Entertainment
Five Urban Gospel Artists who have Carved a Niche in Ghana’s Music Industry
Urban gospel music has grown into one of the most vibrant subgenres in Ghana’s contemporary music landscape, offering young Christians a voice that resonates with their culture and lifestyle. Unlike traditional gospel, which is deeply rooted in highlife and choral styles, urban gospel embraces Afrobeats, hip-hop, trap, and R&B while maintaining a strong spiritual message. Among the artists driving this movement, Scott Evans, KobbySalm, Raf Able, Kingzkid, and Queendalyn Yurglee stand tall as leading voices who have carved a niche for themselves in Ghana’s music industry.
Scott Evans: The Afrobeat Worshipper
Scott Evans has carved a niche as one of the few gospel musicians boldly embracing Afrobeats in worship. His songs combine groovy, danceable rhythms with lyrics rooted in faith, creating music that speaks to both church audiences and mainstream listeners. Known for his youthful appeal, Evans has become a symbol of how gospel can be trendy without compromising its message. His artistry reflects a passion for reaching the unchurched through relatable soundscapes. Known for fusing Afrobeat rhythms with spirit-filled lyrics, he has earned a reputation for making gospel music accessible to mainstream audiences. His songs carry both a celebratory tone and a deep sense of worship, proving that faith can be expressed in modern, youthful styles without losing its message.
KobbySalm: The Urban Gospel Pioneer
KobbySalm is regarded as one of the pioneers pushing urban gospel into the limelight in Ghana. A rapper and songwriter, he has consistently used his craft to blend hip-hop, trap, and Afrobeats with strong Christian messages. His groundbreaking album This Is Who I Am established him as a voice for young Christians who wanted to celebrate their faith in a modern style. Beyond music, KobbySalm advocates for urban gospel recognition and sees the genre as an avenue for evangelism. KobbySalm has been vocal about using music as a tool to preach the gospel, particularly targeting young people who might otherwise feel disconnected from traditional forms of worship.
Raf Able: The Rising Voice
Among the new wave of gospel artists, Raf Able is emerging as a fresh and dynamic force. His music is characterised by powerful lyrical content and modern production, targeting young audiences searching for hope and identity in Christ. Though relatively new, Raf Able’s consistency and dedication have placed him on the radar as one of the future leaders of urban gospel. Raf Able’s music resonates with themes of hope, faith, and perseverance, packaged in rhythms that appeal to the modern listener. His entry into the scene highlights the diversity and growing depth of Ghana’s urban gospel movement. He represents the next generation determined to sustain and expand the genre’s relevance.
Kingzkid: The Trailblazer
Kingzkid is often described as a trailblazer in Ghana’s urban gospel space. With more than a decade of experience, he has remained consistent in delivering Christian hip-hop and contemporary gospel to both local and international audiences. Known for songs such as “I Got My Jesus On” and “Breakthrough,” Kingzkid has inspired many younger acts to embrace gospel rap. His ability to merge worship, rap, and urban sound has made him a household name and mentor within the genre. A strong advocate for Christian hip-hop and urban gospel, his performances and songs reflect his mission to bring youthful energy into gospel music.
Queendalyn Yurglee: The Soulful Worshipper
Queendalyn Yurglee represents the growing influence of female voices in urban gospel. Her music is a refreshing mix of contemporary worship and urban influences, carried by her soulful and powerful vocals. Songs like You Are God highlight her deep spiritual conviction, while her style connects with both older and younger audiences. Queendalyn is steadily building her brand as one of the women reshaping gospel music in Ghana, proving that the movement is not only male-dominated. She offers a refreshing balance between traditional gospel messages and modern artistry. Her music appeals across age groups, marking her as one of the female voices carrying urban gospel forward.
Conclusion
Together, Scott Evans, KobbySalm, Raf Able, Kingzkid, and Queendalyn Yurglee represent the evolving face of gospel music in Ghana. Through their unique approaches, they are breaking barriers, attracting younger generations, and redefining how gospel is consumed in the country. As urban gospel continues to gain traction, these artists stand as proof that faith-driven music can thrive in contemporary spaces without losing its spiritual essence.
Ghanaian rap heavyweight Michael Owusu Addo, popularly known as Sarkodie, has etched his name deeper into global music history after officially selling out London’s iconic Royal Albert Hall.
The landmark achievement comes weeks before his highly anticipated Rapperholic UK concert, slated for March 6, 2026, a date that coincides with Ghana’s 69th Independence Day. All 5,272 seats at the world renowned venue have been snapped up, underscoring the rapper’s massive international appeal.
The Royal Albert Hall, celebrated for hosting some of the greatest names in global music, is known for its discerning audience and demanding acoustics. Sarkodie’s ability to command such a prestigious stage further affirms his standing as one of Africa’s most influential hip hop artists and a powerful cultural export.
Rapperholic, which began over a decade ago as a Christmas concert at the Accra International Conference Centre, has grown into a global brand. From a local Ghanaian tradition, it has evolved into one of Africa’s most respected hip hop franchises, consistently raising the bar for live performances.
The decision to stage the concert on Ghana’s Independence Day adds strong patriotic symbolism, turning the event into both a musical spectacle and a celebration of Ghanaian excellence on the world stage. Industry observers describe the sell out as a clear statement of the rising global demand for African creativity.
The event is expected to draw a diverse crowd, blending members of the Ghanaian diaspora in the UK with international hip hop fans. Beyond music, the concert is also projected to boost the UK’s hospitality and tourism sectors, with fans reportedly travelling from across Europe to be part of the historic night.
As anticipation builds, Sarkodie has been teasing fans with hints of a high energy, high production performance, including a live orchestra and surprise appearances from prominent UK and African artists.
For Ghana’s creative industry, the Royal Albert Hall sell out stands as a powerful example of what strategic branding, consistency, and excellence can achieve, proving that African artists can confidently occupy the world’s most prestigious stages.
The Ghanaian entertainment industry is witnessing a quiet but intense shift. Comedians are increasingly competing for MC roles at concerts, festivals, corporate events, and even state functions. Once the exclusive space of professional Masters of Ceremony, the microphone is now being contested by comic personalities whose humour-driven appeal is attracting organisers.
So, in this evolving landscape, what should MCs do to stay relevant, respected or booked?
- Redefine the Role Beyond Jokes
MCs must move away from the outdated idea that their job is to “crack jokes.” A true MC is a show architect who controls time, manages transitions, sets the tone, engages diverse audiences, and protects the flow of an event. While comedians thrive on punchlines, MCs must sell structure, control, and professionalism.
- Sharpen Crowd Intelligence, Not Just Humour
Comedians rely on laughter. MCs must master crowd reading, knowing when to excite, calm, pause, improvise, or move on. Emotional intelligence, diplomacy, and cultural awareness are now key currencies. An MC who can handle tense moments, protocol-heavy events, or unpredictable technical issues is invaluable.
- Brand Yourself as an Experience, not a Personality
Comedians sell personality. MCs must sell experience. Position yourself as the person who guarantees smooth events, satisfied clients, and happy audiences. Strong branding, testimonials, event clips, and professional profiles are no longer optional; they are survival tools.
- Upgrade Skills Relentlessly
Today’s MC must be multi-skilled: basic event production knowledge, voice control, diction, live interviewing, stage blocking, and even conflict management. The more problems you can solve on stage, the harder it becomes to replace you with a comedian.
- Know Your Lane – and Own It
Not every event needs a comedian-style MC. Corporate gatherings, awards nights, conferences, diplomatic functions, and cultural ceremonies demand poise, clarity, and protocol awareness. MCs who understand and dominate these lanes will always be in demand.
- Collaborate, Don’t Compete Blindly
Instead of rivalry, smart MCs can collaborate with comedians hosting events where comedy is a segment, not the spine. This positions the MC as the anchor, and the comedian is a feature, restoring balance and respect for roles.
The fight for MC roles is not a threat; it is a wake-up call. Comedians are adapting. MCs must do the same. Those who evolve from microphone holders to event leaders will not only survive this shift, but they will also define the future of live events.
Award-winning Ghanaian rapper and songwriter Amerado has released his latest single titled “Aseda”, a powerful hiplife collaboration that brings together some of the most influential voices from Kumasi and beyond.
The song features an all-star lineup including Strongman, Kweku Flick, Oseikrom Sikani, Ypee, Kofi Jamar, Okyeame Kwame, and gospel powerhouse Brother Sammy, with production handled by hitmakerQhola Beatz.
Aseda, which translates to “Thanksgiving” in Twi, is a triumphant celebration of gratitude, resilience, faith, and success. Each artist delivers a heartfelt verse reflecting on their journey, victories, and the grace that has carried them through life’s challenges. Brother Sammy crowns the record with a soul-stirring praise segment, turning the song into both a street anthem and a spiritual moment.
With its vibrant hiplife sound and message of unity, Aseda stands as a cultural statement honouring the strength of brotherhood within the Kumasi music community and reminding listeners to always give thanks.
The song is now available on all major digital streaming platforms.
Stream “Aseda” here:
https://onerpm.link/
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