Entertainment
Five Urban Gospel Artists who have Carved a Niche in Ghana’s Music Industry
Urban gospel music has grown into one of the most vibrant subgenres in Ghana’s contemporary music landscape, offering young Christians a voice that resonates with their culture and lifestyle. Unlike traditional gospel, which is deeply rooted in highlife and choral styles, urban gospel embraces Afrobeats, hip-hop, trap, and R&B while maintaining a strong spiritual message. Among the artists driving this movement, Scott Evans, KobbySalm, Raf Able, Kingzkid, and Queendalyn Yurglee stand tall as leading voices who have carved a niche for themselves in Ghana’s music industry.
Scott Evans: The Afrobeat Worshipper

Scott Evans has carved a niche as one of the few gospel musicians boldly embracing Afrobeats in worship. His songs combine groovy, danceable rhythms with lyrics rooted in faith, creating music that speaks to both church audiences and mainstream listeners. Known for his youthful appeal, Evans has become a symbol of how gospel can be trendy without compromising its message. His artistry reflects a passion for reaching the unchurched through relatable soundscapes. Known for fusing Afrobeat rhythms with spirit-filled lyrics, he has earned a reputation for making gospel music accessible to mainstream audiences. His songs carry both a celebratory tone and a deep sense of worship, proving that faith can be expressed in modern, youthful styles without losing its message.
KobbySalm: The Urban Gospel Pioneer

KobbySalm is regarded as one of the pioneers pushing urban gospel into the limelight in Ghana. A rapper and songwriter, he has consistently used his craft to blend hip-hop, trap, and Afrobeats with strong Christian messages. His groundbreaking album This Is Who I Am established him as a voice for young Christians who wanted to celebrate their faith in a modern style. Beyond music, KobbySalm advocates for urban gospel recognition and sees the genre as an avenue for evangelism. KobbySalm has been vocal about using music as a tool to preach the gospel, particularly targeting young people who might otherwise feel disconnected from traditional forms of worship.
Raf Able: The Rising Voice

Among the new wave of gospel artists, Raf Able is emerging as a fresh and dynamic force. His music is characterised by powerful lyrical content and modern production, targeting young audiences searching for hope and identity in Christ. Though relatively new, Raf Able’s consistency and dedication have placed him on the radar as one of the future leaders of urban gospel. Raf Able’s music resonates with themes of hope, faith, and perseverance, packaged in rhythms that appeal to the modern listener. His entry into the scene highlights the diversity and growing depth of Ghana’s urban gospel movement. He represents the next generation determined to sustain and expand the genre’s relevance.
Kingzkid: The Trailblazer

Kingzkid is often described as a trailblazer in Ghana’s urban gospel space. With more than a decade of experience, he has remained consistent in delivering Christian hip-hop and contemporary gospel to both local and international audiences. Known for songs such as “I Got My Jesus On” and “Breakthrough,” Kingzkid has inspired many younger acts to embrace gospel rap. His ability to merge worship, rap, and urban sound has made him a household name and mentor within the genre. A strong advocate for Christian hip-hop and urban gospel, his performances and songs reflect his mission to bring youthful energy into gospel music.
Queendalyn Yurglee: The Soulful Worshipper

Queendalyn Yurglee represents the growing influence of female voices in urban gospel. Her music is a refreshing mix of contemporary worship and urban influences, carried by her soulful and powerful vocals. Songs like You Are God highlight her deep spiritual conviction, while her style connects with both older and younger audiences. Queendalyn is steadily building her brand as one of the women reshaping gospel music in Ghana, proving that the movement is not only male-dominated. She offers a refreshing balance between traditional gospel messages and modern artistry. Her music appeals across age groups, marking her as one of the female voices carrying urban gospel forward.
Conclusion
Together, Scott Evans, KobbySalm, Raf Able, Kingzkid, and Queendalyn Yurglee represent the evolving face of gospel music in Ghana. Through their unique approaches, they are breaking barriers, attracting younger generations, and redefining how gospel is consumed in the country. As urban gospel continues to gain traction, these artists stand as proof that faith-driven music can thrive in contemporary spaces without losing its spiritual essence.
Entertainment
‘Please Forgive Me’ – Awal Apologises to Senior Colleagues
Ghanaian rapper Awal has publicly apologised to his senior colleagues, including Fameye, Medikal, and every other creative industry player he may have offended over the years, saying he wants to put past misunderstandings behind him and focus on unity within the Ghanaian music industry.
Speaking during an interview on Okay FM, Awal admitted that some of his relationships with fellow musicians were damaged by misunderstandings and competition. He said he now regrets how some situations unfolded and believes it is time to reconcile for the growth of the industry.
Awal Opens Up About Fallout with Fameye
Awal disclosed that his relationship with Fameye, whom he described as someone he was once close friends with, deteriorated after a business misunderstanding dating back to around 2019.
According to the rapper, the disagreement began after he featured Fameye on his song “Akuapem Ploo.” He explained that he paid the award-winning singer GH¢500 to appear in the music video for the song, but Fameye allegedly failed to show up for the scheduled video shoot.
Although the incident strained their friendship, Awal said he no longer wants to dwell on the past.
“I had issues with Fameye. I don’t even know how it ended, but there was a misunderstanding between us. I don’t know how he felt. Maybe he felt really bad. I would like to tell him that if I’ve stepped on his toes, I’m sorry. We were friends and there was business involved, but sometimes I feel bad that we don’t have that kind of vibe anymore,” Awal said.
Apology to Medikal
Awal also extended an apology to rapper Medikal, explaining that their misunderstanding stemmed from the competitive culture of hip-hop, where rappers often exchange lyrical attacks through their songs.
He revealed that he recorded a diss track titled “Take It or Leave It,” adding that although Medikal had supported and admired him in the past, the nature of rap music may have caused him to offend the award-winning rapper.
“As for Medikal, I recorded a song, ‘Take It or Leave It.’ In the hip-hop fraternity, it’s part of the culture to take shots at someone. Medikal also used to like me and support me, but through rap culture, one way or the other, I stepped on his toes,” he explained.
Appeals to All Senior Colleagues
Beyond Fameye and Medikal, Awal extended his apology to every senior colleague in Ghana’s creative arts industry whom he may have offended over the years.
He urged musicians and other industry players to forgive one another, put personal differences aside, and work together to elevate Ghanaian music on the international stage.
“To all my colleagues in the industry, if I’ve stepped on your toes in one way or another, I want to say please find a place in your heart to forgive me. Let’s do this together because we are doing this for the culture. Let’s put Ghana on the map,” he appealed.
Entertainment
Ghanaians Question Akwaboah’s Advice to Save GH¢8,000 Monthly Before Marriage
Highlife musician Akwaboah has sparked intense conversations on social media after advising Ghanaians to save GH¢8,000 every month before getting married, with many describing the suggestion as unrealistic considering the country’s current economic conditions.
In a post shared on X on July 15, 2026, the singer wrote:
“Learn to save 8,000 cedis from your salary every month. Save before you marry. I go come explain soon.”
The post quickly gained traction, attracting hundreds of reactions from users who questioned how many Ghanaians earn enough to set aside such an amount each month.
Many social media users argued that while financial preparedness before marriage is important, the suggested savings target does not reflect the financial realities of the average worker.
One user responded, “How much is the salary itself? And now you’re talking about saving GH¢8,000 from it? You really have to explain this.”
Another commenter also questioned the practicality of the advice, writing, “Did you really mean the three zeros after the 8? How much does President Mahama even save at the end of the month? Please come again.”
Beyond the financial debate, some users suggested Akwaboah has increasingly positioned himself as a relationship adviser since getting married.
One reaction read, “Ever since you got married, you’ve been giving plenty of advice. You should focus on making music instead.”
Another user remarked that the singer appeared to be speaking from personal experience, noting that many people who have been married for decades rarely offer such public advice, despite having far more experience.
Despite the criticism, some users supported Akwaboah’s message, saying couples should prioritise saving before marriage. However, they maintained that the amount should depend on an individual’s income and financial capacity rather than a fixed figure.
The singer has indicated that he will soon explain the reasoning behind his recommendation, leaving many followers waiting for further clarification.
Entertainment
Stonebwoy Mourns Reggae Icon Fantan Mojah, Says His Voice Will Live Forever
Afro-dancehall star Stonebwoy has paid a heartfelt tribute to legendary Jamaican reggae artist Fantan Mojah following the news of his passing. In an emotional message shared on X (formerly Twitter), Stonebwoy described the late musician as a cultural icon whose music inspired generations and whose legacy would continue to influence people worldwide.
Reflecting on Fantan Mojah’s visit to Ghana during the 2025 Bhim Festival, Stonebwoy said it had been a privilege to host the reggae veteran in the Motherland. He noted that the festival provided an opportunity to celebrate the artist’s immense contributions to reggae music, culture, and conscious storytelling.
Referencing Fantan Mojah’s iconic song “Macka Tree,” Stonebwoy praised the singer as a symbol of truth, resilience, and authentic cultural expression. He emphasized that although the reggae legend had passed away, his voice and message would continue to live on through his timeless music.
Stonebwoy wrote:
“It was an honour to welcome you to the Motherland and to celebrate your legacy at @BHIMFESTIVAL 25. You stood tall like the Macka Tree—rooted in culture, unshaken in truth, and sheltering generations with your sound. Rest well, Jah Warrior.”
He continued with another emotional tribute:
“Though you’ve returned to the ancestors, your voice still echoes in every chant, every prayer, every revolution your music sparked. Your songs were more than music—they were medicine, they were fire, they were faith. You uplifted my spirit, and you continue to uplift millions worldwide. FANTAN MOJAH Forever in our hearts.”
Fantan Mojah, born Owen Moncrieffe, died at the age of 49, only weeks before his 50th birthday. According to reports, he passed away on July 14, 2026, at the University Hospital of the West Indies in Kingston, Jamaica, after suffering heart-related complications.
The celebrated reggae artist was widely respected for his spiritually conscious lyrics, Rastafarian beliefs, and commitment to using music as a vehicle for truth, hope, and social awareness. His death marks a significant loss to the global reggae community, with tributes continuing to pour in from fellow musicians and fans around the world.
Stonebwoy’s tribute also reflects the deep cultural ties between Ghana and Jamaica, as artists from both countries continue to celebrate and embrace each other’s musical heritage. His message highlighted Fantan Mojah’s influence beyond entertainment, pointing to the reggae icon’s commitment to spreading messages of unity, faith, and cultural identity through his music.
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