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From Pain to Purpose: Lydia Forson’s Emotional Homecoming Speech at University of Ghana Graduation

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In a heartfelt and emotional speech delivered at her alma mater, the University of Ghana, renowned Ghanaian actress Lydia Forson shared a candid reflection on her personal journey, one marked by pain, growth, and ultimately, reconciliation with her past.

Standing before a sea of graduates, faculty, and family, Forson, who left the University of Ghana campus two decades ago, determined never to return, opened up about the complex feelings that shaped her early departure. “I left angry. I left hurt,” she said, speaking openly about the emotional scars she carried for years.

“My last year here wasn’t pleasant. In many ways, it marked the beginning of one of the hardest periods of my life,” Ms Forson told the gathering of graduates, university leadership, faculty members, and families. “When I left this university, I left angry. I left hurt. And I left carrying a lot of resentment.”

The actress, known for her trailblazing work in Ghana’s film industry, confessed that her academic journey was anything but smooth. “To be honest, I barely made it out of here. It was by the skin of my teeth. And when I did, I walked off this campus and swore never to look back.”

The February 2026 congregation ceremonies marked a significant milestone for the university, with 15,288 graduands receiving degrees across 17 sessions, including 153 PhD candidates, 4,197 master’s graduates, 10,543 undergraduates, and 395 diploma holders.

Saturday’s College of Humanities ceremony specifically celebrated graduates from the university’s largest college, with the Great Hall serving as the backdrop for what became an unexpectedly emotional homecoming.

Presiding over the ceremony was Professor Felix Ankomah Asante, Pro Vice-Chancellor of the Research and Innovation Directorate, who urged graduates to strive for excellence in their future endeavours.

“Graduating students, today we celebrate the completion of your academic programs as well as the boldness and confidence with which you step into the next stage of your lives. Congratulations and best wishes to you all,” Professor Asante said, while also highlighting the university’s strong performance in the 2026 Times Higher Education World University Rankings.

University Vice-Chancellor Professor Nana Aba Appiah Amfo, who spoke during the broader congregation ceremonies, congratulated all graduating students for their hard work and resilience, noting that they are now well-equipped to enter the world of work and contribute meaningfully to national and global development.

The ceremony, which had veteran actress Lydia Forson as the guest speaker, also provided a platform to celebrate exceptional academic achievement. Among those honoured was Ms Mofiyinfoluwa Motunrayo Samuel, a Nigerian scholar who was named the valedictorian for her graduating cohort within the College of Humanities during that very session. Ms Samuel graduated with an impressive Final Cumulative Grade Point Average (FCGPA) of 3.95 in her Bachelor of Arts degree in French and Linguistics. While Emmanuel Nana Yaw Appeagyei was named the overall Valedictorian for the entire College of Humanities with a near-perfect 3.99 FGPA, Ms Samuel’s remarkable feat stood as a shining example of the academic excellence on display at the event.

However, it was Lydia Forson’s raw, unfiltered address that became the talk of the ceremony. Standing before an audience that included the Chancellor’s Representative, University Council members, the Vice-Chancellor, Pro-Vice-Chancellors, the Registrar, Provost of the College of Humanities, and members of the College of Humanities Advisory Board, the actress admitted that preparing the speech forced her to confront years of unexamined pain.

“For years, I carried a story of frustration. Of feeling unseen and misunderstood,” she said. “But writing this speech forced me to confront something I hadn’t fully acknowledged: that for years, I held on to everything that went wrong, instead of recognising the many things that went right.”

Ms. Forson proceeded to dismantle her own narrative of victimhood, acknowledging that while her time at the university was marked by struggle, it was equally defined by growth and formation.

“This campus shaped me,” she declared. “It’s here I learned independence, got my first job and where I tested my entrepreneurial instincts. It’s here that I handed out my very first complimentary card as a marketing executive, with absolutely no experience, just passion and audacity.”

The actress credited the university with launching her media career, recalling that she got her first stint on television as a student, gained popularity, and opened doors to the career she has today.

“This is also where I built confidence, through struggle, resistance and through everything I had to fight for,” Ms Forson added. “So yes, there was a struggle. There was hurt. There were a lot of tears. There was disappointment. But there was also growth, pride and becoming.”

Her message to graduates was unequivocal: “As you step into the next chapter of your lives, do not discard parts of your journey just because they were difficult. Do not carry only the good and pretend the bad never happened. Carry all of it. The good. The bad. Even the ugly.”

In an unexpected turn, Ms Forson pivoted from addressing graduates to speaking directly to the university’s academic staff; a moment that drew visible attention from faculty members seated in the front rows.

“Beyond speaking to the graduating class, I want to gently speak to every lecturer, every academic, every member of staff who contributes to shaping young minds,” she said. “Universities do not merely confer degrees. They shape human beings.”

Quoting her father, Forson noted that “education is meant to make us fit to live and to believe with, not just to earn with.” She reminded faculty that learning extends beyond lecture halls into friendships, late-night conversations, hall weeks, parties, and even heartbreaks.”All of that is education,” she insisted.

The actress challenged the academic community to examine their role in students’ lives: “Who are you in someone’s story? Because there were lecturers who saw potential in us before we saw it in ourselves. Some people choose to build rather than break.”

“Will you be remembered as the person who made a student feel small? Or the one who made them feel seen? The voice that discouraged, or the voice that affirmed?” she asked. “Because sometimes it only takes one sentence to diminish someone. But it also only takes one sentence to change the trajectory of a life.”

In a revelation that drew applause from the audience, Ms Forson announced that her return to campus has prompted her to finally pursue a long-overdue master’s degree at the university.

“Now that all of this is off my chest, I can finally and proudly say congratulations to all of us,” she said. “Because in a way, this is my graduation too. I never came for mine. And standing here today feels like closing one chapter and opening another as I’m finally coming back to study again.”

As she concluded her speech, Forson left graduates with a final exhortation: “Hold on to it all. Hold on to the friendships. Hold on to the lessons. Hold on to the moments that tested you. Because one day, you will look back, not with bitterness, but with clarity. And you will realise that even the chapters you wanted to erase were shaping the person you needed to become.”

“To my fellow graduates,” she added with emphasis, “Go boldly. Go fearlessly. And carry your entire story with you.”

 Zolla Nie/Mk Content

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Kojo Preko Dankwa Recognised for Outstanding Media Consultancy at Heroines International Awards 26′

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The President of the Foundation of Concerned Arts Professionals (FOCAP), Kojo Preko Dankwa, has been honoured at the prestigious Heroines International Awards with the award for Outstanding Contribution to Media Consultancy

The recognition celebrates his remarkable impact and consistent dedication to advancing media practice, strategic communication, and consultancy within Ghana and beyond. Over the years, Kojo Preko Dankwa has distinguished himself as a leading voice in media advocacy, contributing significantly to the growth and professionalisation of the communication landscape.

His work through FOCAP, Kessben Media, and Krunch Point Desk Consultancy has empowered young communicators, strengthened media institutions, and promoted ethical standards within the industry. Known for his strategic insight and commitment to excellence, he has played a pivotal role in shaping narratives, guiding brands, and supporting initiatives that drive social and national development.

Kojo Preko Dankwa has expressed gratitude to the organisers for the recognition, noting that the honour serves as motivation to continue contributing meaningfully to the media and communication space. He also dedicated the award to aspiring media professionals, encouraging them to pursue excellence, innovation, and integrity in their work.

The Heroines International Awards, which celebrate individuals making a significant impact across various sectors globally, continue to spotlight excellence and inspire change-makers who are driving progress in their respective fields.

Kojo Preko Dankwa’s recognition not only highlights his personal achievements but also underscores the growing influence of Ghana’s media and communication industry on the global stage.

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Ghanaian Hairstylist Chelsea Abigail Owusu Ansah Set to Break Her Own Guinness World Record on May 1

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Renowned Ghanaian hairstylist and Guinness World Record holder, Chelsea Abigail Owusu Ansah, popularly known as “Yoga’s Locks,” is set to make history once again as she prepares to break her own world record on May 1, 2026.

The highly anticipated record attempt will take place at the iconic Kwame Nkrumah Memorial Park in Accra, where Ansah aims to surpass her previous achievement by locking more than 35 heads of hair within eight hours.

Chelsea Abigail Owusu Ansah first etched her name into the global record books on March 6, 2024, when she successfully locked 27 heads of hair in just eight hours, setting a Guinness World Record and earning international recognition for her exceptional speed and precision.

Her upcoming attempt is not only a personal milestone but also a bold statement about Ghana’s growing influence in the global beauty and creative arts industry. Known for her dedication, craftsmanship, and consistency, Ansah has become a symbol of excellence and innovation within the hairstyling space.

The May 1 event is expected to draw a large audience, including industry players, creatives, and supporters, as the public has been invited to witness the historic attempt firsthand. Organisers have also called on corporate institutions and stakeholders to support the initiative as part of efforts to elevate Ghanaian talent on the global stage.

Beyond the record attempt, the event represents a celebration of resilience, creativity, and the power of determination. It also highlights the immense potential within Ghana’s creative sector, particularly in beauty and personal care, where talents like Ansah continue to break boundaries and redefine global standards.

As anticipation builds, all eyes will be on Chelsea Abigail Owusu Ansah as she steps forward once again to challenge limits, inspire a new generation of creatives, and proudly raise Ghana’s flag on the world stage.

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“How Much Did It Cost to Paint Parts of Accra?”- FOCAP President Questions Gyankroma Akuffo-Addo Over Alleged $25M ‘Arts for All’ Project

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A fresh wave of controversy has erupted within Ghana’s creative arts space as the President of the Foundation of Concerned Arts Professionals (FOCAP), Kojo Preko Dankwa, has publicly questioned the cost and transparency surrounding the widely discussed Arts for All” project, linked to Gyankroma Akufo-Addo.

The debate, which has regained national attention, centres on allegations that a staggering $25 million was spent on painting selected interchanges and public spaces in Accra, claims that have triggered scrutiny from industry stakeholders and the general public.

He questioned?

Bright Kankam Boadu might have gotten it wrong. No problem. To err is human, and indeed, a sign of maturity has been shown and exhibited by him. In this profession, we should be bold and speak truth to power to see our democracy stand tall.

To push argument of whether Gyankroma Akuffo Addo didn’t use $25 million state money to pay for painting certain areas in Accra, l keep wondering why, since 2022 till date, she has also not stated categorically how much she used in the project, but rather keeps denying the $25million (which l agree there are no documentation evidence to prove that).

I am challenging her to come clean and tell the whole world how much it costs her to paint certain areas in Accra.

In 2018, Gyankroma Akuffo told Ghanaians she conceived Art for All, and the purpose was to beautify our capital city, Accra, and equally give a platform to our Ghanaian artist According to her, the projects were ” conceived, managed and financially undertaken by the Creative Arts Agency through its own fundraising.”

The question then arises, which Creative Arts Agency was she referring to? The one she occupied illegally or another agency.

  1. Creative Arts Agency (CAA) was born in 2020 (Act 1048) and not 2018.

 

2- In 2018, there was the Creative Arts Council (CAC), which she occupied as an executive secretary, and Mark Okraku Mantey, the president.  It was a position to be held for 3 to 4 months, and ended up lasting 4 years and beyond. The purpose of that council was to go around the country and take the views of creatives to help build the Creative Arts Industry Act, 2020(Act 1048).

 

It will therefore not be true that she used The Creative Arts Agency (CAA) because at the time she was occupying it illegally, it did not have the requirements (Board), as an agency under the Ministry of Tourism, Culture and Creative Arts, to perform its functional duties.

 

She went further in 2022 to outline how she managed to raise funds for the project.

 

1- The private sector funded Ako Adjei.  Who is the private sector, and why put Ghanaians in the dark by not telling all and sundry?

 

2- Tetteh Quarshie was paid by herself (Gyankroma Akuffo Addo). How much did it cost her, and why use personal money for an agency (government) work, and which board approved such a procedure, and where was the minister then?

 

3- The generosity of Ben Asante, then CEO of Ghana Gas (government institution), who, according to Gyankroma Akuffo Addo, helped and how much?

 

4- Coral Paints and its CEO provided the paints. At what cost?

 

If you truly want transparency, avoid conflict of interest, and stop the peddling of falsehoods, tell Ghanaians how much it costs you for the entire project and let sleeping dogs lie.

 

Kojo Preko Dankwa

FOCAP President.

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