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Shatta Wale is not just a Star, He’s a Movement- FOCAP Vice President Mel Kwesi Davis Writes

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Vice President of the Foundation of Concerned Arts Professionals (FOCAP), Mel Kwesi Davis, has applauded African Dancehall King Charles Nii Armah Mensah, widely known as Shatta Wale, for his continuous and persistent contribution to the Ghana music industry and the creative economy. In a Facebook post sighted by your number one news source,  KPDONLINE.NET, the event and creative astute heaped praises and further showcased his admiration for the artiste he claimed as Ghana’s Gold.

 

He writes!!!!

If there is one artist in Ghana who knows how to keep an entire nation talking, dancing, arguing and sometimes even fighting over music, it is Charles Nii Armah Mensah Jnr.  the one and only Shatta Wale.

 

From his early days as Bandana, when he blessed us with “Moko Hoo”, to his spectacular rebirth as Shatta Wale, he has done what very few African musicians have managed: stay relevant for over two decades while reinventing himself in style. Love him or hate him, Shatta Wale has conquered Ghana’s music space, cemented his name as the Dancehall King of Africa and is now quietly or rather loudly, preparing to storm the world.

 

If there’s one thing about Shatta Wale, it’s this: he never stops moving. The man who once shook Ghana with “Dancehall King” and shook the world with Beyoncé’s “Already” and he is back in the headlines with a new fire — his hit single Street Crown. Just when we thought it couldn’t get bigger, the “World Boss” himself, Vybz Kartel, jumped on the remix. Two kings of dancehall, one track. The streets don’t just love it, they’ve crowned it.

 

This time, Shatta isn’t just aiming for charts. He has officially submitted “Street Crown” for Grammy consideration, a bold but perfectly timed move. With Afrobeats, Amapiano and African dancehall dominating global playlists, Shatta’s Afro-dancehall sound sits at the crossroads of cultures, exactly the kind of fusion the Recording Academy is finally paying attention to.

If successful, he’ll not only break new ground for Ghanaian music but also cement his place as one of Africa’s most influential exports.

 

 

The Ghana and Africa Chapter: Conquered.

Shatta’s story is not just music; it is strategy. In Ghana, he turned dancehall into a mainstream sound, mixing patois with Ga, Twi and Pidgin, making it ours.

He dominated the charts with hits like Dancehall King, Ayoo, Kakai, and Taking Over — records that instantly became street anthems.

It’s not like Shatta is new to winning. His career is a shelf stacked with trophies and milestones:

Over 80 awards and 120+ nominations, making him one of Africa’s most decorated artists. 3-time International Reggae & World Music Awards (IRAWMA) winner, including Best Virtual Entertainer of the Year in 2021. 2014 Vodafone Ghana Music Awards Artist of the Year, the year he officially took over Ghana.

Billboard recognition: Dancehall King spent weeks on the Billboard charts, proving his appeal goes beyond Africa.

Collaborations with global names like Beyoncé, Major Lazer, and Vybz Kartel, which only a handful of African acts can boast of.

 

Beyond the music, he built a movement, Shatta Movement (SM4Lyf), a loyal fan base that doubles as his PR army, hype machine and sometimes, his human shield in controversies.

Across Africa, he has performed in Nigeria, South Africa, Kenya and other countries. He has performed for fans in Europe, the United States, the United Kingdom and was personally invited by the World Boss Vybz Kartel to Jamaica to perform at the historic Freedom Road concert.

 

By 2019, when Shatta teamed up with Beyoncé on “Already” for the Lion King: The Gift album, he sent one clear message: he was no longer just Ghana’s problem; he was Africa’s export.

The World Awaits.

Now, Shatta Wale is in the next phase of his career, and it promises to be epic.

He has set his eyes on the global stage, not as a feature but as a headline act.

Shatta’s unique blend of Afro-dancehall is perfectly positioned to break into the international market.

He’s working on collaborations with producers and labels outside Africa, carefully crafting a sound that still feels authentically Shatta, but with global appeal.

 

His massive social media following (over 4 million on Instagram alone) gives him direct access to fans worldwide, allowing him to bypass traditional gatekeepers.

 

Why Shatta Will Succeed.

Shatta’s secret weapon has always been his fearless attitude and work ethic. While some artists release one hit and go to sleep, Shatta releases ten and stays up all night live-streaming with fans. He understands the new music economy: consistency, connection and controversy.

 

He also knows how to reinvent himself. From Bandana to Shatta Wale, from street anthems to international collabs, from Accra to the global stage, every phase has been bigger than the last. If history is anything to go by, the world is about to witness Shatta in his most polished, yet rawest form.

 

Here’s why Shatta’s next chapter looks unstoppable:

 

treet Cred + Global Sound: Street Crown is both a street anthem and a global record, especially now with the Vybz Kartel co-sign.

The Grammy Play: His submission shows ambition and confidence. He’s not just playing for Ghana anymore, he’s playing for history.

Unmatched Work Rate: Shatta remains one of the most consistent artists in Africa. While others drop an album every 2 years, Shatta drops hits every month.

Fan Power: SM4Lyf isn’t just a fan base; it’s an army and a family, ready to amplify him from Accra to Atlanta.

 

Let’s be honest: Shatta Wale is not just an artist, he’s a walking reality show. Who else can go from beefing an entire industry on Monday to dropping a chart-topper on Friday, then performing at a packed stadium on Saturday? Who else can cause chaos with a Facebook Live video, only to trend worldwide for a dance video the next week?

 

The man is unpredictable, but one thing is certain — when Shatta Wale says he’s ready for the world, the world better be prepared.

 

Shatta Wale has already ruled Ghana. He has already made Africa dance, but with Street Crown and his global vision, the next phase of Shatta Wale is not just epic; it could be a Grammy-winning epic!

 

SM4Lyf. The world better be ready.

As he himself would say: “SM4Lyf, the world no go understand until e happen.”

The king of Afro-dancehall, who turned controversy into culture, hits songs into history and fans into family. His next act? Taking over the globe…and it will be EPIC!

Check the link below for the full story.

https://www.facebook.com/share/v/1BJkdMpnKA/

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Ghana to Host UN High-Level Reparatory Justice Event — Mahama Calls for Historical Accountability

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Ghana is set to host a high-level special event on reparatory justice later this month at the United Nations, reinforcing global calls for justice for the transatlantic slave trade and racialized chattel enslavement of Africans.

During a state luncheon held in honor of visiting Prime Minister of Saint Kitts and Nevis, Hon. Dr. Terrance Michael Drew, President John Dramani Mahama emphasized that the initiative is not about charity but about historical justice and accountability.

Speaking on the significance of the event, President Mahama said the legacy of slavery continues to shape global inequalities and must be addressed through collective international action.

“The transatlantic and racialized chattel enslavement of Africans constitutes one of the gravest crimes against humanity in history,” President Mahama stated. “Our call is not for charity. It is for justice rooted in truth, accountability, and recognition of the suffering endured by our ancestors.”

According to the President, the upcoming UN event will provide a platform for African and Caribbean nations to shape their own narrative about historical injustices. He stressed the importance of unity between Africa and the Caribbean in advancing reparatory justice discussions.

“It is time for our story to be told by us — grounded in truth, anchored in historical accountability, and driven by the determination to correct the injustices of the past,” he said.

Mahama further urged stronger solidarity between African and Caribbean nations, noting that shared historical experiences should translate into stronger diplomatic and policy collaboration.

“Together, Africa and the Caribbean must speak with one voice, with clarity, unity, and strong moral conviction,” he added.

The Ghanaian government believes that the event will strengthen global dialogue on reparatory justice, development cooperation, and cultural restoration. Officials say the initiative aligns with broader efforts to promote historical recognition and sustainable partnerships between nations affected by the transatlantic slave trade.

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Duabo King Arrested for Claiming Police Personnel Patronize Prostitutes More Than Any Sector

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The Ghana Police Service has arrested a 45-year-old social media personality, Isaac Boafo, popularly known as “Duabo King,” for allegedly publishing false news with intent to cause fear and panic.

 

In a press release issued on March 1, 2026, the Ashanti Regional Police Command confirmed that the suspect was apprehended following a viral TikTok video in which he alleged that four officers stationed at the Central Police Station in Kumasi engaged in inappropriate conduct with commercial sex workers during night patrol duties at Asafo.

 

Duabo King had claimed in the video that personnel within the Ghana Police Service patronizes prostitutes more than any other sector in the country. He further alleged that if the government were to shut down prostitution, popularly known in West African Pidgin as “ashawo”, it would significantly affect the Service because its personnel patronizes the trade the most.

 

According to the statement signed by Deputy Superintendent of Police Godwin Ahianyo, Head of the Public Affairs Unit for the Ashanti Region, officers from the Police Intelligence Directorate acted on intelligence to arrest the suspect.

 

During interrogation, Isaac Boafo admitted publishing the video and described himself as a social media content creator who made the allegations solely to attract views and online engagement. He further acknowledged that he could not substantiate the claims made against the officers.

 

The Police added that the suspect also admitted making comments concerning the President of the Republic for content creation purposes and stated that he could not defend those statements.

 

He has since been formally charged and detained to assist with further investigations.

The Service cautioned the public against the publication and circulation of false information, especially on social media, warning that such acts have the potential to cause unnecessary fear, panic, and reputational damage. Individuals found engaging in such conduct, the statement noted, will be dealt with in accordance with the law.

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Poor Sanitation Costs Ghana GHS 6.2 Billion Yearly – ISSER Study

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Ghana loses more than GHS 6.2 billion every year due to diseases linked to poor waste management and sanitation, a new study by the Institute of Statistical, Social and Economic Research at the University of Ghana has revealed.

 

The findings were presented at a high-level stakeholder engagement in Accra, on Thursday, 26th February 2026, where policymakers, Members of Parliament, local government officials, development partners and private sector actors gathered to examine the economic case for increased sanitation investment.

 

The research, led by Prof. Peter Quartey and Dr. Kwame Adjei-Mantey, is titled “An Economic Analysis of the Benefits of Adequate Investment in Waste Management and Sanitation in Ghana.” It assessed both the economic and social consequences of current sanitation practices and modelled the potential gains from improved financing.

 

According to the study, five diseases closely associated with poor sanitation malaria, cholera, pneumonia, typhoid fever and diarrhoea account for nearly 31.9 million lost workdays each year and an estimated 177,222 deaths. The researchers calculated direct medical costs at about GHS 5.8 billion annually, with an additional GHS 650 million lost through reduced productivity, bringing the total burden to over GHS 6.2 billion.

 

Despite these losses, Ghana currently spends an average of about GHS 38 per tonne of waste generated. The researchers described this as modest compared to the scale of the health and economic damage linked to poor sanitation systems.

 

Using cost-benefit modelling, the team found that under the current business-as-usual approach, every GHS 1 invested in waste management generates about GHS 180 in economic returns. However, under a best-case scenario — where investment rises to approximately GHS 1,028 per tonne in line with lower-middle-income benchmarks returns could increase to GHS 556 per GHS 1 invested.

 

In total terms, projected national benefits under the enhanced investment scenario could reach about GHS 58 billion in 2025 and rise further to GHS 67.2 billion by 2032. The projected gains are driven largely by sharp reductions in disease incidence, mortality and productivity losses.

 

Presenting the findings, Prof. Quartey urged government to stop treating sanitation as a residual expenditure. He stressed that waste management must be viewed as a high-return development investment capable of protecting public health and strengthening economic growth.

 

The presentation was followed by an extensive question-and-answer session. Participants raised concerns about how much of the disease burden could be directly attributed to waste. The research team explained that their modelling relied on global health data and assumed that about 45 percent of the selected disease cases were attributable to waste exposure. Sensitivity analysis was conducted to test different attribution levels.

 

Stakeholders also questioned whether the best-case scenario reflected on-the-ground realities, especially in slum and rural communities where waste collection remains inconsistent. Prof. Quartey acknowledged that waste management in such areas is more complex and costly due to access challenges. He noted that flexible and smaller-scale collection systems may be required rather than a uniform national model.

 

Other concerns focused on uncollected waste and dumping in drains and water bodies. The researchers explained that their modelling incorporated standardized ranges for lower-middle-income countries, taking into account infrastructure gaps and collection inefficiencies.

 

Members of Parliament present at the forum emphasized the need for stronger coordination across agencies. While some suggested the creation of a National Sanitation Authority, others cautioned against expanding bureaucracy and proposed strengthening existing institutional structures instead.

 

Education and job creation also featured prominently in the discussion. Prof. Quartey highlighted earlier regional research on green jobs and recycling, stressing that investment in skills development and public awareness could help unlock employment opportunities in the waste sector.

 

The research team concluded that Ghana’s annual sanitation-related losses far exceed current spending levels. They called for increased and sustained investment, targeted interventions in high-risk communities, and stronger data and budgeting systems within Metropolitan, Municipal and District Assemblies to ensure sanitation is prioritized as a central pillar of national development.

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