Entertainment
[EDITORIAL] Lyrical Wars or Industry Wounds? The Truth Behind Music Beefs
In recent years, beefs have become a dominant force in Ghana’s music industry. From lyrical jabs to full-blown social media feuds, artists regularly go head-to-head, sometimes for fame, other times for pride. But the question remains: Are beefs truly necessary in our music industry?
From one angle, beefs can energise the music scene, stir conversations, and drive massive attention toward artists and their works. It keeps the industry competitive and exciting, pulling fans deeper into the culture. However, beefs can also sow division, fuel unhealthy rivalries, and even threaten the unity and growth of the creative space. On the flip side, they can fragment the industry, spark unnecessary tension, and even escalate into dangerous conflicts.
A historical example that still echoes in the global music scene is the infamous feud between Tupac Shakur and The Notorious B.I.G., which not only divided the hip-hop community but tragically led to the loss of two great talents. What began as a lyrical rivalry ended in bloodshed, costing both men their lives. It’s a harsh reminder that when egos clash without boundaries, the consequences can be devastating. It reminds us that beefs, if not managed, can do more harm than good.
Back home, the Ghanaian music industry has not been immune to such confrontations. High-profile artists have often clashed publicly, leaving fans and observers questioning the real purpose behind these feuds. While beefs have existed in the industry for decades, the pressing question remains: Are they truly necessary?
Ghana’s Long History with Beefs.
Ghana is no stranger to artist rivalries. The likes of legendary DADDY LUMBA and Nana Acheampong to Paa solo and the Sibo brothers, e.t.c. In the early 1990s, Richard Kwasi Siaw Afrofi, popularly known as EX Doe, and his former collaborator, Patrick Gogoh, a.k.a. Chicago, shook the scene with diss tracks that thrilled fans and elevated their careers, at least temporarily, but decades later, one wonders: Did it build legacies or fade as industry noise?
The feud between Shatta Wale and SAMINI marked one of the longest-running beefs in Ghanaian music history. Though the reasons were never obvious, their clashes dominated headlines, disrupted award shows, and split fans into camps. While both artists gained visibility, the industry was left to deal with the aftermath.
The New Age of Lyrical Warfare.
Modern-day rivalries have taken beefs to a more digital, and sometimes theatrical, level. The 2016 lyrical clash between M.anifest (god MC) and Sarkodie (Kanta) revived the essence of pure rap battles in Ghana. Though intellectually stimulating and creatively executed, it sparked debates about respect, originality, and authenticity in Ghanaian hip-hop.
Soon after, rappers like EL, Strongman Burner , Eno Barony, Obibini, Sister Afia, Medikal, among others, also found themselves on the battlefield. The Strongman-Medikal beef, in particular, was a lyrical spectacle, with tracks like “Don’t Try” and “Last Burial” igniting the rap scene and captivating audiences. But again, was it its artistry or animosity?
Beyond the Lyrics: Personal & Industry Beefs.
Feuds aren’t always about the music. Female artists like Wendy Shay, Fantana, and Sister Debby have had their share of online spats, often centred around record label politics and personal branding. Such conflicts don’t just reflect personal differences; they expose the cracks in artist management and industry structure.
And who can forget the drama between Shatta wale(shatta movement) and Stonebwoy that climaxed at the 2019 Vodafone Ghana Music Awards? What should have been a celebration of excellence nearly turned violent, resulting in temporary bans for both artists. Though they’ve since reconciled, that moment raised serious questions about professionalism, security, and leadership in the music space.
Is It All Worth It?
Some industry players argue that beef is good for business. Some suggest that beefs sell the industry, make it louder, and keep fans engaged. In some cases, that may be true, streams increase, followings grow, and artists trend. But at what cost?
Beefs can also derail careers, discourage collaborations, and create toxic fan bases. Younger artists looking up to veterans may begin to see division as the norm, rather than unity and creativity.
The Verdict
So, is beef necessary in our music industry?
The answer lies in how the beef is handled. If rooted in creativity, mutual respect, and competition, beefs can sharpen skills and add spice to the culture. But when fueled by ego, hatred, and violence, they become poisonous to both artists and the industry.
As fans, let’s encourage lyrical excellence and constructive competition, not chaos. As artists, let the microphone be your sword, not your downfall. And as stakeholders, let’s create systems that reward artistry over the controversy.
Because in the end, music should unite more than it divides.
Ghanaian dancehall star Shatta Wale has opened up about the possibility of venturing into politics, revealing that he may consider running for office as an independent parliamentary candidate if there is significant public demand ahead of the 2028 elections.
He said this during an interview on Asempa FM’s Ekosii Sen talk show with OB. Government name, Charles Nii Armah Jnr., said he does not intend to affiliate with any political party should he decide to enter the political arena.
According to him, his interest in politics would be driven by a desire to serve the people rather than by personal wealth. He disclosed that if the opportunity arises, he would consider contesting the parliamentary seat for Ablekuma South as an independent candidate.
“If the people push me to go into politics, I will consider it. I won’t do it because I’m rich, but because I want to serve the people. I would contest the Ablekuma South seat, but I won’t join any political party. I would prefer to run as an independent candidate if the calls become stronger by 2028,” he said.
Shatta Wale also spoke about his strong attachment to Ghana, explaining that his love for the country is one of the reasons he continues to live here despite opportunities to travel or relocate abroad.
He noted that traveling outside the country can be quite costly for him, which makes him more comfortable staying in Ghana.
“I love Ghana so much. Anytime someone asks me to travel abroad, I feel a bit uneasy because I end up spending more money there. Life outside is expensive,” he explained.
The musician added that living in Ghana allows him to enjoy a level of freedom that he values.
“In Ghana, I feel free. Sometimes I go to certain places and I’m able to walk around without any problem,” he said.
He also urged Ghanaians to cultivate a positive mindset, emphasizing that a constructive outlook can drive meaningful change in society.
“If you keep a positive mindset, you can influence change in many ways,” he added.
Legendary Highlife musician Sloppy Mike Gyamfi has accused fellow Highlife artiste Kuami Eugene of using his song without authorization.
According to the veteran musician, Kuami Eugene performed his song word for word and uploaded it on YouTube without seeking permission from him. He explained that although the younger artiste sang the song well and added some flavour to it, he did not contact him beforehand to seek clearance.
Speaking on the flagship Ekwanso Dwoodwoo drive time show on Okay FM with host Nana Romeo, Sloppy Mike Gyamfi said he was surprised when he heard the rendition of his song Asem Kakra Bi online.
“Kuami Eugene has taken my song. Visit his YouTube platform; he did it very well.
He sang the song so nicely, and I was awed when I heard it. Just Google Asem Kakra Bi and you’ll find it. He did a very good job on the song though. But Kuami never spoke to me about the song. It’s not like he sampled it or took some parts of it; he sang it word for word,” he said.
When asked by Nana Romeo whether Kuami Eugene was supposed to seek permission before using the song, the veteran musician responded that the right procedure would have been to request clearance.
However, Sloppy Mike Gyamfi indicated that he does not hold any personal grudge against the Angela hitmaker, describing him as someone he sees as a son.
“I won’t fault him that much. He’s like my son, so if he admires my work and uses it, I have no problem with it,” he noted.
Despite his forgiving stance, the veteran musician maintained that proper respect and due process should have been followed.
He added that although Kuami Eugene may know his work, the artiste has never personally introduced himself to him.
“I have forgiven him, but if someday he introduces himself to me, I will be happy. He should bring me my portion of the earnings. Not giving me even a penny is not right,” he added.
Entertainment
Police Arrest Counsellor Lutterodt Over Alleged Incitement in Viral Video About Late Highlife Star Daddy Lumba
Marriage counsellor and public commentator Cyril George Carstensen Lutterodt, popularly known as Counsellor Lutterodt, has been arrested by the Ghana Police Service over remarks made in a viral video that allegedly incited youth to storm the residence of late highlife legend Daddy Lumba.
The arrest was carried out by the Criminal Investigations Department (CID) following investigations into comments authorities say were offensive and capable of disturbing public peace.
In a press release issued on March 10, 2026, and signed by Chief Inspector Brigitte Babanawoo, Public Relations Officer of the CID, police indicated that Lutterodt’s remarks were linked to issues surrounding the late musician.
“Police investigations indicate that the suspect made some comments in relation to issues surrounding the late musician which are considered offensive and capable of causing a breach of the peace,” the statement said.
Although the police did not disclose the exact content of the viral video, reports suggest the remarks targeted the memory of Daddy Lumba and circulated widely on social media, sparking public outrage. Lutterodt is alleged to have encouraged some youth to exhume the musician’s body from his residence in East Legon.
Counsellor Lutterodt is a well-known figure in Ghana’s media landscape, frequently appearing on radio and television programmes to provide relationship advice and commentary on social issues. His outspoken style has often generated both support and controversy.
Police confirmed that he has since been granted bail but will be arraigned before court on Wednesday, March 11, 2026.
According to the CID, Lutterodt will face charges of offensive conduct conducive to the breach of the peace under Section 207 of the Criminal Offences Act, 1960 (Act 29), as well as inciting violence under provisions of the Public Order Act, 1994 (Act 491).
The offences relate to behaviour or speech that could provoke violence, public disorder, or actions likely to disturb societal peace.
Daddy Lumba, widely regarded as one of Ghana’s most influential highlife musicians, died on July 26, 2025, leaving behind a celebrated musical legacy and a large fan base across the country and beyond.
Lutterodt is expected to appear before an Accra court on Wednesday, where the charges will be formally read and his legal team will respond.
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