Entertainment
Kojo Preko Dankwa Writes: Misconception by Kwame Dadzie on the Relevance of CAFOG
I have read with keen interest the article by Kwame Dadzie titled “Why the Creative Arts Federation of Ghana is a Needless Formation.” While I respect your right to express an opinion, I must firmly state that your arguments are flawed and misrepresent the purpose and significance of the Creative Arts Federation of Ghana (CAFOG).
1. On the So-Called Duplication of Mandates
The notion that CAFOG is a duplication of existing bodies like the Ghana Culture Forum (GCF) is misplaced. Just as there are multiple political parties with shared objectives but different ideologies and methods, associations within the creative space may share common interests but operate with unique mandates and focus areas.
For example, the Ghana Tourism Federation (GHATOF) focuses on the tourism domain. Similarly, CAFOG is established to unify and represent the interests of creative arts associations, not cultural or tourism-focused institutions. It complements existing structures, not competes with them.
2. Differentiating CAFOG and GCF
GCF has played a valuable role in the past. However, it is fundamentally a civil society consultative forum, not a federation of creative arts associations. It serves as a platform for dialogue and advocacy, but does not speak directly for the diverse associations within the creative arts industry in a structured and federated manner.
Moreover, you mentioned executives within GCF and their sectoral representation as though this validates GCF’s claim to sole representation. Many of those individuals were appointed by GCF, not elected or nominated by their sector associations. That distinction matters greatly when we talk about legitimate representation.
3. Why CAFOG Matters: Representation Under Act 1048
Act 1048, which established the Creative Arts Agency, clearly mandates creative sector representation on its board. The law doesn’t call for individual associations to be represented—it calls for the sector to have a voice. CAFOG offers a solution to this requirement by forming a unified body capable of nominating qualified representatives through a legitimate and broad-based structure.
Who else, if not CAFOG, can take up this role? Who should speak for creatives on this legally mandated board? Fragmented associations with no collective voice, or a federation structured to coordinate and lead?
Let us not be distracted by personal preferences or rivalries. The sector needs unity, not division disguised as critique.
4. The GCF Silence and Selective Outrage
Kwame, I must ask: how many times has GCF spoken against the irregularities involving the Creative Arts Agency under Gyankroma Akufo-Addo’s leadership? Where was the loud advocacy when Act 1048 was being rendered ineffective? GCF’s silence in the face of political interference and agency stagnation was loud and telling.
You accuse CAFOG of redundancy, yet you ignore the existence of overlapping associations like the Art Writers Association, Bloggers Association of Ghana, and the New Media Association—all operating in similar spheres with shared membership. If CAFOG is a duplication, then by that logic, these associations are too.
Even Minister Dzifa Gomashie’s recent inauguration of the Culture and Creative Arts Committee—headed by Nanahemaa Adwoa Awindor—shows another layer of representation. Was this committee formation not a duplication? Were all associations consulted? Why was there no public outcry?
5. Clarifying the Misleading Claims of Dissociation
It is especially disappointing to see names like Mr. Bessa Simons disassociating themselves from CAFOG after having formally accepted roles within its interim leadership. If indeed he was not consulted, why submit an acceptance letter? These contradictions only feed confusion and suspicion within the industry.
6. Support the Vision, Not the Personalities
This is not about who leads. It is about building a viable, united front for the creative arts sector in Ghana. The CAFOG leadership is interim; there will be room for elections, reorganisation, and collective decision-making. But it begins with support and belief in the purpose, not sabotage driven by personal biases.
Let’s stop tearing down what we refuse to understand. Let’s build together for the future of Ghana’s creative arts industry.
Kojo Preko Dankwa
Communications Officer
Creative Arts Federation of Ghana (CAFOG)
📞 0550077040 / 0575655656
Entertainment
Shatta Wale hints at contesting Ablekuma South seat as independent candidate in 2028
Ghanaian dancehall star Shatta Wale has opened up about the possibility of venturing into politics, revealing that he may consider running for office as an independent parliamentary candidate if there is significant public demand ahead of the 2028 elections.
He said this during an interview on Asempa FM’s Ekosii Sen talk show with OB. Government name, Charles Nii Armah Jnr., said he does not intend to affiliate with any political party should he decide to enter the political arena.
According to him, his interest in politics would be driven by a desire to serve the people rather than by personal wealth. He disclosed that if the opportunity arises, he would consider contesting the parliamentary seat for Ablekuma South as an independent candidate.
“If the people push me to go into politics, I will consider it. I won’t do it because I’m rich, but because I want to serve the people. I would contest the Ablekuma South seat, but I won’t join any political party. I would prefer to run as an independent candidate if the calls become stronger by 2028,” he said.
Shatta Wale also spoke about his strong attachment to Ghana, explaining that his love for the country is one of the reasons he continues to live here despite opportunities to travel or relocate abroad.
He noted that traveling outside the country can be quite costly for him, which makes him more comfortable staying in Ghana.
“I love Ghana so much. Anytime someone asks me to travel abroad, I feel a bit uneasy because I end up spending more money there. Life outside is expensive,” he explained.
The musician added that living in Ghana allows him to enjoy a level of freedom that he values.
“In Ghana, I feel free. Sometimes I go to certain places and I’m able to walk around without any problem,” he said.
He also urged Ghanaians to cultivate a positive mindset, emphasizing that a constructive outlook can drive meaningful change in society.
“If you keep a positive mindset, you can influence change in many ways,” he added.
Entertainment
Legendary musician Sloppy Mike Gyamfi Accuses Kuami Eugene of Song Theft
Legendary Highlife musician Sloppy Mike Gyamfi has accused fellow Highlife artiste Kuami Eugene of using his song without authorization.
According to the veteran musician, Kuami Eugene performed his song word for word and uploaded it on YouTube without seeking permission from him. He explained that although the younger artiste sang the song well and added some flavour to it, he did not contact him beforehand to seek clearance.
Speaking on the flagship Ekwanso Dwoodwoo drive time show on Okay FM with host Nana Romeo, Sloppy Mike Gyamfi said he was surprised when he heard the rendition of his song Asem Kakra Bi online.
“Kuami Eugene has taken my song. Visit his YouTube platform; he did it very well.
He sang the song so nicely, and I was awed when I heard it. Just Google Asem Kakra Bi and you’ll find it. He did a very good job on the song though. But Kuami never spoke to me about the song. It’s not like he sampled it or took some parts of it; he sang it word for word,” he said.
When asked by Nana Romeo whether Kuami Eugene was supposed to seek permission before using the song, the veteran musician responded that the right procedure would have been to request clearance.
However, Sloppy Mike Gyamfi indicated that he does not hold any personal grudge against the Angela hitmaker, describing him as someone he sees as a son.
“I won’t fault him that much. He’s like my son, so if he admires my work and uses it, I have no problem with it,” he noted.
Despite his forgiving stance, the veteran musician maintained that proper respect and due process should have been followed.
He added that although Kuami Eugene may know his work, the artiste has never personally introduced himself to him.
“I have forgiven him, but if someday he introduces himself to me, I will be happy. He should bring me my portion of the earnings. Not giving me even a penny is not right,” he added.
Entertainment
Police Arrest Counsellor Lutterodt Over Alleged Incitement in Viral Video About Late Highlife Star Daddy Lumba
Marriage counsellor and public commentator Cyril George Carstensen Lutterodt, popularly known as Counsellor Lutterodt, has been arrested by the Ghana Police Service over remarks made in a viral video that allegedly incited youth to storm the residence of late highlife legend Daddy Lumba.
The arrest was carried out by the Criminal Investigations Department (CID) following investigations into comments authorities say were offensive and capable of disturbing public peace.
In a press release issued on March 10, 2026, and signed by Chief Inspector Brigitte Babanawoo, Public Relations Officer of the CID, police indicated that Lutterodt’s remarks were linked to issues surrounding the late musician.
“Police investigations indicate that the suspect made some comments in relation to issues surrounding the late musician which are considered offensive and capable of causing a breach of the peace,” the statement said.
Although the police did not disclose the exact content of the viral video, reports suggest the remarks targeted the memory of Daddy Lumba and circulated widely on social media, sparking public outrage. Lutterodt is alleged to have encouraged some youth to exhume the musician’s body from his residence in East Legon.
Counsellor Lutterodt is a well-known figure in Ghana’s media landscape, frequently appearing on radio and television programmes to provide relationship advice and commentary on social issues. His outspoken style has often generated both support and controversy.
Police confirmed that he has since been granted bail but will be arraigned before court on Wednesday, March 11, 2026.
According to the CID, Lutterodt will face charges of offensive conduct conducive to the breach of the peace under Section 207 of the Criminal Offences Act, 1960 (Act 29), as well as inciting violence under provisions of the Public Order Act, 1994 (Act 491).
The offences relate to behaviour or speech that could provoke violence, public disorder, or actions likely to disturb societal peace.
Daddy Lumba, widely regarded as one of Ghana’s most influential highlife musicians, died on July 26, 2025, leaving behind a celebrated musical legacy and a large fan base across the country and beyond.
Lutterodt is expected to appear before an Accra court on Wednesday, where the charges will be formally read and his legal team will respond.

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