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Breaking Free: Juliet Asante’s Emotional Farewell as National Film Authority Executive Secretary

In a heartfelt and candid post, renowned Ghanaian filmmaker and former Executive Secretary of the National Film Authority (NFA), Juliet Asante, bid farewell to her role and shared her experiences, struggles, and triumphs.
Asante, also known as Yaa Asantewaa, took to social media to express her gratitude to the people of Ghana and the film industry for giving her the privilege to serve. She also shared her excitement about her newfound freedom, stating, “FREEDOM HAS COME.”
During her tenure as Executive Secretary of the NFA, Asante faced numerous challenges, including limited resources, inadequate office space, and a lack of support from some stakeholders. Despite these obstacles, she remained committed to her vision for the film industry and worked tirelessly to promote Ghanaian cinema.
Asante’s post was a testament to her resilience and determination. She shared stories of how she and her team had to overcome numerous hurdles, including financial constraints, to achieve their goals. She also expressed her gratitude to those who supported her and the NFA during her tenure.
One of the most poignant aspects of Asante’s post was her acknowledgment of the personal costs she incurred while serving as Executive Secretary. She shared how she had to use her personal resources to fund some of the NFA’s activities and how she was subjected to verbal abuse and intimidation by some stakeholders.
Despite these challenges, Asante remained committed to her role and worked tirelessly to promote the interests of the film industry. Her dedication and perseverance have earned her the respect and admiration of her peers and the film community.
Asante’s farewell post was also a celebration of her achievements and the progress made during her tenure. She highlighted the NFA’s successes, including the development of a strategy paper and the organization of several events that promoted Ghanaian cinema.
As Asante begins a new chapter in her life, she leaves behind a legacy of dedication, resilience, and passion for the film industry. Her story is a testament to the power of determination and the importance of staying true to one’s vision, even in the face of adversity.
Asante’s parting words were a message of hope and inspiration to her followers. She wrote, “May the universe bear witness to my words… Asè” (meaning “may it be so” in Akan). Her post was a reminder that even in the darkest moments, there is always hope for a brighter future.
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EOCO: Shatta Wale Failed to Provide Proof of Lamborghini Ownership

The Economic and Organised Crime Office (EOCO) has confirmed that Ghanaian dancehall star Charles Nii Armah Mensah Jr., popularly known as Shatta Wale, was interrogated in connection with a 2019 Lamborghini Urus tied to a $4 million fraud case in the United States.
The luxury vehicle, flagged by the Federal Bureau of Investigation (FBI), was seized in Ghana after being traced to the musician. Investigators say Shatta Wale failed to produce receipts or transfer documents proving ownership of the car, instead citing a seller identified only as “ZAK” on WhatsApp.
Following his questioning, Shatta Wale was granted bail of GHS 10 million with two sureties.
His public relations officer, Samuel Atuobi Baah (Sammy Flex), has since dismissed media speculation that the matter involves money laundering. According to him, the case is strictly related to tax obligations on the vehicle.
“Our legal team is engaging the authorities to resolve this issue. Shatta Wale remains committed to clearing his name,” Sammy Flex assured in a press statement.
The development adds another twist to the ongoing probe, which has drawn international attention due to its links with U.S. law enforcement.
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Shirley Frimpong-Manso makes her Debut at TIFF 2025 with STITCHES

Renowned Ghanaian filmmaker Shirley Frimpong-Manso is set to make her prestigious debut at the Toronto International Film Festival (TIFF) 2025 with her much-anticipated Nollywood feature, Stitches.
The film, produced by Chris Odeh under BRS Studios, marks a significant milestone in her illustrious career and expands her footprint into the Nigerian film space.
Speaking about the project, Shirley revealed that the story of Stitches left an indelible mark on her:
“I spent over a month in Lagos working on my first Nollywood film, and the experience was unforgettable. The story offered me refuge on my hardest days, a world of love, loss, family, and judgment that felt achingly familiar yet refreshingly new.”
On the film’s official selection at TIFF, she expressed her gratitude to BRS Studios for entrusting her with the project, adding that she is excited about the opportunities it opens for future collaborations.
“I’m thankful to BRS Studios for trusting me with this beautiful film. This recognition at TIFF fuels my drive, and I’m eagerly looking forward to more exciting and challenging projects from around the world.”
With Stitches, Shirley Frimpong-Manso not only bridges Ghanaian and Nigerian cinema but also reinforces her standing as one of Africa’s most versatile and visionary directors. Her TIFF debut signals yet another step forward for African storytelling on the global stage.
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It will take 12 years to Produce another Male Gospel Star” – Veteran Producer John Mensah Sarpong Laments Industry Decline

One of Ghana’s most respected gospel music producers, Mr. John Mensah Sarpong, has expressed concern over the future of male gospel musicians in Ghana. In an exclusive interview with Kpdonline.net, the JMS Music Productions CEO predicted that it could take up to 12 years to produce another male gospel superstar like Joe Mettle, Ernest Opoku, Kweku Gyasi, etc
According to Mr. Sarpong, the downfall is largely due to selfishness among current male gospel artists, whose disregard for producers and executive investors has discouraged meaningful investment in the industry. He lamented that respected producers such as Big Ben and he have now diverted into other ventures, including selling mobile phones, due to the lack of return and appreciation from musicians.
He warned that unless these artists change their ways and adopt a more respectful, collaborative attitude, the industry risks stagnation. Mr. Sarpong concluded with a prophetic caution: “The saying shall come to pass if they do not play safe.”
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