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KiDi’s Candid Alarm: Why Ghana’s Musical Brilliance Risks Collapse Without Industry Structures

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Ghanaian Afrobeats and Highlife star KiDi has sparked fresh debate about the state of Ghana’s creative economy after declaring that the country “does not have a proper music industry.” Speaking during an interview on Hitz FM’s Daybreak Hitz show, the award-winning artiste lamented the absence of systems and structures to support musicians, arguing that talent alone cannot guarantee survival in today’s competitive global market.

 

The Weight of His Words

KiDi, known for his chart-topping hits and international collaborations, emphasised that Ghana is overflowing with gifted musicians. However, he believes their potential is being stifled by poor institutional frameworks, weak royalty collection, and a lack of investor confidence. “We are surviving on vibes and inshallah,” he quipped, pointing to the unpredictable and unsustainable environment artists face.

 

Core Challenges Highlighted

  1. Broken Royalty Systems – Many artistes have publicly complained about receiving little or no royalties from the Ghana Music Rights Organisation (GHAMRO ARSOG, etc.), despite frequent airplay.
  2. Weak Industry Institutions – Copyright enforcement, performance monitoring, and support structures remain fragile, leaving artists to fend for themselves.
  3. Investor Scepticism – The lack of transparency and poor governance make Ghana’s music ecosystem unattractive to serious investors.
  4. Professionalisation Gaps – Limited access to trained managers, lawyers, and structured labels hinders sustainable career development.

 

Impact on Artists

These challenges mean that artists with massive local hits often struggle financially, while upcoming acts find it nearly impossible to break through. Without strong systems in place, even established names risk burnout, exploitation, and loss of international relevance.

 

A Call to Action

Industry observers say KiDi’s concerns should not be brushed aside. To unlock the full potential of Ghana’s creative talent, stakeholders must:

  • Modernise royalty collection with digital tracking and transparent reporting.
  • Reform collecting societies and enforce accountability.
  • Provide legal and business literacy training for artists.
  • Create financing models and tax incentives to attract private capital.
  • Build live performance circuits and professional artist management networks.

Conclusion

KiDi’s candid remarks serve as a wake-up call. Ghanaian music is rich in talent and creativity, but without strong industry structures, the nation risks losing its brightest stars to frustration or foreign systems that offer more stability. For Ghana’s creative economy to thrive globally, structure must match talent.

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Entertainment

Skits to Silverbird Cinemas: Ben South Makes History with Movie Premiere, “24”

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Ben South, a popular Ghanaian skit maker and comedian, has made history by producing his own movie, “24”, which premiered at Silverbird Cinemas.
The event was attended by notable celebrities and entertainment executives, including King Promise, Ghana’s 2024 Artiste of the Year, Kobi Rana, Jeffery Nortey, Albert Bondah, Maame Serwaa, Sammy Rasta, 39/40, Queci Official, AJ Brown, Bantama MP, Hon. Asenso Boakye and the CEO of Ghana Music Awards USA.
Ben South’s journey to becoming a movie producer is a testament to his versatility and creativity.
He initially gained fame as a skit maker, known for his hilarious and relatable content on social media platforms. His talent and dedication earned him recognition, including a feature in Sarkodie’s “No Sir” video, which further boosted his popularity.
Before venturing into comedy, Ben South was a trained nurse who decided to pursue his passion for entertainment. He has since become one of Ghana’s most beloved comedians, making his stand-up comedy debut at the “A Fool in April” show earlier this year.
The premiere of “24” marks a significant milestone in Ben South’s career, showcasing his ability to produce high-quality content beyond skits. The movie’s success is expected to pave the way for other skit makers to explore opportunities in film production.
https://youtu.be/GmrF347kvWY?si=vigI2RcuB4hXvEZE
The event was a celebration of Ben South’s hard work and dedication to his craft, with attendees praising his creativity and entrepreneurial spirit. As the Ghanaian entertainment industry continues to evolve, Ben South’s achievement serves as inspiration for aspiring artists and other comedians.
https://youtu.be/S29XDWzzGOs?si=o9QWe3uua2vVmw7W
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Raf Able Strengthens his Gospel Mission with Second 2025 Single “No Wahala”

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The Ghanaian gospel music scene is buzzing once again as sensational urban gospel artiste Raf Able drops his second single of the year, titled No Wahala.” The vibrant and uplifting song reinforces his reputation as one of the most refreshing voices blending faith, inspiration, and contemporary sound in the gospel space.

Following the success of his earlier release this year, Raf Able returns with No Wahala”, a feel-good anthem that encourages believers to trust in God’s divine plan and live free from anxiety, fear, and unnecessary stress. The phrase “No Wahala,” meaning “no trouble” or “no worries,” captures the central message of the song: that peace and joy come from unwavering faith in God’s promises.

With its catchy hooks, energetic rhythms, and relatable lyrics, No Wahala bridges the gap between traditional gospel and urban Afrobeat styles, appealing to both young and mature audiences. Raf Able’s delivery showcases his lyrical depth and musical versatility, making the track both spiritually grounding and sonically exciting.

No Wahala was birthed from his personal journey of learning to stay calm and trust God even in challenging seasons. “As believers, we sometimes worry too much about things beyond our control. This song is a reminder that once God is in charge, everything will fall in place.

No Wahala is now available on all major digital streaming platforms. Fans and gospel music lovers are already praising the track for its infectious energy and uplifting message.

As Raf Able continues to evolve artistically, No Wahala sets the tone for a new wave of gospel creativity, one that speaks the language of the streets while carrying the timeless truth of the Gospel.

Stream via the link below

https://distrokid.com/hyperfollow/rafable1/no-wahala/

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MUSIGA Honors Nana Konadu Agyeman-Rawlings for Her Lifelong Support of Ghanaian Arts and Culture

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The Musicians Union of Ghana (MUSIGA) has paid a heartfelt tribute to the late Nana Konadu Agyeman-Rawlings, recognizing her as a passionate advocate for the arts and a proud custodian of Ghana’s cultural heritage.

 

In a statement, the Union described its relationship with the former First Lady as one filled with warmth, wisdom, and a deep commitment to the creative industry. MUSIGA recalled her active role in organizing the 2021 tribute concert for her late husband, former President Jerry John Rawlings — noting that her personal involvement was key to the event’s success.

 

According to the Union, Nana Konadu worked hand in hand with MUSIGA to design a ceremony that not only honored the late former President but also celebrated the vital role of musicians in preserving the nation’s collective memory. Her collaboration, the Union said, embodied her belief that culture and service go hand in hand in shaping a better future for Ghana.

 

MUSIGA also extended warm wishes to her children — Kimathi, Ezanetor, Amina, and Yaa Asantewaa — praying for continued strength, wisdom, and vision for them all.

 

Quoting MUSIGA President Bessa Simons, the statement read: “Art is the heartbeat that keeps a nation singing through its trials and triumphs.” It added that Nana Konadu consistently urged the Union to keep that heartbeat alive — by uplifting artistes and honoring Ghana’s heritage.

 

The Union expressed deep gratitude to Nana Konadu for her leadership, generosity, and unwavering support, noting that her relationship with MUSIGA continues to inspire its mission to promote Ghanaian music, protect artistes’ welfare, and safeguard the country’s cultural legacy.

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