Connect with us

Entertainment

8 Events that Ignited Detty December in Ghana

Published

on

For decades, December in Ghana was defined by homecomings, church conventions, family reunions and modest nightlife. Today, it is a full-blown cultural economy known globally as Detty December, a season that transforms Accra into one of Africa’s busiest creative, tourism and entertainment hubs. From music festivals and fashion runways to beach raves and luxury nightlife, Detty December did not happen by accident. It was ignited by a series of bold, culture-shaping events that reimagined what Ghana’s festive season could be.

Here are 8 key events that lit the fuse and turned December in Ghana into a global movement.

 

  1. Afrochella (AfroFuture): The Spark That Went Global

No event embodies Detty December more than Afrochella, now rebranded as AfroFuture. Launched with a vision to celebrate African excellence, AfroFuture fused music, fashion, art, food and heritage into a single experience. Its timing, strategically placed in late December, made it the perfect anchor event for the festive calendar.

AfroFuture attracted thousands of young Africans and diaspora returnees from the United States, Europe and the Caribbean. More importantly, it reshaped Ghana’s global image from a historical destination into a contemporary cultural capital. Social media virality, influencer attendance and international media coverage turned AfroFuture into a gateway through which Detty December was introduced to the world.

  1. BHIMFEST

Celebrating a decade of Bhim Concert, now turned festival, Stonebwoy’s BhimFest added diversity to Detty December’s sonic landscape. Rooted in reggae and dancehall but open to Afrobeats and highlife, the concert attracted both local fans and international acts.

Beyond music, BhimFest symbolised unity, resilience and Ghana’s place within global Black music culture. Its growth highlighted how December events could also carry strong identity and community narratives.

The concert now turn Festival featured an impressive lineup of artists from the diaspora, each bringing their unique flair to the stage. Performances ranged from smooth reggae rhythms that had the crowd swaying in harmony to pulsating dancehall and Afrobeat that ignited a dance frenzy. The diversity of music reflected the growing dynamism of Ghana’s music industry, showing that genres like reggae, dancehall and Afrobeat are not just entertainment, they are unifying forces that bridge generational and social divides.

Beyond the music, the BhimFest stood out for its sense of community. Organisers emphasised messages of peace, collaboration, and national pride throughout the event, encouraging attendees to connect not just through the music but through shared values. Fans took to social media in real time, sharing videos, dance clips, and moments of solidarity, further amplifying the concert’s theme of unity.

The event also highlighted the evolving professionalism in Ghana’s live music scene. From seamless stage production and sound management to engaging crowd interactions, the BhimFest demonstrated how local events can rival international standards while retaining an authentic Ghanaian flavour.

In many ways, the BhimFest was more than just a musical showcase; it was a celebration of culture, togetherness, and the enduring power of music to bring people together. As Ghana continues to nurture its creative arts industry, events like this serve as a reminder that music is not just heard, but felt, shared, and experienced collectively.

 

 

  1. THE GTCO CHRISTMAS CONCERT

When conversations turn to Detty December in Ghana, the focus often gravitates toward late-night raves, beach parties and high-octane music festivals. Yet, quietly and consistently, one event has stood as the cultural soul of the season: the GTCO Christmas Concert. More than a musical showcase, the concert has become a national ritual, uniting faith, artistry, corporate responsibility and Ghanaian excellence under one grand Christmas experience.

While Detty December thrives on excitement and nightlife, the GTCO Christmas Concert offers balance, reminding the nation and its visitors that celebration can also be reflective, elegant and deeply rooted in tradition.

  1. Kweku Smoke Revival Concert

The Detty December also witnessed one of the creative artistry nights as Kweku Smoke took the stage for his much-anticipated Revival Concert. The event drew fans from across the country, all eager to enjoy an immersive night of live performances, soulful tunes, and high-energy beats.

The concert showcased Kweku Smoke’s signature style, blending hiplife, afrobeat, and contemporary Ghanaian sounds. Landing from a chopper, each performance resonated with fans, who sang along to hit tracks and enjoyed the lively stage presence that has become Kweku Smoke’s trademark. The concert also featured surprise guest appearances from some of Ghana’s top artists, adding even more excitement to the night.

The Revival Concert was more than just entertainment it was a celebration of Ghanaian culture and creativity.

From flawless sound management to visually stunning stage effects, the Revival Concert reflected a new level of professionalism in Ghana’s live music scene. Attendees were treated to a seamless experience, with every detail from lighting to crowd engagement carefully curated to create a memorable night.

 

  1. Rapperholic: The Power of Consistency

When Sarkodie launched Rapperholic, it was a bold attempt to place hip-hop at the centre of Ghana’s December calendar. Over the years, Rapperholic evolved into one of the most anticipated concerts in West Africa.

Its consistency-built trust with fans and tourists alike. For many diaspora visitors, attending Rapperholic became a December ritual. The concert also demonstrated how artist-led events could scale into national cultural assets.

 

6.  Medikal’s “Beyond Control” Concert

Medikal took centre stage during the festive season with his highly anticipated Beyond Control” Concert, delivering one of the most talked-about performances of Detty December.

Held amid an electrifying atmosphere, the concert drew thousands of fans who gathered to celebrate Medikal’s music, journey, and influence within Ghana’s hip-hop and hiplife scene. From the opening moments, the rapper’s commanding stage presence and energetic delivery kept the crowd fully engaged.

Medikal thrilled patrons with back-to-back performances of his biggest hits, blending hard-hitting rap with infectious party anthems that defined the Detty December mood. The audience responded with massive sing-alongs, turning the venue into a sea of excitement and unity.

The Beyond Control concert also featured surprise guest appearances from fellow artistes, adding to the night’s energy and reinforcing Medikal’s strong industry connections. Each performance elevated the experience, making the concert a celebration of collaboration and Ghanaian music excellence.

Beyond entertainment, the concert served as a reflection of Medikal’s growth and resilience in the music industry. His ability to headline a major Detty December event further solidified his position as one of Ghana’s most influential rap acts.

As Detty December continues to position Ghana as a global entertainment destination, Medikal’s Beyond Control concert stands out as a highlight showcasing the power of live music, youth culture, and the ever-evolving Ghanaian sound.

 

7. Rhythms on the Runway: Fashion Meets Festivity

Long before December became crowded with festivals, Rhythms on the Runway had already established itself as a premium end-of-year event. By merging high fashion with live musical performances, it appealed to both the creative elite and the social class seeking refined entertainment.

The event elevated Ghanaian designers, models and musicians, while positioning fashion as a central pillar of Detty December. It also drew corporate sponsorships, diplomats and tourists, proving that creative events could command prestige and economic relevance.

  1. TASTE THE CULTURE

Ghana was more than a place to visit; it is a culture to be experienced. Taste The Culture was an open invitation to travellers from around the world to immerse themselves in the heartbeat of Ghana through its food, music, art, festivals, and everyday way of life.

From the vibrant rhythms of traditional drumming and contemporary music to the rich flavours of local cuisine, Ghana offers a sensory journey unlike any other. Visitors are welcomed not just as tourists, but as participants in a living culture shaped by history, creativity, and community. Every meal tells a story, every dance carries meaning, and every craft reflects generations of heritage.

Ghana’s creative arts and cultural festivals form the backbone of its tourism appeal. Events, markets, concerts, art exhibitions, and heritage sites provide authentic experiences that connect visitors to the people and traditions behind the culture. Whether exploring historic landmarks, enjoying local fashion and design, or engaging with artisans and performers, travellers encounter a culture that is both timeless and evolving.

Taste The Culture also reflects Ghana’s growing position as a hub for cultural tourism and creative exchange. As global travellers increasingly seek meaningful and immersive experiences, Ghana stands out for its warmth, diversity, and authenticity. The country’s cultural richness not only attracts visitors but also empowers local communities and creatives who serve as ambassadors of Ghanaian identity.

At its core, Taste the Culture is a call to explore Ghana with curiosity and respect to move beyond sightseeing and truly connect with the soul of the nation. It is an invitation to celebrate heritage, embrace creativity, and create lasting memories through genuine cultural experiences.

Entertainment

Shatta Wale hints at contesting Ablekuma South seat as independent candidate in 2028

Published

on

Musician Shatta Wale

Ghanaian dancehall star Shatta Wale has opened up about the possibility of venturing into politics, revealing that he may consider running for office as an independent parliamentary candidate if there is significant public demand ahead of the 2028 elections.

 

He said this during an interview on Asempa FM’s Ekosii Sen talk show with OB. Government name, Charles Nii Armah Jnr., said he does not intend to affiliate with any political party should he decide to enter the political arena.

 

According to him, his interest in politics would be driven by a desire to serve the people rather than by personal wealth. He disclosed that if the opportunity arises, he would consider contesting the parliamentary seat for Ablekuma South as an independent candidate.

 

“If the people push me to go into politics, I will consider it. I won’t do it because I’m rich, but because I want to serve the people. I would contest the Ablekuma South seat, but I won’t join any political party. I would prefer to run as an independent candidate if the calls become stronger by 2028,” he said.

 

Shatta Wale also spoke about his strong attachment to Ghana, explaining that his love for the country is one of the reasons he continues to live here despite opportunities to travel or relocate abroad.

He noted that traveling outside the country can be quite costly for him, which makes him more comfortable staying in Ghana.

“I love Ghana so much. Anytime someone asks me to travel abroad, I feel a bit uneasy because I end up spending more money there. Life outside is expensive,” he explained.

The musician added that living in Ghana allows him to enjoy a level of freedom that he values.

“In Ghana, I feel free. Sometimes I go to certain places and I’m able to walk around without any problem,” he said.

He also urged Ghanaians to cultivate a positive mindset, emphasizing that a constructive outlook can drive meaningful change in society.

“If you keep a positive mindset, you can influence change in many ways,” he added.

 

==

Continue Reading

Entertainment

Legendary musician Sloppy Mike Gyamfi Accuses Kuami Eugene of Song Theft

Published

on

Legendary Highlife musician Sloppy Mike Gyamfi has accused fellow Highlife artiste Kuami Eugene of using his song without authorization.

According to the veteran musician, Kuami Eugene performed his song word for word and uploaded it on YouTube without seeking permission from him. He explained that although the younger artiste sang the song well and added some flavour to it, he did not contact him beforehand to seek clearance.

Speaking on the flagship Ekwanso Dwoodwoo drive time show on Okay FM with host Nana Romeo, Sloppy Mike Gyamfi said he was surprised when he heard the rendition of his song Asem Kakra Bi online.

“Kuami Eugene has taken my song. Visit his YouTube platform; he did it very well.

He sang the song so nicely, and I was awed when I heard it. Just Google Asem Kakra Bi and you’ll find it. He did a very good job on the song though. But Kuami never spoke to me about the song. It’s not like he sampled it or took some parts of it; he sang it word for word,” he said.

When asked by Nana Romeo whether Kuami Eugene was supposed to seek permission before using the song, the veteran musician responded that the right procedure would have been to request clearance.

However, Sloppy Mike Gyamfi indicated that he does not hold any personal grudge against the Angela hitmaker, describing him as someone he sees as a son.

“I won’t fault him that much. He’s like my son, so if he admires my work and uses it, I have no problem with it,” he noted.

Despite his forgiving stance, the veteran musician maintained that proper respect and due process should have been followed.

He added that although Kuami Eugene may know his work, the artiste has never personally introduced himself to him.

“I have forgiven him, but if someday he introduces himself to me, I will be happy. He should bring me my portion of the earnings. Not giving me even a penny is not right,” he added.

==

Continue Reading

Entertainment

Police Arrest Counsellor Lutterodt Over Alleged Incitement in Viral Video About Late Highlife Star Daddy Lumba

Published

on

Marriage counsellor and public commentator Cyril George Carstensen Lutterodt, popularly known as Counsellor Lutterodt, has been arrested by the Ghana Police Service over remarks made in a viral video that allegedly incited youth to storm the residence of late highlife legend Daddy Lumba.

The arrest was carried out by the Criminal Investigations Department (CID) following investigations into comments authorities say were offensive and capable of disturbing public peace.

In a press release issued on March 10, 2026, and signed by Chief Inspector Brigitte Babanawoo, Public Relations Officer of the CID, police indicated that Lutterodt’s remarks were linked to issues surrounding the late musician.

“Police investigations indicate that the suspect made some comments in relation to issues surrounding the late musician which are considered offensive and capable of causing a breach of the peace,” the statement said.

Although the police did not disclose the exact content of the viral video, reports suggest the remarks targeted the memory of Daddy Lumba and circulated widely on social media, sparking public outrage. Lutterodt is alleged to have encouraged some youth to exhume the musician’s body from his residence in East Legon.

Counsellor Lutterodt is a well-known figure in Ghana’s media landscape, frequently appearing on radio and television programmes to provide relationship advice and commentary on social issues. His outspoken style has often generated both support and controversy.

Police confirmed that he has since been granted bail but will be arraigned before court on Wednesday, March 11, 2026.

According to the CID, Lutterodt will face charges of offensive conduct conducive to the breach of the peace under Section 207 of the Criminal Offences Act, 1960 (Act 29), as well as inciting violence under provisions of the Public Order Act, 1994 (Act 491).

The offences relate to behaviour or speech that could provoke violence, public disorder, or actions likely to disturb societal peace.

Daddy Lumba, widely regarded as one of Ghana’s most influential highlife musicians, died on July 26, 2025, leaving behind a celebrated musical legacy and a large fan base across the country and beyond.

Lutterodt is expected to appear before an Accra court on Wednesday, where the charges will be formally read and his legal team will respond.

Continue Reading

Trending

Copyright © 2026 KPDOnline. Powered by AfricaBusinessFile