Entertainment
President Mahama’s Visit to Bob Marley Museum Exposes Ghana’s Failure to Honour Creative Legends –FOCAP President
The President of the Foundation of Concerned Arts Professionals (FOCAP), Kojo Preko Dankwa, has said President John Dramani Mahama’s recent visit to the Bob Marley Museum in Jamaica has exposed Ghana’s long-standing failure to honour and preserve the legacy of its creative legends.
Speaking in an interview with kpdonline.com, Kojo Preko said the President’s tour of the museum dedicated to reggae legend Bob Nesta Marley should serve as a national wake-up call, urging successive governments, cultural institutions and industry stakeholders to rethink how Ghana celebrates the personalities who have shaped the country’s identity through music, film, literature, sculpture, sports and other creative disciplines.
According to him, Jamaica’s decision to include the Bob Marley Museum as part of President Mahama’s itinerary demonstrates the enormous value the Caribbean nation places on its cultural icons.
“It sends a signal to Ghana that clearly we have failed in honouring our heroes. We have failed in honouring people or creatives who have sold the Ghana brand to the international community, and we have equally failed to appreciate the work they have done in elevating Ghana’s image globally,” he said.
Kojo Preko argued that although President Mahama’s state visit could have included factories, educational institutions, industrial facilities or other economic projects, the fact that one of the highlights was a visit to Bob Marley’s museum speaks volumes about Jamaica’s priorities.
“If a whole President of another country is taken to the museum of Bob Nesta Marley, it tells you the value Jamaicans place on one of their heroes who sold Jamaica to the world through music,” he stated.
He said Jamaica has deliberately transformed Bob Marley’s legacy into a national heritage asset that attracts tourists from around the world while promoting Jamaican culture internationally.
Successive governments have failed Ghana’s creative legends
Kojo Preko insisted that the issue goes beyond the current administration, stressing that every government since independence shares responsibility for neglecting Ghana’s creative pioneers.
“For me, it is shameful—not just for this government, but for all previous governments that have failed to recognise the importance of honouring our heroes in the creative sector,” he said.
He lamented that Ghana continues to lose legendary musicians, actors, writers, sculptors and cultural icons without establishing permanent monuments, museums or educational programmes in their memory.
According to him, despite the enormous contribution of legendary highlife musician Nana Kwame Ampadu, there is no national lecture, annual remembrance programme or major institution bearing his name.
“We were here when one of our greatest heroes, Nana Ampadu, passed away. Ask yourself today, how do we remember Nana Ampadu? Does MUSIGA organise an annual lecture? Is there even a special day dedicated to celebrating his contribution? The answer is no.”
He also cited several other celebrated musicians who have passed away, including Paapa Yankson, A.B. Crentsil and C.K. Mann, saying Ghana has done little or nothing to immortalise their legacies.
“We have watched Paapa Yankson leave us. We have watched Papa Abu leave us. We have watched A.B. Crentsil leave us. We have watched C.K. Mann leave us. Many musicians, actors, sculptors and writers have left us, but we still do not honour them.”
He questioned why there are no iconic national monuments, museums, concert halls or public facilities named after such personalities.
“We don’t even have any iconic place named after Nana Ampadu. We don’t even have an edifice in the Western Region dedicated to Paapa Yankson, C.K. Mann and the others.”
Ghana waits until legends die
Kojo Preko expressed concern that Ghana often fails to appreciate its creative legends while they are alive.
He questioned whether the country intends to wait until current music stars such as Stonebwoy and Shatta Wale are gone before attempting to celebrate them.
“Are we waiting for heroes like Stonebwoy and Shatta Wale to leave the scene before we begin to honour them? Why don’t we celebrate people while they are alive?”
He added that the same neglect exists in sports.
“In football, we don’t celebrate our heroes enough. Other countries honour people like Cristiano Ronaldo and Lionel Messi because they understand their value to national identity and tourism.”
According to him, countries across the world increasingly recognise that culture, sports and entertainment generate enormous economic returns.
“The world has moved to a point where these sectors generate revenue. We don’t seem to understand that.”
Beyond Kwame Nkrumah Memorial Park
While acknowledging the recent renovation of the Kwame Nkrumah Memorial Park, Kojo Preko argued that Ghana has failed to replicate similar projects for other national icons.
“Beyond Kwame Nkrumah’s museum, what else have we done? The National Theatre has challenges. Our museums are not even up to international standards.”
He also questioned what local authorities in the Eastern Region have done to celebrate Nana Ampadu’s birthplace.
“We know where Nana Ampadu comes from. What has his own region done to celebrate him?”
Celebrate heroes across every sector
Kojo Preko called for a complete rethink of Ghana’s approach to recognising national achievers.
According to him, musicians, actors, writers, sports personalities, tourism pioneers and cultural practitioners should all be honoured through national monuments, museums, lecture series and annual celebrations.
He recalled President Mahama’s own remarks during the launch of the Black Star Experience, where the President stressed the need to celebrate Ghanaian legends while they are still alive.
Kojo Preko questioned what concrete actions have followed those remarks.
“He mentioned that we should honour people like Agya Koo Nimo while they are alive. What have we done? Do we have annual lectures? Do we have museums? Do we have anything substantial?”
He described the situation as deeply disappointing.
FOCAP’s Hall of Fame proposal
Kojo Preko revealed that FOCAP had years ago proposed the establishment of a National Hall of Fame to permanently honour outstanding Ghanaians in music, sports, literature, sculpture and other creative fields.
According to him, such a facility would preserve Ghana’s history while becoming a major tourist attraction capable of generating significant revenue.
“People from across the world would pay to visit these places and celebrate our heroes.”
He also mentioned internationally acclaimed artist Professor Ablade Glover, asking why Ghana has not created a permanent institution celebrating his contribution despite his global recognition.
National Commission on Culture criticised
The FOCAP President criticised the National Commission on Culture, MUSIGA and other agencies within the creative sector, accusing them of failing to champion the preservation of Ghana’s cultural heritage.
He questioned what lasting recognition had been given to personalities who played foundational roles in Ghana’s cultural institutions, including Mohammed Abdullah, whom he described as one of the pioneers of the National Commission on Culture.
“There are many heroes we have simply forgotten.”
Government honours statesmen but not creative icons
Kojo Preko noted that Ghana has demonstrated its ability to honour distinguished national leaders through official commemorations.
He pointed to Parliament’s decision to institute a state lecture in honour of former United Nations Secretary-General Kofi Annan, as well as recent commemorative activities organised in memory of former President Professor John Evans Atta Mills.
“If we can honour Kofi Annan and President Mills, why can’t the creative industry honour its own legends?”
Creativity is a powerful economic tool
Kojo Preko argued that Jamaica has successfully built a global tourism industry around Bob Marley, while countries such as Nigeria have used Nollywood and Afrobeats to transform international perceptions of their country.
According to him, the United States has also projected its influence worldwide through films, music and popular culture.
“It is creativity that helped make America what it is today. They intentionally projected their image through the creative arts.”
He added that Nigeria has used its film industry and music to reshape global perceptions despite past stereotypes.
“Nigeria deliberately used movies and music to reposition its image. Ghana has failed to do the same.”
‘We are erasing our own history’
Kojo Preko warned that Ghana risks losing its cultural identity if it continues neglecting the people who built the country’s artistic heritage.
He mentioned celebrated flautist Ephraim Amu, asking what permanent national recognition has been established in his honour.
“We are erasing history. We are not preserving history. We are failing to celebrate the people who gave this country an identity.”
He maintained that President Mahama’s visit to the Bob Marley Museum should encourage Ghana to place greater value on culture and creativity as drivers of tourism, national identity and economic development.
“For President Mahama to visit Bob Nesta Marley’s museum tells me that Jamaica understands the power of culture. Ghana has failed to honour its heroes, and that is not fair to them.”
Entertainment
Oteele’s Wife Gifty Nana Afriyie Denies Being Woman in Leaked Video, Appeals for Support for Orphanage
Entertainment
Ramsey Nouah recounts unusual encounter with female fan at Ghana movie premiere
Nollywood actor and filmmaker Ramsey Nouah has opened up about an unusual encounter he had with a female fan during a movie premiere in Ghana.
Speaking on Angel FM in Kumasi, the veteran actor said the woman approached him, hugged him and took photographs with him before secretly slipping an unidentified item into the pocket of his jacket.
Ramsey Nouah explained that he initially thought the item was a handkerchief, but later discovered that it was something else.
He deliberately refused to disclose exactly what the woman had left in his pocket, leaving listeners to make their own guesses.
However, guests on the programme shouted that the item was the woman’s panties, a reaction that made the actor laugh.
Recounting the incident, Ramsey Nouah said:
“She walked up to me, she hugged me, we took pictures, and she left it in my jacket, and I took it out, I thought it was a handkerchief; it wasn’t a handkerchief. I will leave the rest for your imagination.”
The actor also discussed how his wife of about 27 years reacts to the romantic and intimate scenes he performs with other actresses in movies.
According to Ramsey Nouah, his wife has become used to seeing him kiss his co-stars because she understands that such scenes are part of his profession.
He revealed that she sometimes teases him about his kissing skills, joking that he is no longer as good as he used to be.
He quoted his wife as saying:
“Your woman needs to understand your work. I have been married to my wife for about 27 years. All the kisses and everything in movies, she is used to it. She used to tell me, ‘You are not kissing very well. You don’t do it anymore because you are not good anymore.’
https://www.tiktok.com/@nanawiser_/video/7673651034580962581?is_from_webapp=1&sender_device=pc
Entertainment
Please Wait till Next Year – Lil Win Appeals to Ghanaians Over Private Videos
Ghanaian Kumawood actor and filmmaker Kwadwo Nkansah, popularly known as Lil Win, has appealed to anyone planning to release private videos to hold on until next year.
The actor appealed for renewed conversations on social media over the circulation of alleged private videos involving some personalities.
Lil Win explained that private videos that surface online often generate intense public interest and can quickly dominate conversations across social media platforms. He noted that such developments could make it difficult for other entertainment-related activities and projects to attract the attention they deserve.
According to the actor, he is particularly concerned about the possible impact of another viral private video on the promotion of his upcoming movie, A Journey to Africa. He said considerable resources had already been committed to the project and appealed to anyone who may be in possession of private footage to delay its release until next year.
His request was essentially for people to allow him and his team to have their moment in promoting the movie without another controversy taking over social media.
Lil Win also used the opportunity to encourage people who have recently found themselves at the centre of private-video controversies. Among those he mentioned was Kumawood actor Oteele, whose alleged private videos have recently sparked widespread online discussion.
The actor urged Oteele and others affected by similar incidents to remain strong and not allow the intense public attention and commentary to break them down.
The comments come against the backdrop of growing concerns about the circulation of private material on social media. Once such content is uploaded or shared, it can spread rapidly, reaching large audiences within a short period and subjecting the individuals involved to widespread public scrutiny.
Lil Win’s appeal, although linked to the promotion of A Journey to Africa, has also drawn attention to the broader consequences of sharing private material without the consent of the people involved.
He therefore called for patience, asking those who may be holding such footage to wait until next year before releasing anything, as he seeks to keep public attention focused on his upcoming movie.
Entertainment
Ramsey Nouah Praises Kumasi, Says Its People Are More Down-to-Earth Than Accra
Nigerian actor and filmmaker Ramsey Nouah has spoken highly of Kumasi, describing the Ashanti Regional capital as a vibrant city filled with hardworking, entrepreneurial and down-to-earth people.
Nouah shared his observations during an interview on Angel FM after arriving in Kumasi to feature in an upcoming movie by Ghanaian actor and comedian Kwadwo Nkansah Lil Win.
The veteran actor said he was impressed by the atmosphere in Kumasi and the energy of its residents. He likened the city to major Nigerian cities, particularly Lagos and Abuja, based on the different characteristics he has observed.
“Kumasi is lovely. People are awesome. The energy here is quite something — it’s almost like Lagos and Abuja,” he said.
Explaining the comparison, Nouah described Lagos as a city largely driven by hustlers, business-minded individuals and entrepreneurs who are constantly looking for opportunities to make a living and build businesses.
He contrasted this with Abuja, which he said is more associated with people who have already attained considerable financial success and enjoy what he described as the lifestyle of the “big boys.”
“Lagos is the hustlers’ place. Abuja is where people are eating, enjoying the big money and acting like they are the big boys. Lagos is more like the entrepreneurs. It feels like the same thing here,” Nouah explained.
According to him, Kumasi’s entrepreneurial nature reminds him more of Lagos because of the strong sense of hustle and business among the people he has encountered.
The actor also compared Kumasi with Ghana’s capital, Accra, particularly in terms of the attitude and lifestyle of residents.
Asked whether he preferred the more relaxed atmosphere he had experienced in Kumasi, Nouah agreed and said people in the Ashanti Regional capital appeared to be more down-to-earth than those in Accra.
“People are more down-to-earth here in Kumasi than in Accra, based on the experience,” he stated.
His comments come during a visit to Kumasi to join the cast of an upcoming production by Lil Win. His participation in the project adds to the growing collaboration between Ghanaian and Nigerian actors and
filmmakers.
https://x.com/askghmedia/status/2088164753600377161?s=20
Entertainment
Davido Warns Fan Against Disrespecting His Staff at London Concert
Nigerian Afrobeats superstar David Adeleke, popularly known as Davido, briefly halted his “O2 Royal Night” concert in London after an audience member allegedly disrespected one of his crew members.
The incident happened on August 11, 2026, at the O2 Forum in Kentish Town, London, where Davido was performing as part of an early showcase of songs from his newly released album, Oriade.
During the performance, the singer stopped the music and addressed a member of the audience over the alleged incident. He issued a firm warning, telling the fan that he would leave the stage if the individual repeated the behaviour.
“If I see you here one more time, I’m going to walk off the stage,” Davido said.
The Afrobeats star also defended his crew members, reminding the audience that they had spent the entire day working to ensure the concert was successfully staged.
“These people have been working here all day. Don’t do that,” he said.
A video of the confrontation has since circulated widely on social media, showing Davido visibly upset as he addressed the audience member.
His decision to interrupt the performance and publicly stand up for his staff has attracted significant attention online, with many social media users praising his firm response.
However, the exact circumstances surrounding the alleged disrespect have not been established, and it was not immediately clear whether the fan was eventually removed from the venue.
/xhttps://x.com/MobilePunch/status/2087954332117291086?
Source: punchng.com
-
General News2 weeks agoMahama orders GH¢2 per litre diesel price reduction
-
Culinary2 weeks agoA Taste of Bono: Where Every Meal Tells the Story of Ghana’s Bono Heritage
-
Entertainment2 weeks agoKojo Preko Dankwa Criticises Tourism Minister Over Delayed Theatre and Amphitheatre Projects
-
General News2 weeks agoNearly Two Million Ghanaian Youth Are Out of School, Work or Training – GSS Raises Alarm
-
Entertainment1 week ago‘Seeing Mahama with the Rastas Made Me Proud’ – Ras Caleb on Jamaica Cultural Visit
-
Entertainment2 weeks agoShattafest 2026 Cancelled by UK Police Over Safety Concerns
-
General News5 days agoAbla Gomashie to Account for Tourism, Culture and Creative Arts Sector at Government Accountability Series
-
Entertainment1 week agoRas Caleb: Mahama’s Nyabinghi Drumming in Jamaica Was a Symbolic Act
