Connect with us

Entertainment

The Exposé that Redefined the Creative Vote: Inside Kojo Preko Dankwa’s Deep Dive into the Creative Arts Agency

Published

on

For years, Ghana’s creative sector occupied a paradoxical space celebrated rhetorically by politicians yet structurally neglected in practice. Despite campaign promises, policy declarations, and public endorsements, many creatives experienced weak institutional support, unclear funding pathways, poor stakeholder engagement, and limited accountability within the Creative Arts Agency (CAA).

By the later years of the NPP administration, dissatisfaction had quietly hardened into distrust. What was missing was a credible, organised, and persistent voice capable of articulating the sector’s grievances in a way that could not be ignored.

That voice emerged forcefully in Kojo Preko Dankwa, President of the Foundation of Concerned Arts Professionals (FOCAP).

 

The Exposé: From Complaint to Documentation.

Unlike routine criticism that often circulates on social media and quickly fades, Kojo Preko Dankwa’s intervention took a different route. It was methodical, public-facing, and sustained.

Through press conferences, policy statements, interviews, and sector briefings, he laid out a detailed critique of the Creative Arts Agency, focusing on:

  • Institutional opacity in decision-making
  • Exclusion of key creative stakeholders from policy formulation
  • Lack of measurable impact despite budgetary allocations
  • Failure to build sustainable industry frameworks for artists and practitioners
  • Political symbolism without structural delivery

Crucially, these were not framed as partisan attacks but as industry-based assessments, backed by lived experiences from practitioners across music, film, visual arts, theatre, fashion, and events.

The power of Kojo Preko Dankwa’s exposé lay not only in its content but in its timing and credibility.

By the time the critique gained national attention, creatives were already frustrated. The exposé simply gave language, structure, and leadership to sentiments that had long existed beneath the surface.

FOCAP’s platform amplified voices that had previously been fragmented. What once sounded like individual complaints now emerged as a collective indictment of institutional failure.

This reframing was critical. The issue was no longer about personalities within the Agency it became a referendum on how the ruling party related to the creative economy as a whole.

While it would be simplistic to claim that one exposé alone “lost” the NPP power nationally, within the creative sector, the impact was unmistakable.

The ruling party gradually lost:

  • Moral authority among creatives
  • Narrative control over its creative-sector record
  • Trust as a stakeholder-friendly government

Creative professionals who double as influencers, cultural opinion leaders, and community mobilisers began openly distancing themselves. Endorsements dried up. Public enthusiasm softened. Silence replaced solidarity.

In political terms, this amounted to a collapse of soft power within a sector that shapes youth culture, public discourse, and national image.

At the heart of the controversy was the perception that the Creative Arts Agency had become politically ornamental rather than functionally transformative.

Kojo Preko Dankwa’s critique consistently returned to one central question:
What measurable value has the Agency delivered to creatives since its establishment?

The inability of authorities to convincingly answer this question deepened suspicion and reinforced the exposé’s credibility.

 

Why This Moment Matters Beyond Party Politics

This episode marked a turning point in Ghana’s creative advocacy. It demonstrated that:

  • The creative sector can organise beyond individual celebrity voices
  • Policy critique can be evidence-driven and sustained
  • Cultural workers can influence political outcomes without partisan alignment

In effect, the exposé elevated creatives from campaign accessories to policy stakeholders.

 

A Warning to Future Governments

The fallout from the Creative Arts Agency exposé sends a clear message to any administration:

The creative sector is no longer satisfied with symbolism, appointments, or occasional grants. It demands structure, accountability, inclusion, and results.

Any government that ignores this does so at its own risk.

Kojo Preko Dankwa’s deep dive into the Creative Arts Agency did more than expose institutional weaknesses; it redefined the political consciousness of Ghana’s creative sector. What emerged was not just criticism, but a shift in power: from political patronage to sector-led accountability.

And in that shift lies the real reason the NPP lost ground within the creative community, not because creatives turned political, but because politics failed to keep faith with creativity.

Entertainment

Ras Kuuku Says He Is Not Interested in White Women Despite Their Attention

Published

on

Ghanaian reggae musician Ras Kuuku has revealed that he is not attracted to white women despite claims that some of them show interest in him because of his Rastafarian identity.

The reggae artiste, speaking in an interview with Nana Romeo on Okay FM, said his decision has nothing to do with his dreadlocks or appearance, explaining that he did not grow his Rasta hairstyle to attract white women.

According to Ras Kuuku, although he receives attention from white women, including through social media, he has chosen not to pursue relationships with them.

“I don’t like white women. I hear they like Rastafarians, but I didn’t grow my Rasta because of them. I don’t even want to have a white child. We are on different sides, and I want it to remain that way,” he said.

The Ghanaian reggae musician added that his position is influenced by his personal interpretation of biblical teachings, stating that he does not support interracial relationships.

Beyond his views on relationships, Ras Kuuku also shared his thoughts about travelling and living abroad.

The musician said Ghana remains a special place for him because of the freedom, weather conditions, and lifestyle the country offers.

He explained that whenever he travels outside Ghana, he misses the country’s environment and social atmosphere.

“What makes me miss Ghana whenever I travel is the freedom here. Outside, the laws are too strict. If not for the fact that their systems work, many people wouldn’t want to stay there,” he stated.

Ras Kuuku further described extreme weather conditions abroad as uncomfortable, noting that both cold and hot seasons can be difficult to endure.

He said Africa is blessed with favourable weather, which is one of the reasons he always looks forward to returning home after international trips.

The reggae artiste concluded that despite the advantages of developed countries, Ghana’s freedom, climate, and way of life remain among the things he values most.

Continue Reading

Entertainment

Osebo Cautions Mourners Over Bottled Water at Apostle Kwadwo Safo Kantanka’s Funeral

Published

on

Osebo Cautions Mourners Over Bottled Water: Ghanaian fashion entrepreneur and prominent Kristo Asafo Mission member, Osebo the Zaraman, has advised mourners attending the final funeral rites of the late Apostle Kwadwo Safo Kantanka to exercise caution before drinking bottled water served at the event.

Speaking at the funeral grounds in Gomoa Mpota in the Central Region, Osebo demonstrated what he described as a simple method for determining whether bottled water is safe to drink.

According to him, mourners should first squeeze the bottle before opening it.

He explained that if the bottle compresses easily, it should be discarded. However, if it remains firm and does not collapse, people should still clean the mouth of the bottle with a clean handkerchief before drinking.

“If you’re given bottled water to drink, squeeze the bottle first. If it compresses easily, throw it away. If it doesn’t, clean the mouth of the bottle before drinking it because some people are cobras,” Osebo said.

His remarks drew attention from mourners gathered at the funeral as thousands continue to pay their last respects to the renowned inventor, industrialist and founder of the Kristo Asafo Mission.

Funeral Continues Despite Court Injunction

The final funeral rites of Apostle Kwadwo Safo Kantanka are currently underway at Gomoa Mpota despite a 10-day interim injunction issued by the Accra High Court.

The court order, granted on July 29, 2026, temporarily restrains former Dome-Kwabenya Member of Parliament Sarah Adwoa Safo from proceeding with the funeral arrangements until a legal dispute before the court is resolved.

The injunction followed objections raised by Nana Kwadwo Safo Akofena I, who described the announced burial date as “null and void” due to unresolved disagreements surrounding the funeral arrangements. He indicated that a new burial date would be announced after the legal issues are settled.

Despite the court order, preparations at the funeral venue have continued, with friends, relatives, members of the Kristo Asafo Mission and sympathisers arriving in large numbers, many travelling in chartered buses to honour the late spiritual leader.

@ghana.eye

Live updates:Osibo the Zaraman advised Kristo Asafo Church members for every water there will serve and Drink today at the final funeral rites of Apostle Prof. Emeritus Ing. Kwadwo Safo Kantanka. #ghanaeye #viralvideo #fyp #news #trending

♬ original sound - GHANA EYE

Continue Reading

Entertainment

Okyeame Kwame “No Hep” Song Released to Support Ghana’s Fight Against Hepatitis

Published

on

Okyeame Kwame’s ” No Hep” song has been released by Ghanaian rapper and National Hepatitis Ambassador, Okyeame Kwame, as part of efforts to support the country’s campaign to eliminate viral hepatitis.

The new song, titled “No Hep,” is aimed at raising awareness, encouraging Ghanaians to get tested, reducing stigma, and promoting vaccination against hepatitis.

Speaking during an interview on World Hepatitis Day, Okyeame Kwame, popularly known as “The Rap Doctor,” explained that he chose music as a tool because of its ability to reach a wider audience and communicate health messages effectively.

According to him, the Okyeame Kwame No Hep song will help make hepatitis education more relatable and easier for people to understand.

“I made this song because I want to help the ministry promote the elimination of hepatitis from Ghana. Music has the power to drive messages home quickly. If people begin singing ‘No Hep, no more,’ they will be encouraged to go for testing, and the stigma around the disease will reduce,” he said.

The musician revealed that the song will be available on digital platforms including YouTube, Facebook, Spotify, and other major streaming services, while radio stations across the country will also broadcast it to reach more Ghanaians.

Okyeame Kwame also shared that his involvement in hepatitis advocacy started over two decades ago when he discovered the high cost of hepatitis B testing and vaccination while preparing for marriage.

He explained that the situation motivated him to establish an initiative that provided free hepatitis testing to help people access important health services.

The rapper expressed optimism about the progress Ghana has made in the fight against hepatitis, noting that treatment costs have reduced significantly compared to previous years.

He highlighted that hepatitis C medication is now available for free in Ghana, while testing services have also become more accessible.

As part of activities marking World Hepatitis Day, Okyeame Kwame encouraged Ghanaians to take personal responsibility by getting tested, receiving vaccination when necessary, and seeking medical attention if they test positive.

He believes that increased awareness, early detection, and access to treatment will help Ghana achieve its goal of eliminating viral hepatitis in the coming years.

Continue Reading

Entertainment

Okyeame Kwame Named Ghana Health Service Ambassador to Fight Hepatitis

Published

on

Ghanaian musician Okyeame Kwame has been appointed as the Ghana Health Service Ambassador to support the country’s national campaign against hepatitis.

The appointment forms part of efforts by the Ghana Health Service (GHS) to strengthen public awareness about hepatitis, encourage preventive measures, and educate Ghanaians on the dangers of the disease. As one of Ghana’s most influential entertainers, Okyeame Kwame is expected to use his platform to reach millions of people with life-saving health messages.

The Okyeame Kwame Ghana Health Service Ambassador initiative seeks to increase public understanding of hepatitis, promote regular screening, and encourage early diagnosis and treatment. Health experts believe that greater public engagement is essential to reducing the burden of hepatitis and preventing avoidable deaths.

According to the Ghana Health Service, effective public education remains one of the strongest tools in the fight against hepatitis. By partnering with respected public figures like Okyeame Kwame, the service hopes to inspire more people to seek testing, vaccination where applicable, and timely medical care.

Okyeame Kwame has built a strong reputation for supporting public health campaigns over the years, making him a suitable choice to champion the fight against hepatitis in Ghana. His appointment is expected to strengthen nationwide advocacy efforts and encourage more communities to participate in hepatitis prevention initiatives.

Health authorities continue to urge Ghanaians to learn about hepatitis, get tested, and seek professional medical advice when necessary, stressing that early detection significantly improves treatment outcomes.

Video credit@ChannelOne Tv

Continue Reading

Entertainment

FOCAP Welcomes New Cultural Attachés, Hails Boost for Ghana’s Creative Diplomacy

Published

on

The Foundation of Concerned Arts Professionals (FOCAP) has welcomed the appointment of three new Cultural Attachés (Tourism Officers) to represent Ghana abroad, describing the decision as a landmark achievement for the country’s creative industry and a major boost for cultural diplomacy.

In a statement issued on Tuesday, FOCAP said the appointments validate years of advocacy by the organisation for the establishment of Cultural Attaché positions within Ghana’s diplomatic missions to promote the country’s culture, tourism and creative economy on the global stage.

The organisation congratulated Kokui Selormey, who has been appointed Cultural Attaché (Tourism Officer) to Dubai, Akofa Edzeani, appointed Cultural Attaché (Tourism Officer) to Turkey, and Dr Akosua Abdallah, appointed Cultural Attaché (Tourism Officer) to Malaysia.

According to FOCAP, the appointments demonstrate growing recognition that Ghana’s creative and cultural industries should play a strategic role in the country’s international relations and economic development.

The organisation noted that it has consistently advocated for the creation of Cultural Attaché positions through public campaigns, media engagements and policy discussions, arguing that Ghana’s rich cultural heritage, tourism attractions and creative talents deserve dedicated representation across the world.

Speaking on the appointments, FOCAP President described the development as a significant milestone for Ghana’s creative sector.

“We are delighted that government has listened to the voices of industry stakeholders and has taken steps towards institutionalising cultural diplomacy. The appointment of Cultural Attachés (Tourism Officers) is not just about representation; it is about creating economic opportunities for our creative professionals, promoting Ghana’s identity globally and unlocking the full potential of the Orange Economy.”

FOCAP also praised the Ministry of Tourism, Culture and Creative Arts for responding to the industry’s long-standing calls and taking concrete steps to give Ghana’s culture greater international visibility.

The organisation believes the newly appointed Cultural Attachés can serve as key ambassadors for promoting tourism, increasing creative exports, attracting international investment, strengthening global partnerships and enhancing engagement with the Ghanaian diaspora.

Despite welcoming the appointments, FOCAP urged the government to ensure that future appointments within the creative and cultural sector are based on professional competence, industry experience and proven expertise rather than political considerations.

According to the organisation, the creative economy requires professionals with a deep understanding of cultural diplomacy, intellectual property rights, international creative markets and the business of culture.

FOCAP stressed that Ghana’s embassies should be supported by qualified professionals capable of transforming the country’s creative strengths into economic opportunities.

The organisation further called on government to expand the Cultural Attaché (Tourism Officer) programme to more Ghanaian embassies and high commissions, particularly in countries with strong creative industries, high tourism potential and large Ghanaian communities.

FOCAP also appealed for greater institutional support for independent arts advocacy organisations that continue to influence policy and contribute to the growth of Ghana’s creative sector.

The foundation said it has remained one of the country’s most consistent voices championing reforms in the arts and creative industries through research, stakeholder engagement and policy advocacy aimed at building a sustainable creative economy.

FOCAP concluded by congratulating the newly appointed Cultural Attachés and expressed confidence that they would successfully promote Ghana’s cultural identity, tourism potential and creative aspirations on the international stage.

The organisation reaffirmed its commitment to advocating policies that empower creative professionals, strengthen cultural institutions and position Ghana as a leading force in the global creative economy.

Continue Reading

Trending

Copyright © 2026 KPDOnline. Powered by AfricaBusinessFile