Entertainment
I have no challenger –Stonebwoy on Artiste of the Year race

VIRTUALLY ticking all the category’s boxes as well as habouring a strong conviction of making history as the first artiste to win the ultimate Telecel Ghana Music Awards (TGMAs) Artiste of the Year (AOTY) award back to back, Dancehall artiste Stonebwoy has declared he has no challenger in this year’s race.
Stonebwoy, the reigning TGMA Artiste of the Year believes it is a done deal for him although he is vying for the TGMA topmost prize again this year against strong contenders including King Promise, Black Sherif, Kweku Smoke, Joe Mettle, King Paluta and Team Eternity Ghana.
According to the category’s definition, “The Artiste of the Year is the Artiste(s) adjudged by the Academy, Board and the General Public as the artiste with the highest audience appeal and popularity in the year under review. The artiste(s) must have released a hit single/EP/album and must be one of the artistes with the highest nominations in the year under review.
In an interview with Graphic Showbiz on Monday, March 24, Vida Adutwumwaa Boateng, Head of Public Relations for Burniton Music Group (BMG), the music label of Stonebwoy, explained that with regard to work done in the year under review, the Jiggle and Whine artiste stood tall.
“With regard to the category definition that places premium on the artiste with the highest audience appeal and highest nominations, no one in that category beats Stonebwoy.”
“First, Stonebwoy has three major hits, Psalm 23, Ekelebe and Jiggle and Whine on the Up and Runnin6 album and they have been nominated in various categories in this year’s TGMAs. This is a record no artiste in the calendar year can boast of.”
“Imagine a solid 13-track album which features Wyclef Jean, Spice, Odumodublvck, Ginton IR Sais, Duncan Mighty, Amaria BB, which has gained popularity not only in Ghana but the Caribbeans and globally.
“Also, this year, Stonebwoy had eight nominations, making him the highest nominee in this year’s TGMA, and none of his contenders in AOTY category beats that record.”
“His street credibility is unmatched, his shows are always sold out not just in Ghana but his recent tour in the UK proves his appeal beyond our country,” she said.
Ms Boateng argued that the ongoing debate and opinions of why Stonebwoy shouldn’t be the favourite since he has won twice already and as such this year’s bragging rights should be given to younger artistes is needless.
She mentioned that the award is given on merit, cautioning industry players not to be swayed by the fanatic views of followers of artistes.
“For those saying that he’s won it before so he should leave it for the youngsters, let them understand that Stonebwoy’s brand is built on hard work and consistency. His consistency has made him the people’s favourite performer and Ghana’s biggest music export. We shouldn’t compromise on consistency just to reward new entrants into the AOTY category,” she stated.
Describing Artiste of the Year as healthy competition, Stonebwoy congratulated the other nominees, noting that such creative competitiveness should be encouraged.
On the back of a successful Up and Runnin6 concert in London where he filled the 02 Shepherd’s Bush Empire, Stonebwoy expressed appreciation to Live Nation, for the partnership that made it successful.
“This wasn’t my first time performing in the UK but this live concert brought refreshing connection to the fans in U.K who cut across natives of the Caribbean, Nigeria, Ghana and the U.K,” he said.
Source: Graphic Online
Entertainment
Makra Mo Under the Stars: Candlelight Vigil Held for Daddy Lumba

🕯️ “Makra Mo, But The Legend Lives On” – Ghana Bids Farewell to Daddy Lumba
Highlife icon’s death unites a nation in sorrow, memories, and song
His music still dances through our speakers—on the streets, in trotro radios, and market stalls—but the man behind the voice now rests in silence.
Aben Wo Aha, but now, Lumba wɔ aseɛ hɔ.
Ghana is mourning the loss of a true musical titan, Charles Kwadwo Fosu, affectionately known as Daddy Lumba. A man whose voice defined generations, stitched memories into melodies, and captured hearts through every lyric, has taken his final bow after over 35 years of shaping the country’s soundscape.
Though the flames of his artistry burned bright, today the stage is quiet. Yet, the spotlight he earned refuses to dim.
A Candle for the King
Tonight, thousands will gather at Independence Square for a national candlelight vigil in his memory. Since last Tuesday, his family has opened a book of condolence at both his residence and DLFM, the radio station he founded (106.9 MHz), where his voice once ruled the airwaves.
Just last September, Lumba turned 60—celebrating with rare public appearances and laughter. In hindsight, many now see that glow as his final farewell.
A Life of Mystery and Melody
Daddy Lumba was a star who never chased the spotlight, choosing to let his music speak louder than interviews or headlines. His reclusive nature only heightened the anticipation whenever he emerged.
In 1998, Gaddy Laryea’s Media Majique and Research Systems pulled off a milestone: Lumba’s first-ever live performance at Miss Ghana. It shattered myths about his stage presence and proved his magic wasn’t limited to the studio.
His manager at the time, the late Kwasi Brenyah of Peace FM, helped pull the strings behind the scenes—true to Lumba’s quiet but powerful style.
Tributes: From Icons, Friends & the Nation
The news of his passing has sparked a wave of tributes from musicians, politicians, and fans alike.
The legendary gospel trio Daughters of Glorious Jesus remembered him as “a big brother” and a man whose gospel songs carried depth and divine sincerity.
“He wasn’t just a singer—he was a storyteller,” said Edna Sarpong. “Slow to anger, deep in soul. His silence spoke volumes.”
Monica Owusu Ansah added, “I wish he had left a protégé… The man had a heart for God. He could sing about anything—and make you feel everything.”
Gospel artist Diana Asamoah called him “a brother in the spirit,” saying, “His gospel songs were born from truth, not showbiz.”
Music executive Bullet called Lumba “a pillar of authenticity,” while NPP flagbearer hopeful Kwabena Agyapong described the loss as personal: “He was a friend. His voice walked us through both private pain and public joy.”
Former President John Mahama posted:
“Lumba’s unmatched musical genius carried us through the phases of life… His legacy will echo through the ages.”
Other stars including Sarkodie, M.anifest, Wendy Shay, Guru, Pat Thomas, and Sista Afia have also paid glowing homage.
His Music Lives On
In the wake of his passing, Daddy Lumba has re-entered the charts with a vengeance. On Apple Music Ghana, 30 of his songs hit the Top 100—Makra Mo surging straight to No. 1.
His 2008 political anthem Nana Ye Winner showed that Lumba could wade into politics without fracturing his appeal. His music transcended politics, class, and even religion.
From heartbreak to humor, sensuality to spirituality, Lumba was a lyrical genius. His use of Asante Twi—rich in proverbs, wit, and wordplay—gave his songs a rare, enduring texture.
Songs like Sika Asem, Tokuro Mu, Se Sumye Kasa, Yentie Obiaa, and Mesom Jesus tackled everything from love and lust to faith and truth.
Most hauntingly, he never feared death—he sang about it. Tracks like Adaka Teaa, Makra Mo, and Yemfa Odo were his own elegies, composed long before his final breath.
The Legacy of Charles Kwadwo Fosu
Born on September 29, 1964, in Nsuta, Ashanti Region, Daddy Lumba’s journey was as remarkable as his music. From humble beginnings to national treasure, he redefined highlife, fusing it with modern flair while keeping its soul intact.
His music wasn’t just entertainment—it was an emotional archive of Ghana’s soul.
Entertainment
Bank Hospital Breaks Silence: Dismisses Claims of Leaking Daddy Lumba’s Medical Info

The management of The Bank Hospital has strongly denied allegations that it breached the privacy and confidentiality of the late Ghanaian music legend, Charles Kwadwo Fosu, popularly known as Daddy Lumba, who passed away at the facility on July 26, 2025.
In an official statement, the hospital described the circulating claims—allegedly made by social media personality Afia Schwarzenegger (Valentina Nana Agyeiwaa)—as false, misleading, and defamatory.
“The Bank Hospital is an internationally accredited institution, staffed by committed and professional healthcare workers. We remain dedicated to upholding the highest standards of care and confidentiality for every patient,” the statement affirmed.
The hospital stressed that Daddy Lumba received professional treatment in line with global medical standards and that his family was fully engaged in every step of his care—from admission until his passing.
“Transparency and patient-centred care are at the heart of what we do. Mr. Fosu’s family was involved throughout the process,” the management reiterated.
In addressing concerns, the hospital also noted that it routinely conducts internal reviews to improve services and understand patient outcomes. It assured that any findings will be communicated respectfully and directly to the family.
“Internal procedures are underway, and relevant information will be shared with the family in accordance with ethical medical practices and confidentiality policies,” the statement added.
The Bank Hospital concluded by cautioning the public against spreading unverified health information and encouraged reliance on credible sources before making such claims public.
Entertainment
Counsellor D Y Donkoh Apologizes to Shatta Wale Over Prophecy

Counsellor D Y Donkoh has issued a public apology to Ghanaian music star Shatta Wale after sharing a prophecy that reportedly left the artist “visibly shaken and traumatised.”
In a statement dated July 27, 2025, Donkoh admitted the prophecy—shared on social media—sparked widespread concern and was never meant to cause fear.
He expressed regret and pledged to be more cautious when sharing future revelations.
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