Entertainment
Entertainment Journalist Albert Mensah Blankson (BETOS) Writes: LONG FOR THE RICH, SHORT FOR THE POOR
Read with an open mind.
In Ghana, the rich can keep it long, while the poor must keep it short. This, in summary, is what I deduced from the recent public debate about haircuts in Senior High Schools. Not many have taken the time to learn about the origins of the age-old directive on haircuts in second-cycle institutions in Ghana.
Before the trans-Atlantic slave trade, hair grooming and styling were deeply rooted in African life and were a great source of pride, especially for women. As the Holy Book of Christians states, “a woman’s hair is her crown and glory”, forming part of her self-esteem and beauty.
1 Corinthians 11:15 (KJV) says:
“But if a woman has long hair, it is a glory to her: for her hair is given her for a covering.”
This verse is part of Apostle Paul’s teaching on head coverings and the symbolic significance of hair in worship and cultural expression. It emphasises that a woman’s hair is a natural adornment, a mark of beauty and honour.
The Europeans observed how Africans expressed identity through hairstyling and introduced haircuts as a means to diminish that identity, subjecting them to cruelty by shaving their hair. That’s how it all began.
As a colonial control mechanism, it was designed to make Black people feel less confident in their identity and sense of pride. I will explain this further.
In the early days of education in Ghana, students completed school with their natural hair, neatly kept in cornrows and beautiful braids. It neither hindered behaviour nor affected academic performance.
The rule of compulsory haircuts was historically used as a tool to subdue and punish rebellious slaves. Beneath that, however, lay a scheme to suppress what Europeans described as the “wild” appearance of people of African descent, those who wore braids, twists, or locs.
To “tame” this so-called wildness, Black people were forced to adopt colonial hairstyles that left their scalps bare for easier identification.
Fast forward to 2025, and we are still confronted with the remnants of that colonial system. The tools of segregation against African cultural identity and freedom remain deeply embedded within our regulations, behavioural codes, and educational standards.
Did you know that this politics of hair is not limited to education in Ghana? It is also a global issue, one that Black people continue to battle in the diaspora. Many have faced discrimination in various professional fields because of the colour or texture of their hair. They were not denied opportunities for appearing unkempt, but simply because they appeared “wild”, a European label for the confidence and authenticity of Blackness.
Some employers have even established arbitrary regulations prohibiting braids, twists, locs, and dyed hair. These bans clearly restrict freedom and autonomy in ways that uniquely affect Black women, rendering them invisible. Yet, Black women have not been silenced. Their battles in the workplace have sometimes led to legal action. Although not always successful, these cases demonstrate how Black women’s hair, its style or colour, has been both a symbol of their marginalisation and their liberation.
My research uncovered several such cases documented in The Journal of Pan African Studies, Vol. 12. One of the earliest, in 1981, involved Renee Rogers, who sued American Airlines over a policy banning all-braided hairstyles. This was followed by several others, including Mitchell vs. Marriott Hotel and Santee v. Windsor Court Hotel.
Mitchell was threatened with termination unless she changed her cornrows and was forced to take a one-month leave to “fix” her hair or purchase a wig. Santee, who applied for a housekeeping job at Windsor Court Hotel, was denied employment after refusing to change her blonde hair colour.
In 2008, Patricia Pitts sued her employer, Wild Adventures, after being chastised for her hairstyle. When she switched from braids to two-strand twists to please her supervisor, she was again told that her twists looked too much like locs.
In Burchette vs. Abercrombie & Fitch, an employee in the Fifth Avenue store was told to remove her blonde highlights or face termination. Even UPS and FedEx faced lawsuits over their bans on braided or loced hairstyles.
More recently, in 2016, Chastity Jones filed a claim with the U.S. Equal Employment Opportunity Commission (EEOC) against Catastrophe Management Solutions after her job offer was rescinded because of her locs. The Circuit Court of Appeals ruled that banning locs during hiring was legal. When Jones and the NAACP appealed to the U.S. Supreme Court, the Court refused to review the case (May 2018).
These rulings opened the door for more school and workplace policies prohibiting hairstyles and colours associated with specific racial and ethnic identities, in essence, legalising misogynoir.
Back in Ghana, the case of Tyrone Marhguy vs. Achimota School exemplifies the depth of this battle over hair politics. Sadly, such discriminatory practices persist within institutions that preach rules, ethics, and discipline. Ironically, these same rules, flimsy in justification, often spare foreign students, mostly white or Caucasian.
Private and so-called “international” schools impose no such laws forcing girls to cut their hair. Parents with deep pockets do not demand that their daughters shave their heads to become better-behaved. There is no evidence that long hair hinders learning or discipline.
Remain rich, and you have a choice: your daughters will never suffer haircut trauma. In some cases, boys with locs or twists go unquestioned. There is no empirical evidence showing that students with long hair are less disciplined.
On the contrary, most new entrants, children from low-income families, have no choice but to obey the haircut rule.
Where, then, is the equality? Doesn’t forced conformity through deprivation of one’s natural identity defeat the very idea of equality? How does natural hair determine the quality of tuition or learning?
Until we come to a deeper understanding of our identity as a people, it will remain “long hair for the rich, short hair for the poor.”
It shocks me how some Ghanaian women, who have yet to rediscover their African identity, resist embracing their natural crown. It is uncomfortable to note that many of these women, who have found consolation in wigs, lack curiosity about the deeper meaning of Blackness.
The young girls who are forced to lose their crowns of beauty will later chase Brazilian and Chinese hair after high school. Where, then, lies the sense of pride, self-worth, and identity? Are we empowering children to understand themselves through education, or are we producing batches of conformists whose self-esteem depends on societal dictates?
How did schools in old Ghana handle discipline without haircuts? How do neighbouring countries, where long hair is allowed, fare in behavioural rankings, and does Ghana outperform them?
As I walk through the cities and towns, I worry about the moral character of Ghanaians, the product of this long-held haircut policy.
After decades of compulsory short hair, we remain a nation that lacks seriousness about basic civic duties. A person who neglects discipline in all aspects of life is reckless in nearly everything. A country that cannot fix roads, provide clean water, or maintain infrastructure seeks to solve discipline through forceful haircuts.
A country drowning in filth believes it can purify minds with scissors.
Conformity is not a cure for behaviour. It only breeds pretenders, people who look disciplined but are hollow inside. It subtly trains citizens to value appearances over integrity, a culture of hypocrisy.
Is it any wonder, then, that we are among the most corrupt? The answer is simple: we have focused too much on appearances and succeeded in destroying honesty from within.
The so-called “right” people, those with clean haircuts, pious looks, and quiet demeanours, are often the same who loot the state and pollute the environment while pretending to fix it.
We have mastered the art of pretence, not the truth of self.
Unless we wake up from this self-destruction, even in the next hundred years, it will still be: Long hair for the rich, short hair for the poor.
By Albert Mensah Blankson
#BetosIsHere
Entertainment
Okyeame Kwame “No Hep” Song Released to Support Ghana’s Fight Against Hepatitis
Okyeame Kwame’s ” No Hep” song has been released by Ghanaian rapper and National Hepatitis Ambassador, Okyeame Kwame, as part of efforts to support the country’s campaign to eliminate viral hepatitis.
The new song, titled “No Hep,” is aimed at raising awareness, encouraging Ghanaians to get tested, reducing stigma, and promoting vaccination against hepatitis.
Speaking during an interview on World Hepatitis Day, Okyeame Kwame, popularly known as “The Rap Doctor,” explained that he chose music as a tool because of its ability to reach a wider audience and communicate health messages effectively.
According to him, the Okyeame Kwame No Hep song will help make hepatitis education more relatable and easier for people to understand.
“I made this song because I want to help the ministry promote the elimination of hepatitis from Ghana. Music has the power to drive messages home quickly. If people begin singing ‘No Hep, no more,’ they will be encouraged to go for testing, and the stigma around the disease will reduce,” he said.
The musician revealed that the song will be available on digital platforms including YouTube, Facebook, Spotify, and other major streaming services, while radio stations across the country will also broadcast it to reach more Ghanaians.
Okyeame Kwame also shared that his involvement in hepatitis advocacy started over two decades ago when he discovered the high cost of hepatitis B testing and vaccination while preparing for marriage.
He explained that the situation motivated him to establish an initiative that provided free hepatitis testing to help people access important health services.
The rapper expressed optimism about the progress Ghana has made in the fight against hepatitis, noting that treatment costs have reduced significantly compared to previous years.
He highlighted that hepatitis C medication is now available for free in Ghana, while testing services have also become more accessible.
As part of activities marking World Hepatitis Day, Okyeame Kwame encouraged Ghanaians to take personal responsibility by getting tested, receiving vaccination when necessary, and seeking medical attention if they test positive.
He believes that increased awareness, early detection, and access to treatment will help Ghana achieve its goal of eliminating viral hepatitis in the coming years.
Entertainment
Okyeame Kwame Named Ghana Health Service Ambassador to Fight Hepatitis
Ghanaian musician Okyeame Kwame has been appointed as the Ghana Health Service Ambassador to support the country’s national campaign against hepatitis.
The appointment forms part of efforts by the Ghana Health Service (GHS) to strengthen public awareness about hepatitis, encourage preventive measures, and educate Ghanaians on the dangers of the disease. As one of Ghana’s most influential entertainers, Okyeame Kwame is expected to use his platform to reach millions of people with life-saving health messages.
The Okyeame Kwame Ghana Health Service Ambassador initiative seeks to increase public understanding of hepatitis, promote regular screening, and encourage early diagnosis and treatment. Health experts believe that greater public engagement is essential to reducing the burden of hepatitis and preventing avoidable deaths.
According to the Ghana Health Service, effective public education remains one of the strongest tools in the fight against hepatitis. By partnering with respected public figures like Okyeame Kwame, the service hopes to inspire more people to seek testing, vaccination where applicable, and timely medical care.
Okyeame Kwame has built a strong reputation for supporting public health campaigns over the years, making him a suitable choice to champion the fight against hepatitis in Ghana. His appointment is expected to strengthen nationwide advocacy efforts and encourage more communities to participate in hepatitis prevention initiatives.
Health authorities continue to urge Ghanaians to learn about hepatitis, get tested, and seek professional medical advice when necessary, stressing that early detection significantly improves treatment outcomes.
Video credit@ChannelOne Tv
Entertainment
FOCAP Welcomes New Cultural Attachés, Hails Boost for Ghana’s Creative Diplomacy
Entertainment
Endurance Grand Takes Ghana to Hollywood With Role in ‘Children of Blood and Bone’
Endurance Grand’s role in Children of Blood and Bone has sparked excitement among Ghanaians after the talented dancer and actress was featured in newly released footage from the upcoming Hollywood fantasy blockbuster, marking another major milestone in her rapidly growing international career.
The appearance has attracted widespread praise from fans, who have celebrated Endurance Grand for securing a place in one of the most anticipated international movies scheduled for release in 2027.
Children of Blood and Bone, a Hollywood adaptation of Tomi Adeyemi’s bestselling fantasy novel, features a star-studded cast including Viola Davis, Idris Elba, Damson Idris, Regina King, Cynthia Erivo, Lashana Lynch, Chiwetel Ejiofor and Amandla Stenberg.
The film, directed by acclaimed filmmaker Gina Prince-Bythewood, is expected to premiere in cinemas on January 15, 2027.
Endurance Grand’s role marks another major achievement in her growing acting career. Although she is best known for her exceptional dancing skills, she has gradually established herself as a promising actress.
She made her acting debut in the internationally recognised short film The Fisherman, where she played the character Shasha. The movie, directed by Zoey Martinson, received major recognition after winning Best Director and Best Narrative Feature at the 2025 American Black Film Festival.
The Fisherman also gained attention during its Ghanaian premiere at Silverbird Cinemas, where it attracted a strong audience response.
With her latest appearance in Children of Blood and Bone, Endurance Grand has taken another important step onto the global entertainment stage. Many Ghanaians believe her achievement represents a positive moment for Ghana’s creative industry and a sign of the growing influence of Ghanaian talent in international cinema.
Entertainment
Daddy Lumba Mausoleum: Final Resting Place to Honour Music Legend
Daddy Lumba Mausoleum will soon be opened to the public, allowing fans, friends, and music lovers to visit the final resting place of the late Highlife icon and honour his remarkable legacy.
Former manager of the legendary musician, Roman Fada, has disclosed that the family is preparing to announce an official date for public access to the mausoleum.
Speaking in an interview with media personality Kofi Adoma, Roman Fada explained that the move is aimed at giving admirers of Daddy Lumba the chance to pay their respects and celebrate the musician’s contribution to Ghana’s music industry.
According to him, the mausoleum will serve as a place where visitors can learn more about Daddy Lumba’s life, career, achievements, and influence on Highlife music.
He added that plans are in place to make the facility a memorable experience for fans, with displays featuring the musician’s journey, major performances, awards, and important moments from his career.
Roman Fada revealed that giant screens will be installed at the mausoleum to showcase some of Daddy Lumba’s historic performances, while his music will also be played to create an atmosphere that keeps his legacy alive.
He further stated that visitors may be required to pay a small fee to access the facility, with funds expected to support the maintenance and upkeep of the mausoleum.
The announcement comes after the family marked the first anniversary of the passing of the Highlife legend by sharing details about his final resting place.
Daddy Lumba, born Charles Kwadwo Fosuh, passed away on July 26, 2025, and was laid to rest at his private residence in East Legon, Accra, ending months of speculation about where his final resting place was located.
The planned Daddy Lumba Mausoleum is expected to become a centre for preserving and celebrating the life, music, and legacy of one of Ghana’s most influential musicians.
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