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Five Urban Gospel Artists who have Carved a Niche in Ghana’s Music Industry

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Urban gospel music has grown into one of the most vibrant subgenres in Ghana’s contemporary music landscape, offering young Christians a voice that resonates with their culture and lifestyle. Unlike traditional gospel, which is deeply rooted in highlife and choral styles, urban gospel embraces Afrobeats, hip-hop, trap, and R&B while maintaining a strong spiritual message. Among the artists driving this movement, Scott Evans, KobbySalm, Raf Able, Kingzkid, and Queendalyn Yurglee stand tall as leading voices who have carved a niche for themselves in Ghana’s music industry.

Scott Evans: The Afrobeat Worshipper

Scott Evans has carved a niche as one of the few gospel musicians boldly embracing Afrobeats in worship. His songs combine groovy, danceable rhythms with lyrics rooted in faith, creating music that speaks to both church audiences and mainstream listeners. Known for his youthful appeal, Evans has become a symbol of how gospel can be trendy without compromising its message. His artistry reflects a passion for reaching the unchurched through relatable soundscapes. Known for fusing Afrobeat rhythms with spirit-filled lyrics, he has earned a reputation for making gospel music accessible to mainstream audiences. His songs carry both a celebratory tone and a deep sense of worship, proving that faith can be expressed in modern, youthful styles without losing its message.

 

KobbySalm: The Urban Gospel Pioneer

KobbySalm is regarded as one of the pioneers pushing urban gospel into the limelight in Ghana. A rapper and songwriter, he has consistently used his craft to blend hip-hop, trap, and Afrobeats with strong Christian messages. His groundbreaking album This Is Who I Am established him as a voice for young Christians who wanted to celebrate their faith in a modern style. Beyond music, KobbySalm advocates for urban gospel recognition and sees the genre as an avenue for evangelism. KobbySalm has been vocal about using music as a tool to preach the gospel, particularly targeting young people who might otherwise feel disconnected from traditional forms of worship.

 

Raf Able: The Rising Voice

Among the new wave of gospel artists, Raf Able is emerging as a fresh and dynamic force. His music is characterised by powerful lyrical content and modern production, targeting young audiences searching for hope and identity in Christ. Though relatively new, Raf Able’s consistency and dedication have placed him on the radar as one of the future leaders of urban gospel. Raf Able’s music resonates with themes of hope, faith, and perseverance, packaged in rhythms that appeal to the modern listener. His entry into the scene highlights the diversity and growing depth of Ghana’s urban gospel movement. He represents the next generation determined to sustain and expand the genre’s relevance.

 

Kingzkid: The Trailblazer

Kingzkid is often described as a trailblazer in Ghana’s urban gospel space. With more than a decade of experience, he has remained consistent in delivering Christian hip-hop and contemporary gospel to both local and international audiences. Known for songs such as “I Got My Jesus On” and “Breakthrough,” Kingzkid has inspired many younger acts to embrace gospel rap. His ability to merge worship, rap, and urban sound has made him a household name and mentor within the genre. A strong advocate for Christian hip-hop and urban gospel, his performances and songs reflect his mission to bring youthful energy into gospel music.

 

Queendalyn Yurglee: The Soulful Worshipper

Queendalyn Yurglee represents the growing influence of female voices in urban gospel. Her music is a refreshing mix of contemporary worship and urban influences, carried by her soulful and powerful vocals. Songs like You Are God highlight her deep spiritual conviction, while her style connects with both older and younger audiences. Queendalyn is steadily building her brand as one of the women reshaping gospel music in Ghana, proving that the movement is not only male-dominated. She offers a refreshing balance between traditional gospel messages and modern artistry. Her music appeals across age groups, marking her as one of the female voices carrying urban gospel forward.

 

Conclusion

Together, Scott Evans, KobbySalm, Raf Able, Kingzkid, and Queendalyn Yurglee represent the evolving face of gospel music in Ghana. Through their unique approaches, they are breaking barriers, attracting younger generations, and redefining how gospel is consumed in the country. As urban gospel continues to gain traction, these artists stand as proof that faith-driven music can thrive in contemporary spaces without losing its spiritual essence.

Entertainment

Alcohol Brand Ban Threatens Livelihoods of Ghanaian Musicians, Says FOCAP President

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The President of the Foundation of Concerned Arts Professionals (FOCAP), Kojo Preko Dankwa, has criticised the ban on partnerships between musicians and alcoholic beverage brands, describing it as a major threat to the survival of artistes in the country.

Speaking on Onua Showbiz with Nana Kwame Gyan last Saturday, Mr Dankwa argued that many musicians rely heavily on ambassadorial deals, live performances, and music streams as their primary sources of income. According to him, the restriction on alcohol-related endorsements, which often come with significant financial rewards, has removed a critical source of livelihood for creatives who do not earn fixed monthly salaries.

He noted that unlike workers in formal employment, musicians depend solely on their creative output to make a living, stressing that the ban fails to take into account the economic realities of those within the creative industry.

Mr Dankwa also questioned the justification for the ban, which is aimed at protecting minors from exposure to alcoholic products. He described the argument as weak, stating that children continue to encounter alcohol and tobacco products through various channels despite the restrictions on celebrity endorsements.

He cited everyday practices where minors are sent to purchase cigarettes or are involved in the sale of alcohol, questioning the effectiveness of enforcement by regulatory bodies such as the Food and Drugs Authority (FDA). He argued that placing the blame on musicians for children’s exposure to alcohol through advertisements is misplaced.

As an alternative approach, Mr Dankwa proposed stricter enforcement measures targeted at event organisers and vendors. He suggested that organisers of events where alcohol is sold should be mandated to restrict access to adults only, with the FDA empowered to sanction those who fail to comply.

According to him, such practical measures would better address the issue of minors’ exposure to alcohol without undermining the livelihoods of musicians.

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Culture

“We Entertain Stupidity in This Country” — GHOne’s Lilly Mohammed Slams Foreign Affairs Minister Ablakwa Over IShowSpeed Passport Saga

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Broadcast journalist Lilly Mohammed has descended on Ghana’s Minister for Foreign Affairs, Samuel Okudzeto Ablakwa, over the decision to issue a Ghanaian passport to American streamer IShowSpeed.

 

Speaking on GH Today, GHOne TV’s morning show, the host expressed strong dissatisfaction with the minister’s action, questioning the justification for granting Ghanaian citizenship to the internet personality after a brief visit to the country.

 

“Let’s get serious as a country. It’s like we’re not serious at all. Somebody comes to Ghana, he’s a streamer, he’s putting Ghana on the global map, he’s doing whatever. He comes for a day or two, and then you shove a Ghanaian passport into his hands. You’re not serious,” she said.

 

Lilly Mohammed stated that she could not see the importance of IShowSpeed’s visit that warranted the issuance of a Ghanaian passport.

 

“You’re not serious. Samuel Okudzeto Ablakwa, you were somebody we had high expectations of. You shoved a Ghanaian passport into the hands of somebody who came here streaming and embarking on his own personal thing. Coming to step on our jollof, jumping on the Black Stars Square, what has that done to our GDP? What has it added to our economy?” she questioned.

 

The media personality further compared the situation to Ghanaian YouTuber Wode Maya, who has consistently promoted Africa on the global stage, asking whether any country had rewarded him with citizenship for his efforts.

 

“Wode Maya has been putting Ghana on the map globally. Have you seen America give him an American passport? Even Nigeria, has Nigeria given him a Nigerian passport? You entertain stupidity so much. You’ve given him a Ghanaian passport for what achievement? What has he done for Ghana?” she asked.

 

She also criticised the public reaction surrounding the visit, particularly an incident where some Ghanaians reportedly ate jollof rice that IShowSpeed had stepped on during his visit.

“You give him a Ghanaian passport because he sat on our jollof, and the moment he steps away, Ghanaians rush to eat it. You are not serious. With the greatest respect, let’s put some value on our passport. Let’s put value on this country,” she stressed.

Lilly Mohammed further lamented the difficulties faced by Ghanaian citizens in acquiring passports, contrasting it with the ease with which the streamer was allegedly granted one.

 

“Meanwhile, Ghanaians are queuing for passports. Ghanaian citizens born in this country, who by the Constitution are entitled to citizenship, are struggling. You say you have opened the passport system to eliminate goro boys, yet people are still finding it difficult to get a basic passport,” she said.

 

While clarifying that she had no personal issue with the streamer, she maintained that the decision to issue him a Ghanaian passport was unjustified.

 

“I have no problem with him. I didn’t even know him until he came to Ghana. It’s a beautiful thing what he’s doing, and it’s risky. For a young man, he’s very bold and deserves a pat on the back. However, to give him a Ghanaian passport, what has he done to deserve it? Let’s get serious in this country, for real,” she concluded.

 

Background

 

On Tuesday, January 27, Ghana’s Minister for Foreign Affairs, Samuel Okudzeto Ablakwa, announced that the Ministry had approved the issuance of a Ghanaian passport to popular American streamer and internet personality IShowSpeed. According to the minister, the decision followed confirmation of what he described as the influencer’s “irrefutable ties” to Ghana.

IShowSpeed, an American streamer currently on an African tour highlighting the continent’s culture and lifestyle, arrived in Ghana on Sunday. He was officially welcomed on Monday, January 26, with a traditional Akan naming ceremony held in the Eastern Region.

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Entertainment

Ghana Music Awards Europe Appoints Mona Gucci as Chief Operations Officer

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Ghana Music Awards Europe has officially announced the appointment of Abigail Monalisa Semaha, widely known as Mona Gucci, as its new Chief Operations Officer.

The announcement, made in Accra and Europe, marks a significant milestone in the organization’s efforts to strengthen its operational leadership as it expands its footprint across Europe and the global Ghanaian music community.

According to the organizers, the appointment reflects Ghana Music Awards Europe’s commitment to excellence, innovation, and forward-thinking leadership. Mona Gucci brings with her extensive experience in media, branding, communications, and creative industry management. She is widely respected for her deep understanding of entertainment culture, audience engagement, and strategic leadership.

In her new role, Mona Gucci will oversee the day-to-day operations of Ghana Music Awards Europe, lead strategic planning, manage partnerships, and supervise the execution of key initiatives aimed at elevating the awards scheme’s brand. Her leadership is expected to improve organizational efficiency, strengthen industry relationships, and enhance the overall experience for artists, stakeholders, and audiences.

Speaking on the appointment, organizers of Ghana Music Awards Europe expressed strong confidence in her ability to drive growth and innovation within the organization. They noted that her professionalism, experience, and insight into the entertainment landscape make her a valuable addition to the executive team.

Mona Gucci also expressed her excitement about the new role, stating that she looks forward to contributing meaningfully to the celebration and global promotion of Ghanaian music and culture.

Ghana Music Awards Europe remains dedicated to recognizing and honoring Ghanaian musical excellence while creating platforms that connect artists to international audiences. The annual awards scheme was established to celebrate and promote Ghanaian music and creatives in Europe and beyond, fostering cultural exchange and global recognition for Ghana’s vibrant music industry.

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