Nigerian music star Tiwa Savage has opened up about her decision to freeze some of her eggs, revealing that she wants to keep the possibility of having more children in the future.

The award-winning singer, who is already a mother, shared the revelation in a video posted on social media while speaking about fertility preservation.

Tiwa said she decided because she wants to have more children but also understands that fertility can change with age.

She encouraged women to learn more about egg freezing and consider fertility preservation from around the age of 30.

According to the singer, many women are unaware that they are born with a limited number of eggs and that the number and quality of eggs can decline over time.

Tiwa said the experiences of two close friends also played a major role in her decision.

She explained that one of her friends later wanted children but struggled to conceive and eventually wished she had frozen her eggs earlier.

The singer also shared the story of another friend who had frozen her eggs before being diagnosed with cancer.

Her friend later underwent chemotherapy, but the preserved eggs allowed her to retain the possibility of having children after treatment.

Tiwa said the experiences made her more conscious of the importance of planning when it comes to fertility.

However, she expressed concern about the high cost of egg freezing, arguing that the procedure should be made more affordable.

She believes reducing the cost would allow more women to access fertility preservation and make informed decisions about when they want to start or expand their families.

Shatta Wale has dismissed the long-standing perception that he and Stonebwoy are sworn rivals, saying the relationship between the two dancehall stars is far less hostile than the public often assumes.

The “On God” hitmaker clarified during a recent TikTok Live session, where he challenged the idea that he and Stonebwoy cannot stand each other.

According to Shatta Wale, the two musicians now live in the same area, just about two minutes apart, making the constant description of Stonebwoy as his enemy difficult to understand.

“If Stonebwoy were my enemy, I wouldn’t live in the same area with him,” Shatta Wale said.

He explained that Stonebwoy no longer lives in Ashaiman, while he himself has also moved away from the ghetto. Despite their different backgrounds and the years of rivalry associated with their names, they have ended up living close to each other.

Shatta Wale disclosed that he regularly passes in front of Stonebwoy’s house whenever he is going out.

He questioned why people continue to portray the two as enemies when they are able to live within such proximity without the kind of confrontation that would normally be expected between people involved in a genuine feud.

The dancehall artiste also accused sections of the media and entertainment industry of contributing to the perception that there is serious animosity between him and Stonebwoy.

He argued that constant coverage of their supposed rivalry has influenced fans to believe there is a deep personal conflict between the two.

“The media has brainwashed you too much,” Shatta Wale said, suggesting that the public has been exposed to one-sided narratives about the relationship between the two artistes.

He further pointed to their difficult backgrounds, recalling that Stonebwoy once lived in Ashaiman while he grew up in Lartebiokorshie Zongo.

Shatta Wale said both artistes have experienced hardship on their respective journeys and worked their way into prominent positions within Ghana’s music industry.

He therefore urged fans to look beyond the rivalry narrative and recognise the progress both musicians have made.

While Shatta Wale admitted that he enjoys teasing Stonebwoy from time to time, he cautioned supporters against turning such exchanges into serious personal disputes.

“I just like teasing, but nobody should go personal,” he said, calling for actions and conversations that would contribute to a healthier music industry.

He also stressed that if the two were genuinely enemies, they would not be comfortable living just minutes away from each other or repeatedly crossing paths.

“If we were rivals, then we can’t live two minutes away from each other,” he added.

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Ghanaian actress and media personality Nana Ama McBrown has urged young people to develop practical skills alongside their formal education, saying learning a trade can provide an alternative path to financial independence.

Speaking in a recent interview on Joy FM, McBrown said young people should not depend solely on academic qualifications to secure their future.

She encouraged those without formal education to learn a trade while also advising graduates and other educated individuals to acquire practical skills that could generate income.

“If you didn’t get a formal education, learn a trade. Even if you did have an education, still learn a trade or a handy job.”

McBrown stressed that a person’s background or educational level should not determine their chances of succeeding in life.

She encouraged young people to recognise their abilities, develop confidence and avoid allowing difficult circumstances to define their future.

“Everybody was born into this world with something, whether your parents are alive or they’re not alive, whether you have education or you don’t have, I want you to know that you’re somebody.”

The actress also highlighted the importance of having a positive mindset, explaining that self-belief can influence how individuals approach their goals and challenges.

“If you think you’re somebody, you will become somebody. If you think you are wayward or you’re just useless for anything, then you will be.”

She further pointed to social media as an avenue that has created new opportunities for people to build careers, businesses and public profiles without following the traditional educational route.

“Right now social media has made people wealthy and popular. You don’t have to feel that because you didn’t go to school you won’t make it in life.”

McBrown also advised young adults to identify what they are passionate about and dedicate time to developing their abilities in that area.

According to her, people above the age of 20 should have a clearer understanding of what they want to pursue and should invest in becoming skilled in their chosen field.

“By this age above 20 you know what you want. You need to fall in love with something. The moment you fall in love with something, you learn about that something and you make sure you equip yourself in that something.”

She cautioned against trying to pursue too many interests at once, noting that constantly moving from one thing to another can make it difficult to achieve meaningful results.

“Being everywhere doesn’t give you results. Focus on what you think you love and follow.”

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Creative Arts Agency (CAA) has invited creative arts practitioner Kojo Preko Dankwah to a high-level stakeholder engagement with the Minister for Tourism, Culture and Creative Arts.

The meeting is expected to bring together key players and practitioners in Ghana’s creative arts industry for discussions on the sector’s development, emerging challenges and the government’s strategic priorities.

According to the invitation issued by the CAA, the engagement is intended to provide an avenue for direct discussions between the Minister and industry stakeholders on developments within the creative arts sector and concerns requiring attention.

The agency said the meeting will also explore possible areas of collaboration aimed at accelerating the growth of Ghana’s creative economy.

The engagement is scheduled for Tuesday, August 25, 2026, at 10:00 a.m. at the Exhibition Hall of the National Theatre in Accra.

The CAA described the meeting as significant to the implementation of policies and the broader development of Ghana’s creative arts sector.

In the invitation addressed to Mr Dankwah, the agency said his presence and contribution would be highly appreciated as stakeholders come together to deliberate on issues affecting the industry.

The engagement is expected to allow practitioners to share their views and concerns while contributing to discussions on measures that could support the continued expansion of the creative arts sector.

The invitation was signed by Gideon Cyril Aryeequaye, Acting Executive Secretary of the Creative Arts Agency.

For enquiries or confirmation of attendance, the agency provided info@caa.gov.gh and +233 202 078 782 as its contact details.

The letter, dated August 17, 2026, carries the reference number CAA/808/2026 and was issued from the agency’s office at Old Brigade Street, behind the 37 Military Hospital, Kawukudi, Accra.

Kojo Preko Dankwa

Ghanaian highlife musician Samuel Ofori Amponsah has opened up about the difficult period in his life that led him to temporarily leave highlife music and venture into gospel.

The “Otoolege” hitmaker disclosed that the decision, which surprised and disappointed some of his fans, was influenced by personal challenges and the immense pressure associated with fame.

Speaking to Nana Romeo on Atuu on Saturday, Ofori Amponsah explained that his experiences at the time forced him to seek a deeper relationship with God.

According to the veteran musician, the pressures musicians face can become overwhelming if they are not handled carefully.

“Musicians go through a lot, and if you don’t take care, you wouldn’t know what to do with your life because of the pressure of fame,” he said.

Ofori Amponsah said his circumstances became so challenging that strengthening his relationship with God became necessary for him.

He revealed that his decision to move into gospel music was not simply a career choice but one connected to what he was personally experiencing at the time.

“At that time, the things that were happening to me, I had to get closer to God more. If I didn’t make that decision then, I wouldn’t have been alive by now,” he disclosed.

The musician, however, admitted that there are aspects of what he went through that he is still not ready to discuss publicly.

He stressed that not every experience can easily be explained, suggesting that his decision to leave highlife was driven by circumstances that were deeply personal.

Reflecting on his career, the musician acknowledged that some of his decisions have disappointed people, particularly his choice to temporarily switch from highlife to gospel.

He appealed to fans who felt let down by the move to forgive him, insisting that there were reasons behind the decision that he could not reveal at the time

.“They should forgive me, but it’s not everything that I could explain,” he said.

Ofori Amponsah also maintained that his spiritual journey remains important to him.

Although he does not necessarily attend church regularly, he said he continues to pray and considers his personal relationship with God more significant than simply being present in church.

“I do pray a lot. Christianity is a relationship with God but not necessarily me going to church. With me, the connection with God is still there,” he explained.

He further stated that maintaining a close relationship with God is, in his view, one of the most important things people can pursue.

“The way things are among us humans, being close to God is far better, and it’s the most important thing that I think we should do,” he added.

The veteran musician indicated that fans may eventually get a clearer picture of what happened during the controversial period of his career.

He disclosed plans to document his experiences in a book, where he intends to explain the circumstances surrounding some of the major decisions he made.

Ofori Amponsah believes such a publication will help people understand that his decision to leave highlife for gospel was not without purpose.

“One day, I will write everything in a book so that people will understand. Every decision I took back then had a meaning, so you all should forgive me,” he said.