals form the backbone of its tourism appeal. Events, markets, concerts, art exhibitions, and heritage sites provide authentic experiences that connect visitors to the people and traditions behind the culture. Whether exploring historic landmarks, enjoying local fashion and design, or engaging with artisans and performers, travellers encounter a culture that is both timeless and evolving.
Taste The Culture also reflects Ghana’s growing position as a hub for cultural tourism and creative exchange. As global travellers increasingly seek meaningful and immersive experiences, Ghana stands out for its warmth, diversity, and authenticity. The country’s cultural richness not only attracts visitors but also empowers local communities and creatives who serve as ambassadors of Ghanaian identity.
At its core, Taste the Culture is a call to explore Ghana with curiosity and respect to move beyond sightseeing and truly connect with the soul of the nation. It is an invitation to celebrate heritage, embrace creativity, and create lasting memories through genuine cultural experiences.
Entertainment
‘She Was My Helper’ — Obaapa Christy Mourns Vivian Jill’s Late Sister Mabel Intuah
Gospel musician Obaapa Christy has paid an emotional tribute to Mabel Intuah, the late sister of actress Vivian Jill Lawrence, describing her as a selfless and supportive person whose kindness had a major impact on her life and career.
Speaking in an interview on Okay FM, the award-winning gospel singer said Mabel was more than just a friend or acquaintance, but someone who played a significant role in helping her connect with influential people and grow professionally.
According to Obaapa Christy, Mabel consistently created opportunities for her by introducing her to important personalities and helping her build valuable relationships that contributed to her journey.
She revealed that she had spent time with Mabel only a few days before her passing, during which she requested her assistance with some errands. She said Mabel willingly offered to help without hesitation.
The gospel artiste also spoke about their close relationship, noting that Mabel often drove her to various places because of how frequently they spent time together. She jokingly referred to herself as Mabel’s “personal chauffeur” due to their constant movement together.
Obaapa Christy recalled that Mabel had been assisting her with preparations for an upcoming programme and had promised to personally take her to meet some prominent personalities she wanted to invite.
“I even spoke to her on Wednesday when she told me she was in the hospital,” she said.
Although Mabel informed her that she was not feeling well, Obaapa Christy said she never imagined the situation would become tragic, as they had plans to meet the following day.
She explained that she was devastated after receiving a phone call informing her of Mabel’s passing.
“I asked what was wrong, and she said her condition wasn’t looking good, but I assured her everything would be fine. Then later in the evening, I heard she had passed away. Since then, I have been devastated and have had to cancel most of my appointments,” she recounted.
The singer admitted that the loss has taken a heavy emotional toll on her, adding that she is still struggling to accept the death of someone who had been such a dependable and important presence in her life.
Mabel Adwoa Intuah, founder and Chief Executive Officer of Mayan Stitches, passed away shortly after celebrating her 50th birthday.
Entertainment
“I’m a better songwriter than AI”:Ras Kuuku
Ghanaian reggae and dancehall artiste Ras Kuuku has rejected the idea that artificial intelligence (AI) can replace human creativity, insisting that genuine songwriting comes from personal experiences, talent, and originality.
Speaking in an interview with entertainment journalist Joseph Owusu Worae, the award-winning musician said he has no problem with artistes using AI as a supportive tool but believes technology cannot match his songwriting abilities.
Ras Kuuku explained that some of his popular songs, including “Adie3 Bekye,” were created long before AI became widely used in music production, which according to him proves the strength and authenticity of his craft.
“AI is being used in many fields, and I can’t say I don’t use it in some things I do. But musically, I didn’t even know AI could write songs. ‘Adie3 Bekye’ and many of my best songs came before AI. When I compare myself with AI, I’ve realised I’m a better songwriter than AI,” he said.
The musician warned that excessive reliance on AI could affect the creativity of young artistes. He argued that while technology can provide support and inspiration, it should not take over the creative process.
“AI can never give me a song like ‘Adie3 Bekye.’ If you depend too much on it, your creativity will sleep. The people who created AI used their own brains, so we also need to use ours. AI can add a thing or two, but it shouldn’t do everything for us,” he stated.
Ras Kuuku further revealed that he would not allow AI to write songs for him because his career has been built on original compositions and personal creativity.
He encouraged emerging musicians to remain authentic, stressing that true talent is proven through live performances.
“When you pick up the microphone to perform, AI won’t be there to sing for you. That’s why it’s important to stay original. AI can help, but don’t depend on it too much or you’ll lose your way,” he advised.
The reggae star maintained that every song in his catalogue was written from scratch by him, adding that the use of AI in music remains a personal choice for artistes.
Source:3news
Entertainment
Many Ghanaian Musicians Are Going Broke Because They Rely on Streaming:Ras Kuuku
Ghanaian reggae artiste Ras Kuuku has cautioned musicians against depending entirely on streaming platforms for income, arguing that many artists are falling into financial hardship because they underestimate the huge financial investment required to succeed in the digital music industry.
Speaking in an interview with Graphic Showbiz, Ras Kuuku acknowledged that streaming services have opened doors for musicians to reach audiences across the world and earn revenue from their music. However, he stressed that simply uploading songs to streaming platforms is not enough to generate significant income.
According to him, artists must invest heavily in promotion, marketing, and visibility if they expect to make meaningful returns from streaming.
“Streaming has helped a lot of musicians. When you invest, you make money out of it, all things being equal. But if you don’t invest, you make nothing,” he said.
The reggae musician explained that many artists only realize the true financial demands of streaming after committing substantial sums of money without seeing immediate returns.
He noted that promoting music on digital platforms requires considerable funding, warning that artists who lack the resources to sustain promotion risk running into financial difficulties.
“It is a lot of money that goes into getting your songs on these platforms. So if you don’t have that money, you will go broke. That is why you see so many artists going broke because they rely on streaming and hope it will make returns for them,” he stated.
Nigerian Music’s Success Is Driven by Investment
Ras Kuuku also shared his thoughts on why Nigerian music continues to enjoy a stronger presence on Ghanaian radio stations, television networks, and entertainment platforms.
He believes the difference is not necessarily talent but the level of financial investment behind the music.
“Their songs keep dominating because it’s all about money. They invest so much,” he said.
He explained that Nigerian artists and their management teams often commit larger budgets to promotion, allowing their music to remain visible for much longer than that of many Ghanaian artists.
To illustrate his point, he said while a Ghanaian artist may pay for a month of airtime on a major television station, Nigerian artists often pay for as long as six months, ensuring their songs remain in rotation long after local artists’ promotional periods have ended.
“Let’s say when our local artists here pay for a month to, for instance, our big TV stations, the Nigerians come and pay for like six months. So the time the locals use up their slot, theirs will still be there. So it’s about investment,” he explained.
Despite the disparity, Ras Kuuku maintained that Ghanaian musicians possess the talent to compete globally. However, he emphasized that without adequate financial backing and long-term investment strategies, many local artists will continue to struggle to match the reach and dominance of their Nigerian counterparts.
“We are also doing well, but it’s about investment,” he concluded.
-
Entertainment2 weeks agoDerrick Manny Calls for Better Support for Ghanaian Creatives Following Dede Padiki’s Death
-
Entertainment2 weeks ago“Stay Broke If You Want Peace” – Sarkodie Sparks Online Debate With Powerful Success Message
-
General News2 weeks agoEOCO Arrests Dennis Aboagye, Gerald Appiah Over GH¢55m IMCCoD Probe
-
General News2 weeks agoOkatakyie Afrifa Mensah’s Team Alleges Assault, Gunshot Injuries After Arrest
-
Entertainment2 weeks agoDede Padiki Felt Neglected by Ghana’s Creative Sector Before Her Death – Derrick Manny
-
Entertainment2 weeks agoMercy Asiedu donates GH¢50,000 to support Kwadwo Kwakye Obuobi’s kidney transplant
-
Business2 weeks agoInvestor Confidence Soars as Treasury Bill Bids Hit GH¢10.03 Billion
-
Entertainment4 days agoDJ K.A Apologises Over Viral Video, Says It Was Recorded Four Years Ago
