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“How Much Did It Cost to Paint Parts of Accra?”- FOCAP President Questions Gyankroma Akuffo-Addo Over Alleged $25M ‘Arts for All’ Project

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A fresh wave of controversy has erupted within Ghana’s creative arts space as the President of the Foundation of Concerned Arts Professionals (FOCAP), Kojo Preko Dankwa, has publicly questioned the cost and transparency surrounding the widely discussed Arts for All” project, linked to Gyankroma Akufo-Addo.

The debate, which has regained national attention, centres on allegations that a staggering $25 million was spent on painting selected interchanges and public spaces in Accra, claims that have triggered scrutiny from industry stakeholders and the general public.

He questioned?

Bright Kankam Boadu might have gotten it wrong. No problem. To err is human, and indeed, a sign of maturity has been shown and exhibited by him. In this profession, we should be bold and speak truth to power to see our democracy stand tall.

To push argument of whether Gyankroma Akuffo Addo didn’t use $25 million state money to pay for painting certain areas in Accra, l keep wondering why, since 2022 till date, she has also not stated categorically how much she used in the project, but rather keeps denying the $25million (which l agree there are no documentation evidence to prove that).

I am challenging her to come clean and tell the whole world how much it costs her to paint certain areas in Accra.

In 2018, Gyankroma Akuffo told Ghanaians she conceived Art for All, and the purpose was to beautify our capital city, Accra, and equally give a platform to our Ghanaian artist According to her, the projects were ” conceived, managed and financially undertaken by the Creative Arts Agency through its own fundraising.”

The question then arises, which Creative Arts Agency was she referring to? The one she occupied illegally or another agency.

  1. Creative Arts Agency (CAA) was born in 2020 (Act 1048) and not 2018.

 

2- In 2018, there was the Creative Arts Council (CAC), which she occupied as an executive secretary, and Mark Okraku Mantey, the president.  It was a position to be held for 3 to 4 months, and ended up lasting 4 years and beyond. The purpose of that council was to go around the country and take the views of creatives to help build the Creative Arts Industry Act, 2020(Act 1048).

 

It will therefore not be true that she used The Creative Arts Agency (CAA) because at the time she was occupying it illegally, it did not have the requirements (Board), as an agency under the Ministry of Tourism, Culture and Creative Arts, to perform its functional duties.

 

She went further in 2022 to outline how she managed to raise funds for the project.

 

1- The private sector funded Ako Adjei.  Who is the private sector, and why put Ghanaians in the dark by not telling all and sundry?

 

2- Tetteh Quarshie was paid by herself (Gyankroma Akuffo Addo). How much did it cost her, and why use personal money for an agency (government) work, and which board approved such a procedure, and where was the minister then?

 

3- The generosity of Ben Asante, then CEO of Ghana Gas (government institution), who, according to Gyankroma Akuffo Addo, helped and how much?

 

4- Coral Paints and its CEO provided the paints. At what cost?

 

If you truly want transparency, avoid conflict of interest, and stop the peddling of falsehoods, tell Ghanaians how much it costs you for the entire project and let sleeping dogs lie.

 

Kojo Preko Dankwa

FOCAP President.

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The Church of Pentecost Causes Arrest of Gospel Musician Francis Amo Over Alleged Song Theft; Consultant Explains

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The Church of Pentecost has reportedly caused the arrest of gospel musician Francis Amo over allegations of song theft.

According to reports, the singer was invited by the Accra Central Police Command for questioning and was subsequently detained.

Speaking to Max TV on the matter, intellectual property expert and consultant Dr. Benjamin Oduro Arhin Jnr, popularly known as Bnoska Bnoska, confirmed the arrest. Dr. Arhin Jnr, who also serves as a lecturer and personal consultant to Francis Amo, confirmed that the arrest was initiated following a complaint from the church and explained the circumstances leading to it.

“Francis Amo has been ministering in the church since as far back as 2008 without taking any payment. About a month ago, he was invited to sing at Easter. During the event, the church taught him a song and instructed him to perform it at the service.

“The song, written and composed by a man identified as Elder Moses, is titled “Ode bone kye.” After his ministration, Francis Amo reportedly confessed to the church that he liked the song. He later proceeded to do a worship recording of the same song and sought permission to release it from Pastor Bortey, who instructed him to officially write to the church, which he did.

According to him, the pastor gave him approval and told him he could go ahead and release the song. He subsequently released the song on Wednesday. However, on Thursday, the pastor called him and instructed him to pull it down, which he complied with. It is further alleged that the church was dissatisfied with the manner in which he handled the situation.

While the original song was titled “Ode bone kye,” Francis Amo titled his version “Ne din de Jesus.”

“On Friday, the Accra Central Police Command called him and informed him that the leadership of the church had lodged a complaint against him, alleging that “you are a thief; you have stolen their song,” and that he should report to the police station to respond to the allegations.”

Dr. Arhin Jnr stated that they reported to the police as required by the invitation, after which Francis Amo was arrested and detained.

“According to the complaint filed against him, he is being accused of being evasive, recalcitrant, and disobedient towards the church, and is therefore being treated as a criminal who must face the full rigour of the law. Which is not the case, he concluded.

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Kwamang Homecoming Concert Positions Kwadwo Nkansah Lil Win as a Driving Force in Community-Centred Entertainment

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The success of the Kwamang Homecoming Concert has firmly established Kwadwo Nkansah Lil Win as a leading figure in Ghana’s growing movement toward community-centred entertainment. By hosting a large-scale event in his hometown of Kwamang in the Ashanti Region, the actor-musician demonstrated the power of taking entertainment beyond the traditional urban strongholds.

The event, which drew a massive crowd from across the country, transformed Kwamang into a vibrant cultural and entertainment hub. With electrifying performances, strong fan engagement, and a festival-like atmosphere, the concert not only entertained but also highlighted the untapped potential of local communities in driving the creative economy.

Industry observers note that Lil Win’s initiative reflects a broader shift within Ghana’s entertainment landscape, where artists are increasingly investing in their roots to drive sustainable, inclusive growth. The Kwamang Homecoming Concert stands as a clear example of how grassroots engagement can translate into national impact.

Beyond the stage, the concert delivered tangible economic benefits to the community, boosting local businesses, transportation services, and hospitality. It also reinforced the importance of cultural identity and community pride, as residents and visitors alike shared a moment of celebration.

As conversations around decentralising Ghana’s entertainment industry continue to gain momentum, Lil Win’s Kwamang Homecoming Concert may well serve as a blueprint for future artist-led initiatives aimed at bridging the gap between urban success and rural development.

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Kojo Preko Dankwa Recognised for Outstanding Media Consultancy at Heroines International Awards 26′

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The President of the Foundation of Concerned Arts Professionals (FOCAP), Kojo Preko Dankwa, has been honoured at the prestigious Heroines International Awards with the award for Outstanding Contribution to Media Consultancy

The recognition celebrates his remarkable impact and consistent dedication to advancing media practice, strategic communication, and consultancy within Ghana and beyond. Over the years, Kojo Preko Dankwa has distinguished himself as a leading voice in media advocacy, contributing significantly to the growth and professionalisation of the communication landscape.

His work through FOCAP, Kessben Media, and Krunch Point Desk Consultancy has empowered young communicators, strengthened media institutions, and promoted ethical standards within the industry. Known for his strategic insight and commitment to excellence, he has played a pivotal role in shaping narratives, guiding brands, and supporting initiatives that drive social and national development.

Kojo Preko Dankwa has expressed gratitude to the organisers for the recognition, noting that the honour serves as motivation to continue contributing meaningfully to the media and communication space. He also dedicated the award to aspiring media professionals, encouraging them to pursue excellence, innovation, and integrity in their work.

The Heroines International Awards, which celebrate individuals making a significant impact across various sectors globally, continue to spotlight excellence and inspire change-makers who are driving progress in their respective fields.

Kojo Preko Dankwa’s recognition not only highlights his personal achievements but also underscores the growing influence of Ghana’s media and communication industry on the global stage.

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