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TWO AFROBEATS TITANS JOIN FORCES: KING PROMISE & MR EAZI ARE ABOUT TO DROP THE COLLAB ALBUM NOBODY SAW COMING

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Ghana meets Nigeria. Highlife meets Afrobeats. And the result? Nine tracks that could redefine the sound of African pop.

Mark your calendars April 15, 2026 is shaping up to be a landmark moment in African music. Ghanaian sensation King Promise and Nigeria’s genre-bending Mr Eazi are set to unleash their long-awaited joint album, See What We’ve Done, and if the pre-release buzz is anything to go by, this one is going to hit different.

The two artists have long been fan favourites individually, but together? They’re describing the project as “a beautiful collection of words and emotions”  and honestly, we’re already sold.

Chemistry You Can Actually Hear

The 9-track album isn’t just a collaboration in name  it’s a genuine meeting of minds, styles and friendship. King Promise brings his silky, highlife-infused charm to the table, while Mr Eazi layers in his signature genre-fluid influence, creating a sonic cocktail that feels both deeply rooted and refreshingly forward-thinking. Think smooth melodies wrapped in rich storytelling, soaked in everything that makes African pop impossible to ignore.

The full tracklist reads: Where Have You Been, That Way, Mariana, Taste, Criminal, Baby I Am Jealous, Not Fan, Mad Time and the title track See What We’ve Done.

The Singles Are Already Speaking

Lucky fans haven’t had to wait entirely in the dark. That Way, Mariana, and See What We’ve Done have already made their way into the world as advance singles and they paint a vivid picture of what’s coming. Each release has only cranked the anticipation up further, hinting at a cohesive, carefully crafted body of work where every track earns its place.

More Than Music It’s a Movement

Industry insiders and fans alike have praised the duo’s chemistry for one key reason: it feels effortless. There’s no awkward merging of egos here. Instead, King Promise and Mr Eazi appear to draw out the best in each other, delivering a sound that is at once familiar and boldly innovative.

See What We’ve Done is being framed as more than just an album drop  it’s a celebration of artistic growth, cross-border friendship, and the unstoppable rise of African music on the world stage.

April 15 cannot come fast enough. Save the date. Turn up the volume. This is going to be something special.

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The Church of Pentecost Causes Arrest of Gospel Musician Francis Amo Over Alleged Song Theft; Consultant Explains

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The Church of Pentecost has reportedly caused the arrest of gospel musician Francis Amo over allegations of song theft.

According to reports, the singer was invited by the Accra Central Police Command for questioning and was subsequently detained.

Speaking to Max TV on the matter, intellectual property expert and consultant Dr. Benjamin Oduro Arhin Jnr, popularly known as Bnoska Bnoska, confirmed the arrest. Dr. Arhin Jnr, who also serves as a lecturer and personal consultant to Francis Amo, confirmed that the arrest was initiated following a complaint from the church and explained the circumstances leading to it.

“Francis Amo has been ministering in the church since as far back as 2008 without taking any payment. About a month ago, he was invited to sing at Easter. During the event, the church taught him a song and instructed him to perform it at the service.

“The song, written and composed by a man identified as Elder Moses, is titled “Ode bone kye.” After his ministration, Francis Amo reportedly confessed to the church that he liked the song. He later proceeded to do a worship recording of the same song and sought permission to release it from Pastor Bortey, who instructed him to officially write to the church, which he did.

According to him, the pastor gave him approval and told him he could go ahead and release the song. He subsequently released the song on Wednesday. However, on Thursday, the pastor called him and instructed him to pull it down, which he complied with. It is further alleged that the church was dissatisfied with the manner in which he handled the situation.

While the original song was titled “Ode bone kye,” Francis Amo titled his version “Ne din de Jesus.”

“On Friday, the Accra Central Police Command called him and informed him that the leadership of the church had lodged a complaint against him, alleging that “you are a thief; you have stolen their song,” and that he should report to the police station to respond to the allegations.”

Dr. Arhin Jnr stated that they reported to the police as required by the invitation, after which Francis Amo was arrested and detained.

“According to the complaint filed against him, he is being accused of being evasive, recalcitrant, and disobedient towards the church, and is therefore being treated as a criminal who must face the full rigour of the law. Which is not the case, he concluded.

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Kwamang Homecoming Concert Positions Kwadwo Nkansah Lil Win as a Driving Force in Community-Centred Entertainment

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The success of the Kwamang Homecoming Concert has firmly established Kwadwo Nkansah Lil Win as a leading figure in Ghana’s growing movement toward community-centred entertainment. By hosting a large-scale event in his hometown of Kwamang in the Ashanti Region, the actor-musician demonstrated the power of taking entertainment beyond the traditional urban strongholds.

The event, which drew a massive crowd from across the country, transformed Kwamang into a vibrant cultural and entertainment hub. With electrifying performances, strong fan engagement, and a festival-like atmosphere, the concert not only entertained but also highlighted the untapped potential of local communities in driving the creative economy.

Industry observers note that Lil Win’s initiative reflects a broader shift within Ghana’s entertainment landscape, where artists are increasingly investing in their roots to drive sustainable, inclusive growth. The Kwamang Homecoming Concert stands as a clear example of how grassroots engagement can translate into national impact.

Beyond the stage, the concert delivered tangible economic benefits to the community, boosting local businesses, transportation services, and hospitality. It also reinforced the importance of cultural identity and community pride, as residents and visitors alike shared a moment of celebration.

As conversations around decentralising Ghana’s entertainment industry continue to gain momentum, Lil Win’s Kwamang Homecoming Concert may well serve as a blueprint for future artist-led initiatives aimed at bridging the gap between urban success and rural development.

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Kojo Preko Dankwa Recognised for Outstanding Media Consultancy at Heroines International Awards 26′

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The President of the Foundation of Concerned Arts Professionals (FOCAP), Kojo Preko Dankwa, has been honoured at the prestigious Heroines International Awards with the award for Outstanding Contribution to Media Consultancy

The recognition celebrates his remarkable impact and consistent dedication to advancing media practice, strategic communication, and consultancy within Ghana and beyond. Over the years, Kojo Preko Dankwa has distinguished himself as a leading voice in media advocacy, contributing significantly to the growth and professionalisation of the communication landscape.

His work through FOCAP, Kessben Media, and Krunch Point Desk Consultancy has empowered young communicators, strengthened media institutions, and promoted ethical standards within the industry. Known for his strategic insight and commitment to excellence, he has played a pivotal role in shaping narratives, guiding brands, and supporting initiatives that drive social and national development.

Kojo Preko Dankwa has expressed gratitude to the organisers for the recognition, noting that the honour serves as motivation to continue contributing meaningfully to the media and communication space. He also dedicated the award to aspiring media professionals, encouraging them to pursue excellence, innovation, and integrity in their work.

The Heroines International Awards, which celebrate individuals making a significant impact across various sectors globally, continue to spotlight excellence and inspire change-makers who are driving progress in their respective fields.

Kojo Preko Dankwa’s recognition not only highlights his personal achievements but also underscores the growing influence of Ghana’s media and communication industry on the global stage.

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