Ghanaian musician Fameye has opened up about the emotional burden of growing up without both parents, revealing that although the pain is no longer as evident in his music, he still cries in private as he continues to cope with the loss.

Speaking in an interview with Kobby Kyei on August 6, 2026, the award-winning singer shared how losing his parents at a young age has shaped his life, influenced his music, and affected many of the decisions he has made over the years.

According to Fameye, his early songs reflected the emotional struggles he experienced while growing up because they were inspired by the hardships he faced.

“At the beginning of my career, people could hear the pain in my music because I cried a lot. People usually said I was always sad whenever I was recording. These days, I don’t cry in my songs anymore, but I still cry behind closed doors,” he said.

The musician explained that growing up without parents also meant missing out on the guidance and protection that many people take for granted. He believes there are certain decisions he might have made differently if his parents had been alive to advise him.

Fameye recalled one of the most difficult moments in his career, saying he felt completely helpless during a dispute within the music industry because there was no parent to stand by him or defend him.

“Whenever something goes wrong, I have to deal with it on my own. One of my darkest moments came when I had a problem with someone in the industry. They threatened to take me somewhere and curse me. At that moment, I kept asking myself, ‘Where are my parents? Who is there to defend me?'”

He also admitted that he sometimes feels envious when he sees parents publicly supporting and defending their children, particularly on social media, because it reminds him of what he has missed throughout his life.

“Sometimes I see parents standing up for their children on social media, and I wish my parents could also defend me publicly. Unfortunately, that has never been my reality.”

Fameye further revealed that the birth of his first child brought back painful memories of losing his mother. He said becoming a father made him realize even more deeply the absence of the grandmother who would naturally have helped care for his newborn.

“When my first child arrived, I was heartbroken. I kept asking, ‘Where is my mother who would have bathed the baby and cared for her grandchild?’ In the end, my partner and I had to do everything ourselves.”

Musician and Pan-Africanist Ras Caleb Appiah-Levi has described Rastafari as “news”, arguing that the movement represents a message of truth, cultural identity, resistance and African unity in a rapidly changing world.

In a statement titled “Rastafari Is News,” Ras Caleb explained that while many people define news through politics, headlines and celebrity stories, the true meaning of news lies in what is new, relevant and necessary for society to hear.

According to him, Rastafari is news because it carries a message that inspires people to wake up, heal and build a better future.

“When they ask, ‘What is news?’ they point to headlines, politics, and celebrity gossip. But I say to you today: Rastafari is news,” he stated.

He noted that Rastafari continues to provide messages of self-worth, African identity, spirituality, love and unity at a time when many people are searching for purpose and direction.

Rastafari as Truth in a Time of Confusion

Ras Caleb Appiah-Levi said Rastafari remains relevant because it challenges narratives that promote division, greed and self-hate.

He explained that the movement carries a message reminding Africans and people of African descent that they have value, history and a connection to their roots.

According to him, Rastafari teaches:

• That people are kings and queens.
• That Africa is the ancestral home.
• That Jah lives.
• That humanity must embrace love, righteousness and unity.

He described these principles as a “breaking news” message for generations that have been made to feel disconnected from their history.

Rastafari as Resistance Against Oppression

The musician and Pan-Africanist also highlighted the role of Rastafari as a voice for the oppressed.

He said that from Ethiopia to Jamaica, Ghana and communities across the African Diaspora, Rastafari has represented resistance against injustice and systems that seek to suppress identity and freedom.

“Rastafari is the news that says: Babylon system is a lie. It is the news that says we will not bow, we will not sell out, and we will stand for justice,” he said.

He added that the movement’s commitment to freedom and truth has made it a powerful global force.

Preserving Culture in an Era of Imitation

Ras Caleb further argued that Rastafari has made significant contributions to global culture through music, food, fashion, language and spirituality.

He pointed to the influence of Reggae, Dub music, Ital living and conscious lyrics as cultural expressions that have carried Rastafari messages around the world.

Beyond entertainment and style, he said Rastafari represents a way of life known as “livity,” which promotes harmony with nature, community and the Creator.

“In a world chasing trends, Rastafari is news because it is rooted. It is ancient and it is now,” he stated.

Rastafari and Pan-African Unity

The Pan-Africanist emphasised the movement’s historic connection to African liberation and unity.

He referenced concepts such as “Abibitum” (Africans for Africans) and “Abibifahodie” (African Independence) as ideas that continue to influence conversations about African identity and empowerment.

According to Ras Caleb, Rastafari was among the early global movements that encouraged Africans at home and abroad to look towards Africa as a centre of identity and development.

He also highlighted the influence of figures such as Haile Selassie I and Marcus Mosiah Garvey, as well as the call for African repatriation.

He argued that the message remains relevant because Africa’s full unity and collaboration with the Diaspora are still ongoing goals.

Rastafari as a Vision for the Future

Ras Caleb Appiah-Levi said the younger generation is increasingly searching for meaning beyond popularity and social media trends.

He believes Rastafari provides a pathway centred on responsibility, sustainability and community.

He highlighted values such as:

• Growing and respecting food systems.
• Honouring elders.
• Protecting the environment.
• Speaking truth.
• Showing love and respect for others.

He said his organisation, PanAfrica-Ghana (PAG) – Living As One, is committed to promoting these ideals and creating a pathway towards a better future for African people.

“At PanAfrica-Ghana (PAG) – Living As One, we are living that news. We are driving the vehicle so that our people can ride to a better future,” he said.

“Rastafari Is the News the World Needs”

Concluding his message, Ras Caleb Appiah-Levi urged people to recognise Rastafari not only as a cultural or spiritual movement but as a continuing message of transformation.

He said:

“Rastafari is the news of self-love. It is the news of African unity. It is the news of spiritual awakening. It is the news the world did not expect, but the world desperately needs.”

He called on followers and supporters to become messengers of the movement’s values and to “live the headline.”

The statement ended with the message:

PAG – Living As One
Abibitum! Abibifahodie!
Jah Rastafari!

Gabby Otchere-Darko has applauded Ghanaian dancehall star Shatta Wale for his recent message promoting peace and unity with fellow musician Stonebwoy, describing the gesture as an act of maturity, class, and patriotism.

His comments followed remarks by Shatta Wale, who revealed that he had planned to publicly urge fans to stop fighting over him and Stonebwoy and instead support Stonebwoy’s event.

“Yesterday, it was my plan to tell people to stop fighting about Stonebwoy and me and go and support his show,” Shatta Wale said.

Reacting to the statement on his X (formerly Twitter) page, Gabby Otchere-Darko praised the award-winning musician for demonstrating leadership at a time when many fans continue to fuel rivalry between the two camps.

“This is class. This is maturity. This is patriotism,” he wrote.

Gabby also reminded fans that the spirit of support between the two artistes has been evident before. He recalled that when Shatta Fest UK was cancelled over crowd safety concerns, Stonebwoy publicly expressed solidarity with Shatta Wale rather than celebrating the setback.

According to Gabby, Ghanaian musicians should focus on competing on the global stage instead of against one another.

He argued that the real challenge lies beyond Ghana’s borders and stressed that if one Ghanaian artiste achieves international success on the level of Nigerian stars such as Davido or Burna Boy, the entire Ghanaian music industry would benefit.

“The real competition is out there, not between ourselves,” he stated.

Gabby further noted that the breakthrough of one globally successful Ghanaian artiste would create opportunities for many others by drawing greater international attention to Ghana’s music industry.

Calling for an end to the long-running rivalry between Shatta Wale and Stonebwoy, he described both musicians as outstanding ambassadors for Ghanaian music whose collaboration and mutual support would serve the country’s entertainment industry far better than division.

“When they win, Ghana wins. Let them move forward together,” he concluded.

https://x.com/GabbyDarko/status/2085023734482473387?s=20

Michelle Appeah is establishing herself as one of Ghana’s prominent young voices in sustainability, combining environmental advocacy, creativity, and leadership to inspire positive change both locally and internationally.

Born in London and currently splitting her time between Japan, the United Kingdom, and Ghana, Michelle has dedicated her career to promoting sustainable development and environmental conservation. In the sustainability sector, she connects investors with nature restoration projects aimed at enhancing climate resilience while supporting sustainable economic growth and protecting natural ecosystems.

Her work goes beyond environmental initiatives. Michelle is an African Champion for the ONE Campaign, where she advocates for policies addressing poverty, improving healthcare, and promoting sustainable development across the continent. She also serves as a member of the Advisory Council for Solar Sister, supporting initiatives that expand clean energy access, empower women economically, and reduce poverty in underserved African communities.

In addition to her advocacy, Michelle has made a name for herself as a model and visual artist with an international presence. She has collaborated with renowned fashion brands and exhibited her artwork in Tokyo, Japan, showcasing her creativity on a global stage while blending art with meaningful social and environmental messages.

Her influence reached another milestone when she was crowned Miss Eco Ghana 2026, which granted her the opportunity to represent Ghana at the Miss Eco International 2026 pageant in Egypt. During the international competition, Michelle utilised her platform to raise awareness about environmental conservation, climate action, and sustainable development. She championed initiatives encouraging communities and young people to adopt environmentally responsible practices while emphasising the importance of protecting the planet for future generations.

Her outstanding performance also garnered international recognition when she was named Second Runner-Up for Best Talent, showcasing her artistic ability, creativity, and versatility beyond the pageant stage.

As Miss Eco Ghana 2026, Michelle continues to leverage her platform to bridge sustainability, advocacy, art, and fashion. Through her efforts, she aims to inspire individuals, businesses, and communities to embrace solutions that protect the environment while creating opportunities for inclusive and sustainable development.

With her unique blend of environmental leadership, creative expression, and international advocacy, Michelle Appeah is positioning herself as a powerful ambassador for Ghana and a passionate advocate for a greener, more resilient, and prosperous future.

The University of Ghana Medical Centre (UGMC) has rejected allegations made by Ghanaian-American comedian Michael Blackson concerning the treatment his 83-year-old mother received before her death, insisting that several claims contained in his public statements are inaccurate.

The controversy began after Blackson took to social media platform X, where he described UGMC as “the worst hospital in Ghana.” He accused the hospital of repeatedly misdiagnosing his mother, prioritising financial gain over patient care and treating his family without compassion during her final days.

According to Blackson, his family spent approximately GH₵250,000 on medical bills over a one-month period before doctors informed them that his mother had died from an infection on July 16, 2026.

He further alleged that a hospital staff member showed little sympathy when he went to identify his mother’s body and claimed another employee requested a tip. Blackson also stated that his sister was involved in a physical confrontation with a male nurse, who later reported the matter to the police.

In a statement responding to the allegations, UGMC rejected Michael Blackson’s allegations, saying it had conducted an internal review and found that parts of his account were inaccurate.

The medical centre said the concerns were examined “thoroughly, fairly and objectively” through its established clinical and administrative procedures. However, it stressed that it could not disclose details of the patient’s diagnosis, treatment or medical records because it is legally and ethically bound to protect patient confidentiality, even after death.

UGMC stated that all medical decisions regarding Blackson’s mother were made by qualified healthcare professionals based on professional medical judgement, accepted standards of care and the patient’s best interests.

The hospital also dismissed claims that financial considerations influenced treatment decisions, explaining that its billing processes are governed by institutional policies and operate independently of clinical decision-making.

Addressing the reported confrontation involving Blackson’s sister and a hospital employee, UGMC confirmed that the matter had been referred to the appropriate law enforcement authorities and said it would not comment further while the issue remains under investigation.

The medical centre added that it remains open to engaging privately with Blackson and his family to address their concerns. It also assured the public that any specific allegation of staff misconduct would be fully investigated and referred to the relevant authorities where necessary.

The latest response follows an earlier statement in which UGMC expressed regret that Blackson was dissatisfied with his family’s experience and indicated its willingness to engage with him directly.

Meanwhile, Blackson has expressed doubts about pursuing legal action in Ghana, saying he believes the judicial process could take a long time.

The dispute between the comedian and UGMC has sparked renewed public debate about patient care, accountability within Ghana’s healthcare system and the need for accessible mechanisms for patients and families to seek answers when concerns arise.