Connect with us

Entertainment

Five Urban Gospel Artists who have Carved a Niche in Ghana’s Music Industry

Published

on

Urban gospel music has grown into one of the most vibrant subgenres in Ghana’s contemporary music landscape, offering young Christians a voice that resonates with their culture and lifestyle. Unlike traditional gospel, which is deeply rooted in highlife and choral styles, urban gospel embraces Afrobeats, hip-hop, trap, and R&B while maintaining a strong spiritual message. Among the artists driving this movement, Scott Evans, KobbySalm, Raf Able, Kingzkid, and Queendalyn Yurglee stand tall as leading voices who have carved a niche for themselves in Ghana’s music industry.

Scott Evans: The Afrobeat Worshipper

Scott Evans has carved a niche as one of the few gospel musicians boldly embracing Afrobeats in worship. His songs combine groovy, danceable rhythms with lyrics rooted in faith, creating music that speaks to both church audiences and mainstream listeners. Known for his youthful appeal, Evans has become a symbol of how gospel can be trendy without compromising its message. His artistry reflects a passion for reaching the unchurched through relatable soundscapes. Known for fusing Afrobeat rhythms with spirit-filled lyrics, he has earned a reputation for making gospel music accessible to mainstream audiences. His songs carry both a celebratory tone and a deep sense of worship, proving that faith can be expressed in modern, youthful styles without losing its message.

 

KobbySalm: The Urban Gospel Pioneer

KobbySalm is regarded as one of the pioneers pushing urban gospel into the limelight in Ghana. A rapper and songwriter, he has consistently used his craft to blend hip-hop, trap, and Afrobeats with strong Christian messages. His groundbreaking album This Is Who I Am established him as a voice for young Christians who wanted to celebrate their faith in a modern style. Beyond music, KobbySalm advocates for urban gospel recognition and sees the genre as an avenue for evangelism. KobbySalm has been vocal about using music as a tool to preach the gospel, particularly targeting young people who might otherwise feel disconnected from traditional forms of worship.

 

Raf Able: The Rising Voice

Among the new wave of gospel artists, Raf Able is emerging as a fresh and dynamic force. His music is characterised by powerful lyrical content and modern production, targeting young audiences searching for hope and identity in Christ. Though relatively new, Raf Able’s consistency and dedication have placed him on the radar as one of the future leaders of urban gospel. Raf Able’s music resonates with themes of hope, faith, and perseverance, packaged in rhythms that appeal to the modern listener. His entry into the scene highlights the diversity and growing depth of Ghana’s urban gospel movement. He represents the next generation determined to sustain and expand the genre’s relevance.

 

Kingzkid: The Trailblazer

Kingzkid is often described as a trailblazer in Ghana’s urban gospel space. With more than a decade of experience, he has remained consistent in delivering Christian hip-hop and contemporary gospel to both local and international audiences. Known for songs such as “I Got My Jesus On” and “Breakthrough,” Kingzkid has inspired many younger acts to embrace gospel rap. His ability to merge worship, rap, and urban sound has made him a household name and mentor within the genre. A strong advocate for Christian hip-hop and urban gospel, his performances and songs reflect his mission to bring youthful energy into gospel music.

 

Queendalyn Yurglee: The Soulful Worshipper

Queendalyn Yurglee represents the growing influence of female voices in urban gospel. Her music is a refreshing mix of contemporary worship and urban influences, carried by her soulful and powerful vocals. Songs like You Are God highlight her deep spiritual conviction, while her style connects with both older and younger audiences. Queendalyn is steadily building her brand as one of the women reshaping gospel music in Ghana, proving that the movement is not only male-dominated. She offers a refreshing balance between traditional gospel messages and modern artistry. Her music appeals across age groups, marking her as one of the female voices carrying urban gospel forward.

 

Conclusion

Together, Scott Evans, KobbySalm, Raf Able, Kingzkid, and Queendalyn Yurglee represent the evolving face of gospel music in Ghana. Through their unique approaches, they are breaking barriers, attracting younger generations, and redefining how gospel is consumed in the country. As urban gospel continues to gain traction, these artists stand as proof that faith-driven music can thrive in contemporary spaces without losing its spiritual essence.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

HL Music Studio Launches First-Ever African Online Music Studio Redefines Global Collaboration

Published

on

Africa is bursting with rhythms, cultures, and creativity. From Lagos to Nairobi, Accra to Johannesburg, music has always been the heartbeat of the continent—telling stories, expressing emotions, and connecting Africa with the world. Yet, for many musicians, access to professional tools and global opportunities has long been limited by distance, cost, and resources.

HL Music Studio has officially launched as the first-ever African online music studio, designed by African innovators for African creators, but built with the entire world in mind. More than just an app, HL Music Studio is a revolutionary platform where artists, producers, and music lovers can create, collaborate, and share without limits.

With HL Music Studio, users can:

  • Record, mix, and master tracks anytime, anywhere.

  • Collaborate seamlessly with musicians and producers across the globe.

  • Upload songs and creative content directly to the platform.

  • Producers can sell beats and sounds to a worldwide audience.

  • Share music with listeners, track audience engagement, and build careers directly from a mobile phone.

According to the C.E.O., HL Music Studio isn’t just an app; it’s a platform made by African innovators for African creators, but with the whole world in mind. It’s got everything artists, producers, and music lovers need to create, collaborate, and share music without any limits. With HL Music Studio, you can: – Record, mix, and master your tracks wherever, whenever. – Work with other musicians and producers from all over the place. – Artists & Content Creators can upload their songs and content – Producers can sell their beats and sound – Share your music with the world, see how many people are listening, and build your career right from your phone.

The launch of HL Music Studio comes at a time when Africa’s creative economy is rapidly expanding, with African music shaping global soundscapes like never before. By breaking down barriers of access and providing an all-in-one digital solution, HL Music Studio aims to amplify African voices, empower creators, and redefine how the world experiences music.

As the platform opens its doors, HL Music Studio is inviting artists, producers, labels, and fans worldwide to join the movement. “The future of music is here. The future of music is African. The future of music is HL Music Studio,” the team declared.

Continue Reading

Entertainment

Delta Paper Ltd. Champions Maternal Dignity at Queen Mother’s Day – Oguaa Fetu Afahye 2025

Published

on

The Obaapa Development Foundation, founded by Nana Adwoa Awindor of Greetings from Abroad fame, proudly marked the successful celebration of Queen Mother’s Day 2025 during the prestigious Oguaa Fetu Afahye festival in Cape Coast.

The special occasion highlighted the invaluable contributions of queen mothers to national development, cultural preservation, and women’s empowerment. This year’s celebration paid tribute to the Ghana National Union of Queen Mothers (Gh-UNIQ), recognising their enduring leadership, cultural stewardship, and advocacy in shaping society.

Delta Paper Ltd.’s contribution of over 500 different items – featuring Flora Tissues, Facial and Packet products as well as baby diapers – brought dignity, comfort and visibility to the maternal and child wellness agenda. “Their support aligned seamlessly with Obaapa Development Foundation’s mission to elevate traditional leadership, promote community health and empower women and children.”

“Delta Paper Ltd. did not just sponsor an event; they affirmed the value of every Queen mother and mother present,” said NanaHemaa Awindor, Founder and Executive Director of Obaapa Development Foundation. “Their partnership reflects a shared commitment to cultural heritage, maternal dignity and sustainable development.”

The Queen Mother’s Day program featured a vibrant cultural performance, an exceptionally well-organised cooking competition set up by the Onga Team, with Advocacy sessions by Ghana Health Services, the World Child Cancer (Ghana Program Office Team) and their affiliate Foundations. The Youth Mentorship Dialogue by Nana Hemaa Awindor on behalf of ODF touched on The Role of Traditional Leaders in advocating for and addressing critical issues, such as Teenage pregnancy, Child Marriage, and Menstrual hygiene.

The event, hosted by the Paramount Queen mother of Oguaa Traditional Area, Nana Ekua Abookyi VI, drew participation of traditional leaders from various regions in Ghana, development and media partners (especially Oyerepa TV from Kumasi and some supportive local Networks).

Onga and Delta Paper Ltd.’s branding was prominently featured throughout the event, reinforcing their role as a socially responsible organisation committed to community upliftment.

Obaapa Development Foundation extends heartfelt appreciation to Delta Paper Ltd. and invites continued collaboration in future initiatives, including the upcoming Women & Children’s Day and regional wellness campaigns in the Volta region (Asogli TeZa).

Contact: Obaapa Development Foundation Phone: +233 (0) 244 37 25 38 Email: obaapadevelopmentf@gmail.com Website: www.obaapadevelopmentfoundation.org

Continue Reading

Entertainment

FOCAP Applauds Government’s Creative Industry Reforms; Calls for Action

Published

on

The Foundation of Concerned Arts Professionals (FOCAP), Ghana’s most vybrant creative advocacy group committed to the growth, protection, and sustainability of Ghana’s creative sector, extends warm congratulations to the Government of Ghana and the Ministry of Tourism, Arts and Culture for the bold steps taken to give structure, leadership, and renewed energy to the nation’s creative industry.

The recent inauguration of boards under the various creative domains, alongside the appointment of executive secretaries to lead them, represents a much-needed turning point for Ghana’s creative economy. For years, industry stakeholders have called for proper governance structures, consistent policy direction, and accountable leadership. These appointments, therefore, mark not just symbolic progress but also a practical step towards building an ecosystem where creativity is nurtured, regulated, and projected on both local and international fronts.

Equally commendable is the launch of the Black Star Experience initiative and secretariat. This initiative carries enormous potential to redefine how Ghana is positioned as a cultural hub, both within Africa and globally. By celebrating Ghana’s rich history, diverse traditions, and growing creative expressions, the Black Star Experience can serve as a unifying platform for tourism, arts, heritage, and innovation. It is an invitation to the world to engage with Ghana not only as the “Gateway to Africa” but as a dynamic centre for cultural excellence.

However, while these milestones are worth celebrating, they also demand serious reflection and responsibility. FOCAP wishes to remind all stakeholders that setting up boards and initiatives is only the beginning; the true measure of progress will lie in their functionality, accountability, and impact.

For Ghana’s creative economy to thrive, several critical areas must be prioritised:

  1. Sustainable Funding Models – The creative industry cannot flourish without consistent investment. Government and private sector collaboration is essential to provide grants, tax incentives, and innovative financing opportunities for practitioners.
  2. Capacity Building & Skills Development – Training programs, workshops, and mentorship initiatives must be scaled up to empower artists, producers, and cultural entrepreneurs to meet global standards.
  3. Intellectual Property Protection – Laws around copyright and royalties need to be strengthened and enforced to ensure that creative professionals reap the full benefits of their work.
  4. Promotion of Local Content – Ghana must consciously elevate its music, films, crafts, and other creative outputs both domestically and abroad. This not only protects cultural identity but also boosts economic potential.
  5. Partnerships & Collaboration – Effective collaboration between policymakers, industry leaders, international partners, and grassroots practitioners will be crucial to building a robust creative ecosystem.

FOCAP is committed to working hand in hand with the Ministry, the new boards, and all industry stakeholders to ensure that this momentum is not lost. The success of these initiatives depends on transparency, visionary leadership, and the willingness of all players to put the nation’s creative growth above individual interest.

As we congratulate the government on these strides, we equally issue a call to action: let us build an industry that does not merely entertain but educates, empowers, and drives economic transformation. Ghana’s creative economy has the potential to be one of the nation’s biggest assets if we nurture it with consistency, innovation, and collective responsibility.

FOCAP believes the time is now. The structures have been laid; the vision has been set. What remains is for all hands to be on deck. Together, we can secure a thriving future for Ghana’s creative industry, one that inspires generations and commands global respect.

Signed,

Kojo Preko Dankwa

President FOCAP

0550077040

 

Mel Kwesi Davis

Vice President FOCAP

0246550298

 

Enoch Agyepong

Vice President,  Research.

0244712136.

Continue Reading

Trending

Copyright © 2025 KPDOnline. Powered by AfricaBusinessFile