Entertainment
“Go to Lumba’s house and exhume his body” — Counsellor George Lutterodt incites Ga youth
Popular marriage counselor, Cyril George Carstensen Lutterodt, popularly known as Counselor Lutterudt has incited Ga youth to go to the residence of the late Daddy Lumba and exhume his body.
According to the outspoken counselor, it is against the traditions of the Gas to bury someone in the house, and so as the custodians of their culture, he urged them to take the matter into their own hands and exhume the late singer’s body to deter others from doing the same.
“If it’s true that Lumba, as it’s alleged, has been buried in the house, I want to ask the Ga boys in Accra that we shouldn’t wait for the police. Let’s move to the residence of Lumba.
“And I’m calling for action now, for the desecration of the land. Walk to the house with pickaxes. We are not fighting any human being, and let’s find where the body was buried and let’s exhume it,” he said.
When the presenter told him to leave it at the discretion of the police, the self-acclaimed pastor and counselor questioned where the police had been all this while when the news broke that Lumba had been buried in his house.
“Where are the police? Where are the police?
Do you remember when the guy spoke? How many days now? He quizzed.
“Let me tell you a secret you don’t know. The Ghana Police Service, one of the good things they are doing now is that anything that happens on social media, they react. The guy has spoken; has anybody reacted?
Number two, if anything happens and a policeman is involved, very soon we see the evidence of arrest. Those who killed Sammy Gyamfi’s father-in-law, they’ve gotten the people. So anybody who tells you the police are not sufficient enough…”
Counsellor George Lutterodt warned that minimal force may be necessary if persuasion fails and said he was ready to lead the Ga youth to act. He criticized authorities for their slow response and called for urgent action to address what he described as a desecration of the land.
“But I’m saying that when persuasion fails, force, minimum force is applied. And the Ga boys I will lead…
“Accra is not for you, Accra is not for you. Agyemang, Accra is not for you. How many hours has this guy’s video gone viral now?
I’m telling the boys, no fight, no quarrel. I’m going to lead you to the house because the land has been desecrated we’ll look for the body and exhume it,” he emphasized.
He continued “If not, then the Ghana Police, the AMA, whoever ordered the permit whoever ordered the permit should, in common sense, do something because this nonsense must stop.”
He made these statements during an appearance on Agyemang Prempeh Agyingo’s show “Power Entertainment” broadcast on Power 97.9 FM, Radio XYZ 93.1 FM, and TV XYZ.
Entertainment
The Church of Pentecost Causes Arrest of Gospel Musician Francis Amo Over Alleged Song Theft; Consultant Explains
The Church of Pentecost has reportedly caused the arrest of gospel musician Francis Amo over allegations of song theft.
According to reports, the singer was invited by the Accra Central Police Command for questioning and was subsequently detained.
Speaking to Max TV on the matter, intellectual property expert and consultant Dr. Benjamin Oduro Arhin Jnr, popularly known as Bnoska Bnoska, confirmed the arrest. Dr. Arhin Jnr, who also serves as a lecturer and personal consultant to Francis Amo, confirmed that the arrest was initiated following a complaint from the church and explained the circumstances leading to it.
“Francis Amo has been ministering in the church since as far back as 2008 without taking any payment. About a month ago, he was invited to sing at Easter. During the event, the church taught him a song and instructed him to perform it at the service.
“The song, written and composed by a man identified as Elder Moses, is titled “Ode bone kye.” After his ministration, Francis Amo reportedly confessed to the church that he liked the song. He later proceeded to do a worship recording of the same song and sought permission to release it from Pastor Bortey, who instructed him to officially write to the church, which he did.
According to him, the pastor gave him approval and told him he could go ahead and release the song. He subsequently released the song on Wednesday. However, on Thursday, the pastor called him and instructed him to pull it down, which he complied with. It is further alleged that the church was dissatisfied with the manner in which he handled the situation.
While the original song was titled “Ode bone kye,” Francis Amo titled his version “Ne din de Jesus.”
“On Friday, the Accra Central Police Command called him and informed him that the leadership of the church had lodged a complaint against him, alleging that “you are a thief; you have stolen their song,” and that he should report to the police station to respond to the allegations.”
Dr. Arhin Jnr stated that they reported to the police as required by the invitation, after which Francis Amo was arrested and detained.
“According to the complaint filed against him, he is being accused of being evasive, recalcitrant, and disobedient towards the church, and is therefore being treated as a criminal who must face the full rigour of the law. Which is not the case, he concluded.
Entertainment
Kwamang Homecoming Concert Positions Kwadwo Nkansah Lil Win as a Driving Force in Community-Centred Entertainment
The success of the Kwamang Homecoming Concert has firmly established Kwadwo Nkansah Lil Win as a leading figure in Ghana’s growing movement toward community-centred entertainment. By hosting a large-scale event in his hometown of Kwamang in the Ashanti Region, the actor-musician demonstrated the power of taking entertainment beyond the traditional urban strongholds.

The event, which drew a massive crowd from across the country, transformed Kwamang into a vibrant cultural and entertainment hub. With electrifying performances, strong fan engagement, and a festival-like atmosphere, the concert not only entertained but also highlighted the untapped potential of local communities in driving the creative economy.
Industry observers note that Lil Win’s initiative reflects a broader shift within Ghana’s entertainment landscape, where artists are increasingly investing in their roots to drive sustainable, inclusive growth. The Kwamang Homecoming Concert stands as a clear example of how grassroots engagement can translate into national impact.

Beyond the stage, the concert delivered tangible economic benefits to the community, boosting local businesses, transportation services, and hospitality. It also reinforced the importance of cultural identity and community pride, as residents and visitors alike shared a moment of celebration.

As conversations around decentralising Ghana’s entertainment industry continue to gain momentum, Lil Win’s Kwamang Homecoming Concert may well serve as a blueprint for future artist-led initiatives aimed at bridging the gap between urban success and rural development.
Entertainment
Kojo Preko Dankwa Recognised for Outstanding Media Consultancy at Heroines International Awards 26′
The President of the Foundation of Concerned Arts Professionals (FOCAP), Kojo Preko Dankwa, has been honoured at the prestigious Heroines International Awards with the award for Outstanding Contribution to Media Consultancy
The recognition celebrates his remarkable impact and consistent dedication to advancing media practice, strategic communication, and consultancy within Ghana and beyond. Over the years, Kojo Preko Dankwa has distinguished himself as a leading voice in media advocacy, contributing significantly to the growth and professionalisation of the communication landscape.

His work through FOCAP, Kessben Media, and Krunch Point Desk Consultancy has empowered young communicators, strengthened media institutions, and promoted ethical standards within the industry. Known for his strategic insight and commitment to excellence, he has played a pivotal role in shaping narratives, guiding brands, and supporting initiatives that drive social and national development.
Kojo Preko Dankwa has expressed gratitude to the organisers for the recognition, noting that the honour serves as motivation to continue contributing meaningfully to the media and communication space. He also dedicated the award to aspiring media professionals, encouraging them to pursue excellence, innovation, and integrity in their work.

The Heroines International Awards, which celebrate individuals making a significant impact across various sectors globally, continue to spotlight excellence and inspire change-makers who are driving progress in their respective fields.
Kojo Preko Dankwa’s recognition not only highlights his personal achievements but also underscores the growing influence of Ghana’s media and communication industry on the global stage.
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