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Kojo Preko Dankwa Criticises Tourism Minister Over Delayed Theatre and Amphitheatre Projects

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President of the Foundation of Concerned Arts Professionals (FOCAP), Kojo Preko Dankwa, has criticised the Minister responsible for Tourism, Culture and Creative Arts over what he describes as the lack of progress and communication on stalled theatre and amphitheatre projects across Ghana.

Speaking on GBC Spectacle with host Hegar Owusu, Kojo Preko Dankwa said the creative arts industry continues to suffer because critical infrastructure promised to support the sector has been left abandoned.

According to him, while government continues to announce plans to build new theatres and amphitheatres, existing projects initiated under the previous NPP administration have seen little or no progress.

“They can promise us one theatre in Kumasi, they can promise us amphitheatres and all those things, but for them to materialise is another matter,” he said.

The FOCAP President expressed disappointment in the current minister, stating that stakeholders have not received any updates regarding the status of theatre and amphitheatre projects already under construction.

“I am seriously disappointed in the minister. We are not getting any updates when it comes to the amphitheatres and theatre projects that the previous government started. We have not been given any information on what is happening to them,” he stated.

Kojo Preko Dankwa further alleged that some of the abandoned project sites are deteriorating due to neglect.

“When you go there, weeds have taken over the sites and the iron rods are being stolen. The infrastructure is simply being left to waste,” he claimed.

He stressed that the creative arts industry cannot achieve meaningful growth without investment in performance venues and cultural infrastructure.

“We are always calling for infrastructure on the ground. We are also the same people asking for spaces where we can organise events and other creative activities, yet we are still not getting anything,” he lamented.

While acknowledging that the government has its own priorities, Kojo Preko Dankwa maintained that he remains disappointed with the handling of infrastructure development for the creative arts sector.

“So for me, I think government will do what it wants to do, but I am disappointed in the Tourism Minister,” he concluded.

His comments add to growing calls from stakeholders in Ghana’s creative arts industry for the completion of abandoned theatre and amphitheatre projects, arguing that modern performance venues are essential for promoting Ghanaian culture, creating employment and supporting the country’s entertainment industry.

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“I Was Scared” – KiDi Opens Up About Becoming a Father While Still in University

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Award-winning Ghanaian musician KiDi has opened up about one of the most challenging periods of his life, revealing that he initially struggled with fear and uncertainty after learning he was going to become a father while still pursuing his university education.

Speaking on the Konnected Minds Podcast, the singer said the news came at a time when he was still trying to build his own future, making the responsibility of parenthood feel overwhelming.

“I was scared. I was in uni. I was scared. I was shaken,” KiDi admitted.

The “Touch It” hitmaker explained that the pregnancy affected his academic journey, as he had to prepare for his resit examinations while dealing with the emotional weight of becoming a father.

According to him, his biggest concern was how he would provide and care for a child when he was still trying to establish himself.

“So how to raise a child? I was still even raising myself. I was still trying to figure out my place in the world. So to come and add another human to that equation was such a scary concept.”

Despite those fears, KiDi said the unwavering support of his family, especially his mother, gave him the strength to push through the difficult period.

He recalled that knowing his family stood behind him kept him motivated to continue his education despite the challenges.

“One thing that kept me going was I always find a way. No matter how difficult it was. I knew I had my family. I knew I had those people behind me. My mom was always going to show up for me.”

The musician said that support ultimately enabled him to complete his studies and successfully sit for his resit examinations.

Reflecting on that period, he added humorously that he even relied on an energy boost to get through the exams.

“It helped me to finish my education. I even took some vim to go and write my resits.”

KiDi also disclosed that although he learned about the pregnancy early, he was unable to be actively involved throughout the pregnancy because he and the child’s mother were living in different countries.

As a result, he missed the antenatal appointments and only reunited with them after the baby was born.

“I wasn’t able to be there until he was actually born because we were in different countries,” he explained.

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Stonebwoy and Medikal’s Friendly London Encounter Sparks Buzz Online

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Ghanaian musicians Stonebwoy and Medikal have sparked reactions across social media after sharing a friendly exchange during an unexpected meeting in the United Kingdom.

A video making the rounds online captured the moment the two award-winning artistes bumped into each other on the streets of London ahead of separate media engagements. In the clip, Stonebwoy and Medikal greeted each other with a firm handshake, exchanged a few words, and shared a brief laugh before continuing on their separate ways with members of their respective teams.

The cordial encounter has generated widespread discussion among fans, largely because Medikal is known to have a close friendship with Shatta Wale, who has maintained a long-standing rivalry with Stonebwoy over the years.

The video has since generated conversation on social media, particularly because Medikal is widely known to be a close friend of Shatta Wale, who has had a long-standing rivalry with Stonebwoy. Fans have continued to share varying reactions to the cordial exchange between the two musicians.

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Stonebwoy Assures Top-Notch Security Ahead of BHIM Festival London 2026, Promises World-Class Experience

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Ghanaian dancehall star Stonebwoy has assured fans that security at the upcoming BHIM Festival London will be of the highest standard, stressing that the event will mirror the safety, organisation, and premium experience that have become synonymous with his concerts in Ghana.

Speaking ahead of the highly anticipated festival scheduled for August 15, the award-winning musician said the safety of patrons remains a top priority, especially because his events regularly attract high-profile personalities, including government officials, traditional leaders, and dignitaries.

According to Stonebwoy, his concerts in Ghana have consistently hosted crowds of up to 50,000 people in a peaceful and well-organised environment, and he intends to replicate the same standards for the London edition.

“You’ve been to my festivals in Ghana, 50,000 people trooping and everything is clean, nice. They chill, they have fun. I’ve got people from the presidency at my show every time. MPs, high-caliber, high-class kings and queens, and security is top-notch,” he said.

The “Into the Future” hitmaker explained that the security arrangements for the London festival are being carefully planned to ensure attendees enjoy the event in a safe, comfortable, and enabling atmosphere.

He noted that the goal is to create an environment where music lovers can relax while experiencing an unforgettable festival.

“We’re going to implement the same qualities over here to make sure the people are safe and have a beautiful and enabling environment to enjoy themselves,” he added.

Beyond security, Stonebwoy promised fans a spectacular musical production, saying every aspect of the festival is being designed to meet the highest international standards.

He emphasised that he takes pride in delivering performances that reflect the dedication, hard work, and passion he invests in his craft.

According to him, while some artists simply perform their songs on stage, he strives to present music at the highest level of quality and representation.

“Some artists get on stage and deliver what they’ve got to deliver, but when you see the ones that put in the blood, sweat, tears and heart to beautify the craft, I choose to be one of those. The people deserve such quality acts, and that’s what I’m going to put up come the 15th of August.”

Stonebwoy also revealed that the Stonebwoy BHIM Festival London lineup will feature an unprecedented gathering of Ghanaian music legends alongside international reggae and dancehall acts.

He announced that celebrated Ghanaian musicians Kwabena Kwabena, Samini, and Ofori Amponsah will perform at the festival, describing the collaboration as a rare moment in Ghanaian music history.

In addition to the Ghanaian stars, Stonebwoy confirmed that Jamaican artistes Stylo G and Busy Signal will also perform.

He further disclosed that two additional Jamaican acts will be unveiled as surprise guests before the event.

The musician said the festival will celebrate the richness of Black music, bringing together different musical influences from Ghana and Jamaica in one unforgettable experience.

BHIM Festival London Set for August 15

The Stonebwoy BHIM Festival London is scheduled to take place on August 15 and is expected to attract fans from across the United Kingdom and beyond.

With assurances of world-class security, premium stage production, and a lineup featuring some of Ghana’s biggest music icons alongside internationally acclaimed Jamaican performers, the festival is shaping up to be one of the biggest African music events in London this year

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Diana Hamilton Celebrates 21 Years of Marriage: “I’d Choose You All Over Again”

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Award-winning Ghanaian gospel musician Diana Hamilton has celebrated 21 years of marriage with her husband, Dr. Joseph Hamilton, sharing a heartfelt tribute to mark the special occasion.

Diana Hamilton, renowned for hit gospel songs including Nyame Banbofo, Adom (Grace), and Mo Ne Yo, is one of Ghana’s most celebrated gospel artistes. Her music ministry has earned her numerous accolades and a loyal fan base across Ghana and beyond.

To mark their 21st wedding anniversary, the singer took to social media on August 6, 2026, sharing beautiful photos of the couple alongside an emotional message reflecting on their journey together.

“21 years with you feels like just 12 days. Thank you for loving me through every season of life. I’d choose you all over again, always, @drjosephhamilton. Happy 21st Anniversary to us!”

Reflecting on their journey together, Diana said the more than two decades they have spent as husband and wife have passed so quickly that they feel like only a few days.

In an earlier interview, the celebrated gospel artiste revealed that Dr. Joseph Hamilton is not only her husband but also the first and only man she has ever dated.

According to her, their relationship began during her final year at nursing school, laying the foundation for a lifelong partnership that eventually led to marriage.

She also disclosed that she had never been in a romantic relationship before meeting him and was a virgin when they first met.

“My husband is actually my first boyfriend. I’ve never been in a relationship with any other man before. There are no ex-boyfriends in my past; my husband is the only man I’ve known,” she said.

The touching post quickly drew congratulatory messages from fans, fellow musicians, and well-wishers, who praised the couple for their enduring love and wished them many more years of happiness.

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“I Still Cry in Private”: Fameye Reflects on Lasting Pain of Growing Up Without Parents

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Ghanaian musician Fameye has opened up about the emotional burden of growing up without both parents, revealing that although the pain is no longer as evident in his music, he still cries in private as he continues to cope with the loss.

Speaking in an interview with Kobby Kyei on August 6, 2026, the award-winning singer shared how losing his parents at a young age has shaped his life, influenced his music, and affected many of the decisions he has made over the years.

According to Fameye, his early songs reflected the emotional struggles he experienced while growing up because they were inspired by the hardships he faced.

“At the beginning of my career, people could hear the pain in my music because I cried a lot. People usually said I was always sad whenever I was recording. These days, I don’t cry in my songs anymore, but I still cry behind closed doors,” he said.

The musician explained that growing up without parents also meant missing out on the guidance and protection that many people take for granted. He believes there are certain decisions he might have made differently if his parents had been alive to advise him.

Fameye recalled one of the most difficult moments in his career, saying he felt completely helpless during a dispute within the music industry because there was no parent to stand by him or defend him.

“Whenever something goes wrong, I have to deal with it on my own. One of my darkest moments came when I had a problem with someone in the industry. They threatened to take me somewhere and curse me. At that moment, I kept asking myself, ‘Where are my parents? Who is there to defend me?'”

He also admitted that he sometimes feels envious when he sees parents publicly supporting and defending their children, particularly on social media, because it reminds him of what he has missed throughout his life.

“Sometimes I see parents standing up for their children on social media, and I wish my parents could also defend me publicly. Unfortunately, that has never been my reality.”

Fameye further revealed that the birth of his first child brought back painful memories of losing his mother. He said becoming a father made him realize even more deeply the absence of the grandmother who would naturally have helped care for his newborn.

“When my first child arrived, I was heartbroken. I kept asking, ‘Where is my mother who would have bathed the baby and cared for her grandchild?’ In the end, my partner and I had to do everything ourselves.”

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