Entertainment
Van Vicker Sues Lil Win for Defamation, Seeks GH¢10 Million in Damages
Ghanaian actor and filmmaker Van Vicker has filed a lawsuit against fellow actor and Kumawood star Lil Win, accusing him of making defamatory statements that allegedly damaged his reputation and professional standing in the Ghanaian film industry.
According to the court documents contained in the writ and statement of claim, Van Vicker, whose full name is Joseph Van Vicker, is seeking GH¢10 million in exemplary damages, general damages for libel, a retraction and apology, as well as legal costs.
The suit was filed at the High Court of Justice, General Jurisdiction Division, in Accra. The writ identifies Kwadwo Nkansah, popularly known as Lil Win, as the defendant.
The documents state that Van Vicker is seeking redress over statements allegedly made by Lil Win in a video published on Facebook. The actor contends that the statements portrayed him as dishonest, disrespectful and unprofessional in his dealings with film producers and other industry players.
The allegations are contained in the plaintiff’s statement of claim and have not, in the documents reviewed, been established as findings by the court.
In the statement of claim, Van Vicker describes himself as an established Ghanaian actor, film director and producer who has worked across the Ghanaian and Nigerian film industries, including Ghallywood, Nollywood and Kumawood.
He states that he began his career as a television personality with TV3 between 1997 and 1999, before working as a radio presenter at Groove 106.3 FM from 1999 to 2000 and Vibe 91.9 FM from 2001 to 2004. He also worked with Metro TV between 2000 and 2006.
The plaintiff further states that he has featured in more than 150 films internationally and has worked with several prominent actors from Ghana and Nigeria.
According to the court documents, Van Vicker has also produced and directed films through his production company, Sky + Orange Productions, since 2008.
The statement of claim highlights his participation in Kumawood productions, including Joni Waka, Broni Wawu, Black Monkey and Sika Sei Yonkoo. These projects, he argues, demonstrate his involvement in the Twi-language film industry and his efforts to bridge the gap between Ghana’s English-language movie industry and Kumawood.
He also cites awards and nominations he has received during his career, arguing that he has built a professional reputation both locally and internationally.
The lawsuit centres on a video that Van Vicker alleges Lil Win authored and published on Facebook. The video reportedly carried the caption, LIL WIN BANS VAN VICKER FROM ACTING IN KUMASI!
According to the statement of claim, Lil Win accused Van Vicker of failing to fulfil professional commitments connected to a film project and of not responding to calls from the production team.
The court documents contain an English translation of statements allegedly made by Lil Win in Twi. In the video, Lil Win reportedly said that Van Vicker had failed to carry out agreed work and had not returned five missed calls.
Lil Win allegedly maintained that he had evidence of their communications, including WhatsApp chats and audio recordings, to support his account of the disagreement.
The statements also referred to Journey to Africa, described in the video as an international movie project. According to the translation contained in the court documents, Lil Win said Van Vicker could remain part of the film’s cast if he apologised and explained why he had not returned the calls. Otherwise, he allegedly threatened to remove him from the project.
The plaintiff contends that the statements presented him as a dishonest and unprofessional actor who accepts film roles but fails to appear for work.
He further argues that the publication suggested he was disrespectful towards producers and directors and had a disregard for professional obligations in the film industry.
These are allegations and interpretations advanced by Van Vicker in his legal filing, rather than findings established by the court.
Van Vicker claims the publication has harmed his reputation and exposed him to public ridicule, contempt and hostility.
In the statement of claim, he alleges that the video was published maliciously and sensationally, with the intention of attracting public attention and generating interest in Lil Win’s film project.
He further argues that the publication was calculated to increase the defendant’s visibility, ratings and viewership on social media platforms by associating his name with the controversy.
The plaintiff also alleges that Lil Win’s statements created the impression that he had been banned from participating in Kumawood productions or travelling to Kumasi for professional engagements.
According to the filing, Van Vicker believes the allegations have affected his ability to secure film roles because producers who previously engaged him are now uncertain about whether he would be available to work in Kumasi.
He claims that he has lost opportunities in the Kumawood industry as a result of the controversy.
The actor also states that he has experienced fear and anxiety and has cancelled trips to Kumasi because of concerns about how members of the public might react to him following the publication.
He argues that the alleged ban and the resulting consequences infringe on his professional and economic interests, as well as his right to freedom of movement under Ghana’s 1992 Constitution.
The plaintiff is asking the court to intervene to prevent further publication of the statements or similar allegations.
In addition to the GH¢10 million in exemplary damages, Van Vicker is seeking a declaration that the statements contained in the Facebook video are libellous and defamatory.
He is also requesting general damages for libel, the retraction of the publication and an apology on news portals with the same prominence as the original publication for four consecutive weeks.
The suit further seeks an award of costs, including legal fees.
The writ of summons identifies the plaintiff as Joseph Van Vicker and the defendant as Kwadwo Nkansah, also known as Lil Win. It directs the defendant to enter an appearance within eight days after service of the writ, inclusive of the day of service, and warns that judgment could be entered in his absence if he fails to do so.
The documents indicate that the statement of claim was dated October 10, 2026, and was issued through Ebenezer Asare of Troth Legal, Westland Boulevard, West Legon, Accra, as counsel for the plaintiff.
Entertainment
Mr Drew Says X Space Outburst Was Aimed at Trolls, Not Fans
Ghanaian Afrobeat musician Mr Drew has clarified that his recent outburst during an X Space discussion was directed at social media trolls who disrespected him, insisting that his comments were not intended for his loyal fans.
The singer explained that he was offended by the manner in which some participants addressed him during the online conversation, adding that his reaction had been misinterpreted and portrayed as an attack on his supporters.
According to Mr Drew, he loves and appreciates his fans but will not tolerate disrespect from people who interact with him on social media.
“It was for the trolls, for the people who were disrespecting me on the space, but right now, it is being changed into something else. You people know I appreciate my fans, so please, don’t let anybody change your mind. I love my fans so much, but we will not tolerate disrespect. It wasn’t for the fans; it was for the trolls who were in that space,” he clarified.
The controversy follows an incident on October 12, 2026, when Mr Drew clashed with some participants during an X Space he had organised to interact with his fans.
The discussion reportedly became heated after the musician took offence at the way some participants spoke to him. Although he had encouraged fans to communicate with him informally, he maintained that such interactions should be conducted with respect.
Tension reportedly began when one participant addressed him as chale, a popular Ghanaian expression often used to refer to a friend or peer.
Mr Drew objected to the manner in which he was addressed, arguing that some social media users mistake his accessibility for permission to speak to him disrespectfully.
“I am not your mate. A lot of people think I am their mate, but I am not your mate. A lot of the boys think they are my age mates. When it comes to money and age, I am not your mate, and you need to put that in your head,” he said.
The exchange escalated after the participant reportedly accused the musician of being arrogant and questioned his standing in the music industry.
Both parties continued to defend their positions, with Mr Drew eventually insulting the participant and threatening to block the account. The confrontation subsequently attracted criticism and sparked debate over the musician’s reaction.
Despite the backlash, Mr Drew has maintained that his frustration was directed at those who insulted him during the discussion, rather than the fans who continue to support his music career.
Entertainment
Ghanaian Tourism Entrepreneur Mary Nyamekye Asamoah Wins Africa Travel 100 Award in Nigeria
Ghanaian tourism and aviation entrepreneur Madame Mary Nyamekye Asamoah has been honoured with the Africa Travel 100 Tour Operators Award 2026 in recognition of her contributions to the travel and tourism industry.
The award was presented at the 22nd edition of the Akwaaba Travel Market in Nigeria, one of Africa’s major travel and tourism trade events, which brings together industry professionals, tourism organisations, destinations and businesses to promote collaboration and growth across the continent.
Madame Asamoah, Chief Executive Officer of Spotless Travel and Tours and Spotless Aviation and Professional Training Institute, was among a select group of tourism professionals from across Africa recognised for their contributions to the development of the continent’s travel and tourism sector.
Her recognition highlights years of work spanning aviation, tourism, travel services and professional training, with a particular focus on creating travel opportunities and equipping young people with the skills needed to pursue careers in the industry.
Madame Asamoah’s interest in aviation and tourism began at an early age, eventually leading her to pursue a career in the aviation industry.
She started her professional journey as a cabin crew member with Starbow Airline, where she gained valuable experience in aviation operations, hospitality and customer service.
Her time in the airline industry also deepened her interest in travel and tourism, laying the foundation for her transition into entrepreneurship.

She subsequently established Spotless Travel and Tours, a company through which she has organised tours for individuals and groups to destinations across Africa and beyond.
The tours have provided travellers with opportunities to explore different destinations, cultures and experiences while contributing to the promotion of tourism and cross-border travel.
Through the business, she has continued to pursue her interest in connecting people with new destinations and experiences, while building her presence in the tourism industry.
Beyond travel services, Madame Asamoah has extended her work into professional education and skills development through the establishment of Spotless Aviation and Professional Training Institute.

The institute was created to provide young people interested in aviation, hospitality and tourism with training and practical exposure to prepare them for careers in the sector.
One of the distinctive features of her training approach is the use of an aircraft as an office and learning environment, allowing students to gain a practical appreciation of the aviation industry.
The initiative is designed to help students understand the professional environment in which aviation personnel operate, complementing their training with exposure to the industry.
Her work in professional training reflects a broader commitment to developing the human resources needed to support the growth of aviation, hospitality and tourism in Ghana and across Africa.
By combining entrepreneurship with skills development, Madame Asamoah has positioned her businesses to contribute not only to travel services but also to the preparation of young people for employment and professional opportunities in the sector.
The Africa Travel 100 Tour Operators Award 2026 adds to Madame Asamoah’s profile as a Ghanaian entrepreneur working across travel, aviation and professional education.
Her recognition at the Akwaaba Travel Market places her among tourism professionals acknowledged for their contributions to Africa’s travel and tourism industry.
The award also draws attention to the role of tour operators and other private-sector players in promoting destinations, facilitating travel and creating opportunities for cooperation among tourism stakeholders.
Through Spotless Travel and Tours, Madame Asamoah has focused on organising travel experiences, while her training institute seeks to equip aspiring professionals with the knowledge and practical exposure required to enter the industry.

Her work brings together two areas of tourism development: the provision of travel services and the training of the people who will support the sector’s future growth.
Despite her achievements in travel, tourism and professional training, Madame Asamoah’s long-term ambition is to establish and operate her own airline.
The goal represents the next stage of her career in an industry in which she began as a cabin crew member before moving into tourism entrepreneurship and aviation education.
Her experience across these areas has provided a foundation for her continued pursuit of opportunities within the aviation and travel sectors.
Her journey from working with Starbow Airline to leading two businesses demonstrates her progression from aviation employment into entrepreneurship, with an emphasis on tourism development and youth empowerment.
As she continues to build her businesses, her ambition to operate an airline remains a central part of her long-term vision.

The Akwaaba Travel Market is a major travel and tourism trade event in Africa that brings together industry stakeholders, tour operators, travel professionals, tourism destinations and other businesses.
The event provides a platform for networking, business development, partnerships and the promotion of tourism opportunities across the African travel market.
The 22nd edition, held in Nigeria, provided the setting for the presentation of the Africa Travel 100 Tour Operators Award 2026 to Madame Mary Nyamekye Asamoah, bringing recognition to her work in tourism, aviation and professional training.
Entertainment
Ex-Gang Leader Receives 40 Years to Life for Tupac Shakur’s 1996 Killing
LAS VEGAS, United States — October 14, 2026
A Nevada court has sentenced former gang leader Duane “Keffe D” Davis to 40 years to life in prison for his role in orchestrating the fatal shooting of legendary American rapper Tupac Shakur, bringing a major development in one of the most closely watched murder cases in music history.
Davis, 63, received the sentence on Tuesday, October 13, after a jury found him guilty of first-degree murder in August. The sentence consists of consecutive terms of 20 years to life for murder and the use of a deadly weapon, according to Reuters.
The sentencing follows nearly three decades of investigations and public speculation surrounding Shakur’s death, which became one of the most notorious unsolved cases in the American music industry.
How the Fatal Shooting Happened
Shakur was shot on September 7, 1996, while travelling in a black BMW driven by music executive Marion “Suge” Knight in Las Vegas. The shooting occurred after a confrontation earlier that evening involving Shakur’s entourage and Davis’ nephew, Orlando Anderson, at the MGM Grand casino.
Prosecutors argued that Davis organised the retaliatory attack and supplied the firearm used by an associate in the vehicle. Shakur was struck multiple times and died in hospital six days later, aged 25. Knight survived the shooting.
Davis was not accused of personally pulling the trigger. Instead, prosecutors relied heavily on his own public statements, interviews and his 2019 memoir, Compton Street Legend, to establish his involvement in the crime. His statements helped investigators revive a case that had remained unresolved for years.
Family Calls for Justice
The sentencing hearing brought renewed attention to the devastating impact of Shakur’s death on his family.
His sister, Sekyiwa “Set” Shakur, delivered an emotional victim-impact statement, reflecting on her brother’s life, his ambitions and the lasting pain his killing caused their family.
The judge stressed the significance of the loss, noting that Shakur had been taken from his family and deprived of his future. The rapper’s influence has continued long after his death, with his music, social commentary and cultural legacy reaching generations of listeners.
Davis Plans to Appeal
Davis indicated during the hearing that he intends to appeal his conviction. His legal team has also signalled plans to challenge the outcome.
Although the sentence marks a significant milestone in the case, questions remain about the identity of the person who fired the fatal shots. Prosecutors did not establish conclusively who pulled the trigger, and Davis remains the only person convicted in connection with Shakur’s murder.
The case has long been associated with the violent rivalries that affected parts of the American hip-hop scene during the 1990s. Shakur’s death also intensified public discussion about gang violence, retaliation and the vulnerability of artists during that period.
Nearly 30 years after the shooting, the sentence represents a major legal development in the pursuit of accountability for the death of one of hip-hop’s most influential figures.
Sources: Reuters, Al Jazeera and CBS News.
Entertainment
Ras Caleb Appiah-Levi Proposes Pan-African Consolidated Relief Fund to Finance Development
Ras Caleb Appiah-Levi, on behalf of PANAFRICA-GHANA (PAG) and its allies, has proposed the establishment of the Give Your Heart to Africa Consolidated Relief Fund (GIYOHETACORE) to mobilise resources for development and humanitarian interventions across African countries.
The proposal, titled “An Essay for the New African Dispensation,” outlines plans for a continent-wide fund through which Africans at home and abroad, public and private institutions, corporate organisations and friends of Africa can contribute towards the continent’s transformation.
According to the document, the initiative is intended to provide a consolidated, transparent and Pan-African mechanism for financing development projects and addressing pressing needs across Africa.
It describes the fund as a legacy project for a new era in which Africa mobilises its own resources to support its development, heal its communities and build a stronger continent.
Vision and objectives of the fund
The proposed fund, also referred to as GYHTACRF, is expected to operate as a consolidated relief and development financing platform serving the 56 nations of Africa.
The document states that the fund would be jointly administered by representatives of public and private citizens, with the aim of directing resources to areas where they are most needed.
It proposes that the fund be domiciled in an international bank in Africa to ensure continental credibility and accessibility.
Contributions would be open to individuals, public and private institutions, collective organisations, members of the African diaspora, corporate bodies and other individuals or groups interested in supporting Africa’s development.
Although donations of any amount would be accepted, the proposal states that contributors who donate at least US$50 or its equivalent in local currency would be entitled to inspect the fund’s books of account upon request.
The document identifies transparency as a central principle of the initiative.
Proposed governance and accountability structure
Under the proposal, the fund would be managed by a Council of Seven to 13 Elders selected on the basis of integrity, commitment to Pan-Africanism and adherence to truth and righteousness.
The council would be responsible for approving expenditure, with no funds to be spent without its approval.
All applications for projects or assistance would also be subjected to assessment by the council, taking into consideration the quality of the proposals, their preparation and the applicants’ past performance.
The proposal further stipulates that money allocated to a particular project must be used exclusively for that purpose. Any diversion of funds would require the council’s express written consent.
Beneficiaries would be selected based on objectively identified problems and needs, with priority given to the urgency of the intervention, its expected impact and long-term sustainability.
The proposed framework places considerable emphasis on regular reporting and financial accountability at both project and fund levels.
Projects receiving financial support would be required to submit monthly, quarterly, annual and tri-annual reports, as specified in their respective approval letters.
These reports would include cash-needs statements and balance sheets showing ownership and growth in assets.
At the overall fund level, the managers and Council of Elders would be expected to provide monthly reports to members, alongside a comprehensive audited report at the end of every year.
The measures are intended to enable contributors to monitor how their donations are used and assess the performance of funded projects.
Twenty-three areas targeted for intervention
The GIYOHETACORE proposal identifies 23 pillars under which contributors could direct their support.
The areas are: Housing, Water, Food, agriculture and the environment, Education, Transport, Culture and creative arts, Music development, Sports development, Healthcare and sanitation, Repatriation, reparation and resettlement, Communication, Energy, Construction and maintenance, Manufacturing and skills training, Aged and youth development, Machinery, Wildlife preservation, Peace and security, Civics and governance, Disaster relief, Commerce and entrepreneurship, Insurance and social protection, Africa Trust Fund
The document states that contributors would be able to earmark their donations for one or more of these areas, allowing them to support causes that align with their interests and priorities.
Pledge system and Healing Africa Tour
The proposal also includes a letter of pledge for individuals and organisations interested in supporting the fund and the accompanying Healing Africa Tour (HAT) project.
Under the pledge arrangement, prospective contributors would be required to indicate their commitment, the amount they intend to donate, the period over which the contribution would be made and the proposed monthly or annual payment rate.
They would also be asked to provide their names, addresses, telephone numbers and email addresses, as well as identify their preferred intervention pillars.
The pledge form provides spaces for a signature and right thumbprint. Contributors are advised to retain a photocopy of the completed document and return the original to the administrator of the fund and the Healing Africa Tour project.
The proposal lists a postal address in Accra, Ghana, for the administrator, although the specific post office box number and email address for the fund are yet to be inserted. It also states that a permanent secretariat address would be communicated later.
The document does not specify a launch date, a fundraising target or a timeline for the commencement of the fund’s operations.
Pan-African vision
In its closing statement, the proposal presents the initiative as a call for Africans to take collective responsibility for the continent’s future through coordinated financial contributions and development initiatives.
It argues that Africa’s transformation should be driven by a spirit of collective ownership and solidarity rather than reliance on charity alone.
The document is signed by Ras Caleb Appiah-Levi on behalf of PANAFRICA-GHANA and its allies. The organisation lists its address as 9 Chesterfield Close, GA-097-4538, Kpehe, Accra, Ghana, West Africa, and provides the email address panafricaghana.musiquegroup@gmail.com.
The proposal concludes with the message: “Africa’s time is now. Not through charity, but through consolidated self-love. Give your heart, and let your heart build a continent.”
Entertainment
Florence Obinim Reportedly Seeks GH¢2m and Properties in Divorce Claim Against Bishop Obinim
Ghanaian gospel musician Florence Obinim has reportedly filed for divorce from her husband, Bishop Daniel Obinim, following their public separation after 24 years of marriage.
As part of the reported divorce proceedings, Florence is said to be seeking GH¢2 million in damages, alongside several properties and other financial benefits as compensation for the years she spent as his legally married wife.
Her reported demands include a mansion at Trassaco Valley in East Legon, Accra, and another mansion in Barcelona, Spain. She is also said to be seeking ownership of a 21-unit block of shops in Tema.
Other properties reportedly listed in her claims include the Abroso Guest House in Accra and a multi-storey building said to accommodate residential apartments, guest-house facilities and church facilities.
In addition to the properties, Florence is reportedly demanding two luxury vehicles and a weekly allowance of GH¢10,000 to cover her upkeep and personal expenses. She is also said to be seeking any additional properties that the court may deem appropriate.
The reported demands were disclosed by Bishop Obinim during a Sunday service at his International God’s Way Church.
Reacting to the claims, the bishop is reported to have expressed anger and questioned the demands made by his estranged wife.
Obinim reportedly declared his readiness to contest the matter, insisting that he would not give her any money.
He further alleged that some individuals were influencing Florence and claimed that their involvement would lead to her doom.
The reported divorce claims and the bishop’s reaction have attracted attention, particularly given the couple’s long marriage and the substantial financial and property demands said to be involved in the proceedings.
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