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Celebrating Urban/Contemporary Gospel Music – DerrickManny EveryWhere Writes

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DerrickManny EveryWhere, C.E.O Global Hype Network

Hello, Ghana Music Awards (TGMA),

I want to take a moment to express my heartfelt appreciation for your recognition of Urban/Contemporary Gospel music in your esteemed awards program.

This genre has empowered many talented young Gospel musicians to flourish, yet traditional Gospel artists have often grappled with embracing this evolution.

The challenge is further compounded by the pervasive influence of Western culture, making it difficult for these artists to shine in the main Gospel Artist of the Year category — a space where I believe their contributions are equally deserving of acknowledgment.

The advent of Urban/Contemporary Gospel has broadened the horizons of Gospel music, significantly impacted our youth and expanded the audience for this innovative genre.

Artists such as Evans Scott, Raf Able, Team Eternity Ghana, Kingzkid Nation, Kofi Owusu Preprah, among others, are making remarkable strides, yet their recognition has unfortunately remained elusive.

I also want to commend Kwame Mickey for his bold steps in addressing the use of “Defe Defe” by Team Eternity—an iconic phrase by Hallelujah voices some 16 years ago, for which he produced the original song. This legal action has once again placed Urban/Contemporary Gospel in the limelight, emphasizing its cultural significance and influence.

I am immensely grateful to the Board and Academy of the Telecel Ghana Music Awards for their visionary decision to elevate and spotlight Urban/Contemporary Gospel in Ghana. Your support is crucial for fostering the growth of this genre. I firmly believe that the inserted song “YOU NO DEY SEE” by Raf Able featuring renowned Gospel musician Cwesi Oteng deserves serious consideration for nomination. It perfectly encapsulates the essence of this new, inclusive genre and showcases the talent that deserves to be celebrated.

Thank you for your thoughtful consideration.

Warm regards,

Derrickmanny Everywhere C.E.O, Global Hype Network.

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Entertainment

[NEW MUSIC] Sierra Leonean Artiste Nexlu Unleashes Powerful New Single “One Man”

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Sierra Leonean hip hop and Afrobeat sensation Nexlu is thrilled to announce the release of his electrifying new single, One Man.” This dynamic track showcases Nexlu’s evolving artistry and genre-bending style, combining infectious Afrobeat rhythms with hard-hitting hip-hop elements and vivid storytelling.

One Man takes listeners on a captivating journey of self-discovery and personal responsibility, wrapped in a soundscape that is both modern and culturally rich. With its energetic production and deeply relatable message, the track is poised to resonate with fans across musical genres.

Speaking about the inspiration behind the song, Nexlu shared that “One Man” was inspired by a rare kind of woman, one with God-fearing beauty, class, confidence, and undeniable charm. “She’s wise, spiritually grounded, and keeps it sweet in public but knows how to flip the script behind closed doors,” Nexlu explained.

Ultimately, One Man serves as a heartfelt tribute to the kind of woman every real man dreams of.

The single is now available on all major digital music platforms.

Stream One Man https://oneman.fanlink.tv/nexlu

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[VIDEO] Qwame Stika Breaks Silence Over ‘Yahitti’ Dispute with King Paluta

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Fast-rising music act Qwame Stika has finally broken his silence over the controversy surrounding the hit song Yahitti, originally released by King Paluta. Speaking during a heated interview on Top 103.1 F.M Showbiz with host Londona Niee, Stika revealed that he gave King Paluta the green light to release the song purely out of loyalty and mutual respect.

“I allowed King Paluta to release Yahitti out of loyalty,” he said. “But he broke that bond when he featured Kuami Eugene on the remix without my consent.”

According to Stika, the original track was a collaborative effort, and any major decision regarding its direction or future versions should have involved him. He expressed disappointment that such a critical move featuring a high-profile artist like Kuami Eugene was done behind his back.

“This wasn’t just a song, it was a shared vision. For him to go ahead and make such a big change without even informing me, let alone asking for my input, feels like a betrayal,” he added.

The revelation has sparked debate among fans and industry players alike, with some calling for clearer agreements in collaborations, especially among emerging artists in Ghana’s music scene.

As tensions rise, it remains to be seen whether the two artists will reconcile or if this marks the end of their working relationship.

Watch the Full Interview here.

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Foster Romanus Crowned Celebrity Impact Comedian of the Year at the Debut Ghana Celebrity Impact Awards 25′

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Foster Romanus has added yet another accolade to his growing list of achievements, clinching the Celebrity Impact Comedian of the Year award at the Ghana Celebrity Impact Awards. This honour comes on the heels of his acclaimed comedy show, Romanus Incomplete VI, which was named Event of the Year at the Ghana Comedy Awards.

Held at the National Theatre, Romanus Incomplete VI drew a massive crowd, with attendees spilling into the lobby, an undeniable testament to the show’s success and his star power. Energised by the overwhelming reception, Romanus has promised to elevate this year’s edition even further, with bold ambitions to take Ghanaian comedy to the international stage.

In another groundbreaking achievement, Romanus made history as the first comedian to host the Ghana Music Awards 2025. His hosting performance was nothing short of stellar, marked by sharp wit, a charismatic stage presence, and seamless transitions between entertainment and humour. His ability to balance comedic timing with the gravitas of the occasion earned widespread acclaim.

With these milestones, Foster Romanus continues to cement his legacy as one of Ghana’s leading comedic talents. His recent accomplishments not only highlight his versatility but also reflect his unwavering dedication to pushing the boundaries of Ghana’s entertainment industry.

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