Entertainment
WIYAALA :The Lioness Who Should Roar at Taste the Culture 2025- Mel Kwesi Davis Writes
Creative industry analyst, Vice President of FOCAP, events designer and management strategist, Kum writer Mel Kwesi Davis has thrown more light on the appropriate artist suitable to lead the vibrant Blackstar Experience concert dubbed “Taste the Culture 2025 on December 26th at the iconic Blackstar’s Square. In a Facebook post sighted by your most reliable creative arts and culture website, KPDONLINE.NET, the experienced creative art advocate focuses on the intersection of music, culture and economic impact across Africa’s creative economy and hence recommends versatile artist Wiyala to be the Ambassador for the event, which aimed to promote Ghana’s rich culture and identity
He writes,
As Ghana gears up for another exciting Detty December, one event stands out for its deep connection to our roots: Taste the Culture. A celebration of music, food, art and African identity, and if there’s any artist who embodies that essence more than anyone else, it’s WIYAALA, the fierce, free-spirited “Lioness of Africa.
Born Noella Wiyaala Nwadei in the Upper West Region of Ghana, Wiyaala has always been different. Her name, Wiyaala, means “the doer” in Sissala, and true to her name, she has done what many said was impossible: she built a successful, internationally respected career from her hometown, far from the lights of Accra.
Wiyaala’s music is a rich blend of Afro-pop, folk rhythms and traditional Sissala and Waala sounds. She performs in both English and indigenous languages, preserving Ghana’s northern dialects in her art. Her songs, From Africa to Tinambayai and Make Me Dance are not just catchy; they carry messages of empowerment, cultural pride and unity.
Taste the Culture isn’t just another concert; it’s a stage for authenticity. It celebrates Africa’s diversity from food and dance to fashion and rhythm, and that’s where Wiyaala shines brightest. Her performances are not just shows; they are rituals of energy, identity and pride.
From her powerful voice to her warrior-inspired costumes and barefoot dance routines, every Wiyaala performance feels like a journey into Africa’s spiritual heartbeat. She doesn’t imitate Western styles; she redefines what modern African artistry looks like.
Her presence at Taste the Culture would bridge the gap between Ghana’s traditional north and its modern creative scene, giving the festival a truly national and continental feel.
Beyond music, Wiyaala is a symbol of empowerment. She is known for advocating women’s rights. She has built her own creative space, The Lioness Kingdom, in her hometown of Funsi, where she mentors young people and nurtures local talent.
Having her at Taste the Culture means more than entertainment; it means representation of rural Ghana, of women and of artists who stay true to their roots while conquering global stages.
What Wiyaala brings to the Taste the Culture Stage
Cultural Authenticity:
Wiyaala embodies the very theme of “Taste the Culture.” She celebrates Ghanaian heritage with pride and brings traditional elements into modern art.
Performance Energy:
Her live shows are unforgettable. With her commanding voice and stage presence, she has headlined international festivals from WOMAD to Glastonbury, and she can easily transform any Ghanaian stage into a global experience.
International Appeal:
Wiyaala is one of the few Ghanaian artists whose brand transcends borders. Her inclusion adds prestige and diversity to the event lineup.
Representation & Unity:
Featuring Wiyaala connects northern Ghana to the mainstream spotlight, celebrating our national diversity in one shared festival experience.
Message & Meaning:
Her lyrics inspire pride, resilience and love for African values that align perfectly with what Taste the Culture stands for.
Booking Wiyaala would not only elevate the event’s authenticity but also send a strong message that Ghana’s cultural exports go beyond Afrobeats; they include voices that roar from every corner of the nation.
In an industry where trends often overshadow truth, Wiyaala remains a fearless original. She has proven that success doesn’t always come from Accra or abroad; it can come from being grounded in who you are.
This December, as Ghana invites the world to Taste the Culture, there is no better ambassador to tell our story than WIYAALA — the Lioness of Africa.
#TasteTheCulture #africancreatives #focap #dettydecember2025 #theMelDavisReview #BirdsDontFart
Entertainment
Shatta Wale hints at contesting Ablekuma South seat as independent candidate in 2028
Ghanaian dancehall star Shatta Wale has opened up about the possibility of venturing into politics, revealing that he may consider running for office as an independent parliamentary candidate if there is significant public demand ahead of the 2028 elections.
He said this during an interview on Asempa FM’s Ekosii Sen talk show with OB. Government name, Charles Nii Armah Jnr., said he does not intend to affiliate with any political party should he decide to enter the political arena.
According to him, his interest in politics would be driven by a desire to serve the people rather than by personal wealth. He disclosed that if the opportunity arises, he would consider contesting the parliamentary seat for Ablekuma South as an independent candidate.
“If the people push me to go into politics, I will consider it. I won’t do it because I’m rich, but because I want to serve the people. I would contest the Ablekuma South seat, but I won’t join any political party. I would prefer to run as an independent candidate if the calls become stronger by 2028,” he said.
Shatta Wale also spoke about his strong attachment to Ghana, explaining that his love for the country is one of the reasons he continues to live here despite opportunities to travel or relocate abroad.
He noted that traveling outside the country can be quite costly for him, which makes him more comfortable staying in Ghana.
“I love Ghana so much. Anytime someone asks me to travel abroad, I feel a bit uneasy because I end up spending more money there. Life outside is expensive,” he explained.
The musician added that living in Ghana allows him to enjoy a level of freedom that he values.
“In Ghana, I feel free. Sometimes I go to certain places and I’m able to walk around without any problem,” he said.
He also urged Ghanaians to cultivate a positive mindset, emphasizing that a constructive outlook can drive meaningful change in society.
“If you keep a positive mindset, you can influence change in many ways,” he added.
Entertainment
Legendary musician Sloppy Mike Gyamfi Accuses Kuami Eugene of Song Theft
Legendary Highlife musician Sloppy Mike Gyamfi has accused fellow Highlife artiste Kuami Eugene of using his song without authorization.
According to the veteran musician, Kuami Eugene performed his song word for word and uploaded it on YouTube without seeking permission from him. He explained that although the younger artiste sang the song well and added some flavour to it, he did not contact him beforehand to seek clearance.
Speaking on the flagship Ekwanso Dwoodwoo drive time show on Okay FM with host Nana Romeo, Sloppy Mike Gyamfi said he was surprised when he heard the rendition of his song Asem Kakra Bi online.
“Kuami Eugene has taken my song. Visit his YouTube platform; he did it very well.
He sang the song so nicely, and I was awed when I heard it. Just Google Asem Kakra Bi and you’ll find it. He did a very good job on the song though. But Kuami never spoke to me about the song. It’s not like he sampled it or took some parts of it; he sang it word for word,” he said.
When asked by Nana Romeo whether Kuami Eugene was supposed to seek permission before using the song, the veteran musician responded that the right procedure would have been to request clearance.
However, Sloppy Mike Gyamfi indicated that he does not hold any personal grudge against the Angela hitmaker, describing him as someone he sees as a son.
“I won’t fault him that much. He’s like my son, so if he admires my work and uses it, I have no problem with it,” he noted.
Despite his forgiving stance, the veteran musician maintained that proper respect and due process should have been followed.
He added that although Kuami Eugene may know his work, the artiste has never personally introduced himself to him.
“I have forgiven him, but if someday he introduces himself to me, I will be happy. He should bring me my portion of the earnings. Not giving me even a penny is not right,” he added.
Entertainment
Police Arrest Counsellor Lutterodt Over Alleged Incitement in Viral Video About Late Highlife Star Daddy Lumba
Marriage counsellor and public commentator Cyril George Carstensen Lutterodt, popularly known as Counsellor Lutterodt, has been arrested by the Ghana Police Service over remarks made in a viral video that allegedly incited youth to storm the residence of late highlife legend Daddy Lumba.
The arrest was carried out by the Criminal Investigations Department (CID) following investigations into comments authorities say were offensive and capable of disturbing public peace.
In a press release issued on March 10, 2026, and signed by Chief Inspector Brigitte Babanawoo, Public Relations Officer of the CID, police indicated that Lutterodt’s remarks were linked to issues surrounding the late musician.
“Police investigations indicate that the suspect made some comments in relation to issues surrounding the late musician which are considered offensive and capable of causing a breach of the peace,” the statement said.
Although the police did not disclose the exact content of the viral video, reports suggest the remarks targeted the memory of Daddy Lumba and circulated widely on social media, sparking public outrage. Lutterodt is alleged to have encouraged some youth to exhume the musician’s body from his residence in East Legon.
Counsellor Lutterodt is a well-known figure in Ghana’s media landscape, frequently appearing on radio and television programmes to provide relationship advice and commentary on social issues. His outspoken style has often generated both support and controversy.
Police confirmed that he has since been granted bail but will be arraigned before court on Wednesday, March 11, 2026.
According to the CID, Lutterodt will face charges of offensive conduct conducive to the breach of the peace under Section 207 of the Criminal Offences Act, 1960 (Act 29), as well as inciting violence under provisions of the Public Order Act, 1994 (Act 491).
The offences relate to behaviour or speech that could provoke violence, public disorder, or actions likely to disturb societal peace.
Daddy Lumba, widely regarded as one of Ghana’s most influential highlife musicians, died on July 26, 2025, leaving behind a celebrated musical legacy and a large fan base across the country and beyond.
Lutterodt is expected to appear before an Accra court on Wednesday, where the charges will be formally read and his legal team will respond.

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