Connect with us

Entertainment

Kojo Preko Dankwa Writes: Misconception by Kwame Dadzie on the Relevance of CAFOG

Published

on

I have read with keen interest the article by Kwame Dadzie titled “Why the Creative Arts Federation of Ghana is a Needless Formation.” While I respect your right to express an opinion, I must firmly state that your arguments are flawed and misrepresent the purpose and significance of the Creative Arts Federation of Ghana (CAFOG).

1. On the So-Called Duplication of Mandates

The notion that CAFOG is a duplication of existing bodies like the Ghana Culture Forum (GCF) is misplaced. Just as there are multiple political parties with shared objectives but different ideologies and methods, associations within the creative space may share common interests but operate with unique mandates and focus areas.

For example, the Ghana Tourism Federation (GHATOF) focuses on the tourism domain. Similarly, CAFOG is established to unify and represent the interests of creative arts associations, not cultural or tourism-focused institutions. It complements existing structures, not competes with them.

2. Differentiating CAFOG and GCF

GCF has played a valuable role in the past. However, it is fundamentally a civil society consultative forum, not a federation of creative arts associations. It serves as a platform for dialogue and advocacy, but does not speak directly for the diverse associations within the creative arts industry in a structured and federated manner.

Moreover, you mentioned executives within GCF and their sectoral representation as though this validates GCF’s claim to sole representation. Many of those individuals were appointed by GCF, not elected or nominated by their sector associations. That distinction matters greatly when we talk about legitimate representation.

3. Why CAFOG Matters: Representation Under Act 1048

Act 1048, which established the Creative Arts Agency, clearly mandates creative sector representation on its board. The law doesn’t call for individual associations to be represented—it calls for the sector to have a voice. CAFOG offers a solution to this requirement by forming a unified body capable of nominating qualified representatives through a legitimate and broad-based structure.

Who else, if not CAFOG, can take up this role? Who should speak for creatives on this legally mandated board? Fragmented associations with no collective voice, or a federation structured to coordinate and lead?

Let us not be distracted by personal preferences or rivalries. The sector needs unity, not division disguised as critique.

4. The GCF Silence and Selective Outrage

Kwame, I must ask: how many times has GCF spoken against the irregularities involving the Creative Arts Agency under Gyankroma Akufo-Addo’s leadership? Where was the loud advocacy when Act 1048 was being rendered ineffective? GCF’s silence in the face of political interference and agency stagnation was loud and telling.

You accuse CAFOG of redundancy, yet you ignore the existence of overlapping associations like the Art Writers Association, Bloggers Association of Ghana, and the New Media Association—all operating in similar spheres with shared membership. If CAFOG is a duplication, then by that logic, these associations are too.

Even Minister Dzifa Gomashie’s recent inauguration of the Culture and Creative Arts Committee—headed by Nanahemaa Adwoa Awindor—shows another layer of representation. Was this committee formation not a duplication? Were all associations consulted? Why was there no public outcry?

5. Clarifying the Misleading Claims of Dissociation

It is especially disappointing to see names like Mr. Bessa Simons disassociating themselves from CAFOG after having formally accepted roles within its interim leadership. If indeed he was not consulted, why submit an acceptance letter? These contradictions only feed confusion and suspicion within the industry.

6. Support the Vision, Not the Personalities

This is not about who leads. It is about building a viable, united front for the creative arts sector in Ghana. The CAFOG leadership is interim; there will be room for elections, reorganisation, and collective decision-making. But it begins with support and belief in the purpose, not sabotage driven by personal biases.

Let’s stop tearing down what we refuse to understand. Let’s build together for the future of Ghana’s creative arts industry.

Kojo Preko Dankwa
Communications Officer
Creative Arts Federation of Ghana (CAFOG)
📞 0550077040 / 0575655656

Entertainment

Court Halts Daddy Lumba’s Burial Plans; Orders Fresh Stakeholder Meeting

Published

on

The Accra High Court has issued an injunction stopping the maternal family of the late musician, Charles Kwadwo Fosu, widely known as Daddy Lumba, from proceeding with his burial. The order restrains the first respondent, Kofi Owusu, the family head, from organising any funeral activities until the case is settled.

This ruling follows rising tension over the musician’s death and funeral arrangements. Relatives have dragged key figures to court, accusing them of secrecy, mismanagement, and attempts to take control of the memorial plans without proper involvement of the immediate family.

The court also barred Transitions Funeral Home from releasing the body until a final decision is made.

In its ruling, the court observed that the immediate family appeared to have been sidelined in the planning process. Although postponing the burial may increase costs, the judge stressed that proper consultation and due process must be followed.

While acknowledging that the family head holds traditional authority over funeral matters, the court stated that such authority must be exercised in consultation with the immediate family. It further directed the first respondent to convene a stakeholder meeting within three weeks to agree on a new burial date.

The court also instructed that all funds raised for the funeral be kept separate from accounts belonging to the Daddy Lumba Memorial Foundation. The applicants were ordered to file an affidavit with the court registrar.

This development comes on the heels of a recent ruling by the Kumasi High Court in a high profile case involving two women claiming to be the late musician’s spouses. The decision, which appeared to question the validity of a marriage certificate reportedly issued in Germany to the recognised wife, Akosua Serwaa, while seemingly favouring claims by the alleged partner, Odo Broni, has sparked wider legal and social debate.

Continue Reading

Entertainment

Kaakyire Kwame Appiah Drops New Visual for “Dance Party” Featuring King Paluta

Published

on

Ghanaian music star Kaakyire Kwame Appiah has released the official video/visualizer for his latest single Dance Party”, featuring renowned rapper and singer King Paluta. The infectious track is designed to get listeners on their feet with vibrant Afrobeat rhythms and high-energy vibes that celebrate life, movement, and unity

Dance Party” showcases Kaakyire’s melodic strengths alongside King Paluta’s dynamic lyrical delivery, a combination that has already sparked excitement among fans and music lovers across Ghana and beyond. The visualizer captures the song’s lively spirit, turning up the energy with dance scenes, stylish visuals, and moments that highlight the chemistry between both artists.

Musically, the song combines rhythmic percussion, groovy basslines, and bright harmonies, resulting in a polished production that feels both contemporary and deeply rooted in Ghana’s rich musical traditions. The uplifting lyrics encourage listeners to let loose, enjoy life, and celebrate the moment a message that has quickly made the song popular on social media, with fans sharing dance videos and creating their own interpretations of the track’s high-energy hook.

King Paluta, a prominent figure in Ghanaian hip-hop and hiplife, brings his signature style to the track, complementing Kaakyire’s vocals with rhythmic precision and flair.

The song, produced to be a feel-good anthem for parties, social gatherings, and everyday celebrations, has been buzzing on social media, with fans sharing clips and dance challenges inspired by the song’s upbeat tempo.

Continue Reading

Entertainment

Hon. Joana Gyan Cudjoe Honored As Agent of Change at Women’s Choice Awards Africa 2025

Published

on

Hon. Joana Gyan Cudjoe Honored As Agent of Change at Women’s Choice Awards Africa 2025

 

Hon. Joana Gyan Cudjoe has been celebrated once again for her dedication to empowerment and social impact, earning the prestigious Agent of Change Award at the just ended Women’s Choice Awards Africa 2025.

 

The ceremony took place on 29th November 2025 at the Labadi Beach Hotel in Accra, bringing together influential women, leaders, and changemakers from across the continent.

Her recognition reflects her continuous commitment to community development, women’s advancement, and impactful leadership. The award serves as a tribute to her work in driving meaningful change and inspiring people within and beyond her constituency.

 

Hon. Joana Gyan Cudjoe’s acknowledgment at this year’s event reinforces her position as one of the notable voices shaping progress in Ghana and Africa.

Continue Reading

Trending

Copyright © 2025 KPDOnline. Powered by AfricaBusinessFile