Entertainment
8 Events that Ignited Detty December in Ghana
For decades, December in Ghana was defined by homecomings, church conventions, family reunions and modest nightlife. Today, it is a full-blown cultural economy known globally as Detty December, a season that transforms Accra into one of Africa’s busiest creative, tourism and entertainment hubs. From music festivals and fashion runways to beach raves and luxury nightlife, Detty December did not happen by accident. It was ignited by a series of bold, culture-shaping events that reimagined what Ghana’s festive season could be.
Here are 8 key events that lit the fuse and turned December in Ghana into a global movement.
- Afrochella (AfroFuture): The Spark That Went Global

No event embodies Detty December more than Afrochella, now rebranded as AfroFuture. Launched with a vision to celebrate African excellence, AfroFuture fused music, fashion, art, food and heritage into a single experience. Its timing, strategically placed in late December, made it the perfect anchor event for the festive calendar.
AfroFuture attracted thousands of young Africans and diaspora returnees from the United States, Europe and the Caribbean. More importantly, it reshaped Ghana’s global image from a historical destination into a contemporary cultural capital. Social media virality, influencer attendance and international media coverage turned AfroFuture into a gateway through which Detty December was introduced to the world.
- BHIMFEST

Celebrating a decade of Bhim Concert, now turned festival, Stonebwoy’s BhimFest added diversity to Detty December’s sonic landscape. Rooted in reggae and dancehall but open to Afrobeats and highlife, the concert attracted both local fans and international acts.
Beyond music, BhimFest symbolised unity, resilience and Ghana’s place within global Black music culture. Its growth highlighted how December events could also carry strong identity and community narratives.
The concert now turn Festival featured an impressive lineup of artists from the diaspora, each bringing their unique flair to the stage. Performances ranged from smooth reggae rhythms that had the crowd swaying in harmony to pulsating dancehall and Afrobeat that ignited a dance frenzy. The diversity of music reflected the growing dynamism of Ghana’s music industry, showing that genres like reggae, dancehall and Afrobeat are not just entertainment, they are unifying forces that bridge generational and social divides.
Beyond the music, the BhimFest stood out for its sense of community. Organisers emphasised messages of peace, collaboration, and national pride throughout the event, encouraging attendees to connect not just through the music but through shared values. Fans took to social media in real time, sharing videos, dance clips, and moments of solidarity, further amplifying the concert’s theme of unity.
The event also highlighted the evolving professionalism in Ghana’s live music scene. From seamless stage production and sound management to engaging crowd interactions, the BhimFest demonstrated how local events can rival international standards while retaining an authentic Ghanaian flavour.
In many ways, the BhimFest was more than just a musical showcase; it was a celebration of culture, togetherness, and the enduring power of music to bring people together. As Ghana continues to nurture its creative arts industry, events like this serve as a reminder that music is not just heard, but felt, shared, and experienced collectively.
- THE GTCO CHRISTMAS CONCERT

When conversations turn to Detty December in Ghana, the focus often gravitates toward late-night raves, beach parties and high-octane music festivals. Yet, quietly and consistently, one event has stood as the cultural soul of the season: the GTCO Christmas Concert. More than a musical showcase, the concert has become a national ritual, uniting faith, artistry, corporate responsibility and Ghanaian excellence under one grand Christmas experience.
While Detty December thrives on excitement and nightlife, the GTCO Christmas Concert offers balance, reminding the nation and its visitors that celebration can also be reflective, elegant and deeply rooted in tradition.
- Kweku Smoke Revival Concert

The Detty December also witnessed one of the creative artistry nights as Kweku Smoke took the stage for his much-anticipated Revival Concert. The event drew fans from across the country, all eager to enjoy an immersive night of live performances, soulful tunes, and high-energy beats.
The concert showcased Kweku Smoke’s signature style, blending hiplife, afrobeat, and contemporary Ghanaian sounds. Landing from a chopper, each performance resonated with fans, who sang along to hit tracks and enjoyed the lively stage presence that has become Kweku Smoke’s trademark. The concert also featured surprise guest appearances from some of Ghana’s top artists, adding even more excitement to the night.
The Revival Concert was more than just entertainment it was a celebration of Ghanaian culture and creativity.
From flawless sound management to visually stunning stage effects, the Revival Concert reflected a new level of professionalism in Ghana’s live music scene. Attendees were treated to a seamless experience, with every detail from lighting to crowd engagement carefully curated to create a memorable night.
- Rapperholic: The Power of Consistency

When Sarkodie launched Rapperholic, it was a bold attempt to place hip-hop at the centre of Ghana’s December calendar. Over the years, Rapperholic evolved into one of the most anticipated concerts in West Africa.
Its consistency-built trust with fans and tourists alike. For many diaspora visitors, attending Rapperholic became a December ritual. The concert also demonstrated how artist-led events could scale into national cultural assets.
6. Medikal’s “Beyond Control” Concert

Medikal took centre stage during the festive season with his highly anticipated “Beyond Control” Concert, delivering one of the most talked-about performances of Detty December.
Held amid an electrifying atmosphere, the concert drew thousands of fans who gathered to celebrate Medikal’s music, journey, and influence within Ghana’s hip-hop and hiplife scene. From the opening moments, the rapper’s commanding stage presence and energetic delivery kept the crowd fully engaged.
Medikal thrilled patrons with back-to-back performances of his biggest hits, blending hard-hitting rap with infectious party anthems that defined the Detty December mood. The audience responded with massive sing-alongs, turning the venue into a sea of excitement and unity.
The Beyond Control concert also featured surprise guest appearances from fellow artistes, adding to the night’s energy and reinforcing Medikal’s strong industry connections. Each performance elevated the experience, making the concert a celebration of collaboration and Ghanaian music excellence.
Beyond entertainment, the concert served as a reflection of Medikal’s growth and resilience in the music industry. His ability to headline a major Detty December event further solidified his position as one of Ghana’s most influential rap acts.
As Detty December continues to position Ghana as a global entertainment destination, Medikal’s Beyond Control concert stands out as a highlight showcasing the power of live music, youth culture, and the ever-evolving Ghanaian sound.
7. Rhythms on the Runway: Fashion Meets Festivity

Long before December became crowded with festivals, Rhythms on the Runway had already established itself as a premium end-of-year event. By merging high fashion with live musical performances, it appealed to both the creative elite and the social class seeking refined entertainment.
The event elevated Ghanaian designers, models and musicians, while positioning fashion as a central pillar of Detty December. It also drew corporate sponsorships, diplomats and tourists, proving that creative events could command prestige and economic relevance.
- TASTE THE CULTURE

Ghana was more than a place to visit; it is a culture to be experienced. Taste The Culture was an open invitation to travellers from around the world to immerse themselves in the heartbeat of Ghana through its food, music, art, festivals, and everyday way of life.
From the vibrant rhythms of traditional drumming and contemporary music to the rich flavours of local cuisine, Ghana offers a sensory journey unlike any other. Visitors are welcomed not just as tourists, but as participants in a living culture shaped by history, creativity, and community. Every meal tells a story, every dance carries meaning, and every craft reflects generations of heritage.
Ghana’s creative arts and cultural festivals form the backbone of its tourism appeal. Events, markets, concerts, art exhibitions, and heritage sites provide authentic experiences that connect visitors to the people and traditions behind the culture. Whether exploring historic landmarks, enjoying local fashion and design, or engaging with artisans and performers, travellers encounter a culture that is both timeless and evolving.
Taste The Culture also reflects Ghana’s growing position as a hub for cultural tourism and creative exchange. As global travellers increasingly seek meaningful and immersive experiences, Ghana stands out for its warmth, diversity, and authenticity. The country’s cultural richness not only attracts visitors but also empowers local communities and creatives who serve as ambassadors of Ghanaian identity.
At its core, Taste the Culture is a call to explore Ghana with curiosity and respect to move beyond sightseeing and truly connect with the soul of the nation. It is an invitation to celebrate heritage, embrace creativity, and create lasting memories through genuine cultural experiences.
Culture
“We Entertain Stupidity in This Country” — GHOne’s Lilly Mohammed Slams Foreign Affairs Minister Ablakwa Over IShowSpeed Passport Saga

Broadcast journalist Lilly Mohammed has descended on Ghana’s Minister for Foreign Affairs, Samuel Okudzeto Ablakwa, over the decision to issue a Ghanaian passport to American streamer IShowSpeed.
Speaking on GH Today, GHOne TV’s morning show, the host expressed strong dissatisfaction with the minister’s action, questioning the justification for granting Ghanaian citizenship to the internet personality after a brief visit to the country.
“Let’s get serious as a country. It’s like we’re not serious at all. Somebody comes to Ghana, he’s a streamer, he’s putting Ghana on the global map, he’s doing whatever. He comes for a day or two, and then you shove a Ghanaian passport into his hands. You’re not serious,” she said.
Lilly Mohammed stated that she could not see the importance of IShowSpeed’s visit that warranted the issuance of a Ghanaian passport.
“You’re not serious. Samuel Okudzeto Ablakwa, you were somebody we had high expectations of. You shoved a Ghanaian passport into the hands of somebody who came here streaming and embarking on his own personal thing. Coming to step on our jollof, jumping on the Black Stars Square, what has that done to our GDP? What has it added to our economy?” she questioned.
The media personality further compared the situation to Ghanaian YouTuber Wode Maya, who has consistently promoted Africa on the global stage, asking whether any country had rewarded him with citizenship for his efforts.
“Wode Maya has been putting Ghana on the map globally. Have you seen America give him an American passport? Even Nigeria, has Nigeria given him a Nigerian passport? You entertain stupidity so much. You’ve given him a Ghanaian passport for what achievement? What has he done for Ghana?” she asked.
She also criticised the public reaction surrounding the visit, particularly an incident where some Ghanaians reportedly ate jollof rice that IShowSpeed had stepped on during his visit.
“You give him a Ghanaian passport because he sat on our jollof, and the moment he steps away, Ghanaians rush to eat it. You are not serious. With the greatest respect, let’s put some value on our passport. Let’s put value on this country,” she stressed.
Lilly Mohammed further lamented the difficulties faced by Ghanaian citizens in acquiring passports, contrasting it with the ease with which the streamer was allegedly granted one.
“Meanwhile, Ghanaians are queuing for passports. Ghanaian citizens born in this country, who by the Constitution are entitled to citizenship, are struggling. You say you have opened the passport system to eliminate goro boys, yet people are still finding it difficult to get a basic passport,” she said.
While clarifying that she had no personal issue with the streamer, she maintained that the decision to issue him a Ghanaian passport was unjustified.
“I have no problem with him. I didn’t even know him until he came to Ghana. It’s a beautiful thing what he’s doing, and it’s risky. For a young man, he’s very bold and deserves a pat on the back. However, to give him a Ghanaian passport, what has he done to deserve it? Let’s get serious in this country, for real,” she concluded.
Background
On Tuesday, January 27, Ghana’s Minister for Foreign Affairs, Samuel Okudzeto Ablakwa, announced that the Ministry had approved the issuance of a Ghanaian passport to popular American streamer and internet personality IShowSpeed. According to the minister, the decision followed confirmation of what he described as the influencer’s “irrefutable ties” to Ghana.

IShowSpeed, an American streamer currently on an African tour highlighting the continent’s culture and lifestyle, arrived in Ghana on Sunday. He was officially welcomed on Monday, January 26, with a traditional Akan naming ceremony held in the Eastern Region.
Entertainment
Ghana Music Awards Europe Appoints Mona Gucci as Chief Operations Officer
Ghana Music Awards Europe has officially announced the appointment of Abigail Monalisa Semaha, widely known as Mona Gucci, as its new Chief Operations Officer.
The announcement, made in Accra and Europe, marks a significant milestone in the organization’s efforts to strengthen its operational leadership as it expands its footprint across Europe and the global Ghanaian music community.
According to the organizers, the appointment reflects Ghana Music Awards Europe’s commitment to excellence, innovation, and forward-thinking leadership. Mona Gucci brings with her extensive experience in media, branding, communications, and creative industry management. She is widely respected for her deep understanding of entertainment culture, audience engagement, and strategic leadership.
In her new role, Mona Gucci will oversee the day-to-day operations of Ghana Music Awards Europe, lead strategic planning, manage partnerships, and supervise the execution of key initiatives aimed at elevating the awards scheme’s brand. Her leadership is expected to improve organizational efficiency, strengthen industry relationships, and enhance the overall experience for artists, stakeholders, and audiences.
Speaking on the appointment, organizers of Ghana Music Awards Europe expressed strong confidence in her ability to drive growth and innovation within the organization. They noted that her professionalism, experience, and insight into the entertainment landscape make her a valuable addition to the executive team.
Mona Gucci also expressed her excitement about the new role, stating that she looks forward to contributing meaningfully to the celebration and global promotion of Ghanaian music and culture.
Ghana Music Awards Europe remains dedicated to recognizing and honoring Ghanaian musical excellence while creating platforms that connect artists to international audiences. The annual awards scheme was established to celebrate and promote Ghanaian music and creatives in Europe and beyond, fostering cultural exchange and global recognition for Ghana’s vibrant music industry.

Entertainment
High Court Confirms No Will on Record for Late Highlife Icon Daddy Lumba
The High Court in Accra has confirmed that there is no record of a last will belonging to the late highlife musician Charles Kwadwo Fosuh, widely known as Daddy Lumba, at the Probate and Administration Division’s registry.
This confirmation followed an official search conducted as part of the legal process surrounding the administration of the musician’s estate.
According to court documents, the registry search was initiated to determine whether Daddy Lumba had deposited a will with the High Court. The request also sought details such as the date of deposit, the individual who submitted the document, and the lawyer who prepared it, should such a will exist.
However, a formal response from the registry, dated January 19, 2026, at 2:37 pm, stated that no will associated with the late musician is on record. The document, signed and stamped by the Registrar of the Probate and Administration Division, confirmed that the court’s registry holds no such record.
The absence of a registered will indicates that Daddy Lumba’s estate may be administered under Ghana’s intestate succession laws, unless a valid will is produced from another source. This development introduces additional legal considerations for the family and legal representatives managing his affairs.
Daddy Lumba, one of Ghana’s most influential and celebrated highlife musicians, left behind an extensive musical catalogue that continues to shape the country’s music industry. Since his passing, public attention has remained focused on the handling of his estate, reflecting both his stature and the enduring impact of his legacy.

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