Tension is rising within the Africa University of Communication and Business (AUCB) following a dispute involving SRC presidential aspirant Haruna Rashid Yussif, who has raised concerns over the conduct and outcome of the recent Student Representative Council (SRC) elections.

Haruna Rasfid Yussif, a prominent contender in the race, is reportedly contesting aspects of the electoral process, questioning both transparency and fairness. His grievances are believed to stem from irregularities observed before and during the voting process, which he argues may have influenced the final results.

According to emerging reports, sections of his campaign team have also expressed dissatisfaction, calling for a thorough review of the election procedures. While full official details remain limited, discussions circulating within student circles suggest that the matter could escalate if not addressed by university authorities.

The SRC election, a key democratic exercise within the institution, is expected to reflect the voice and choice of the student body. However, controversies such as this risk undermining confidence in the process, particularly among candidates and their supporters.

Observers note that disputes of this nature are not uncommon in student politics, but the response from university management will be critical in determining how the situation unfolds. Calls for dialogue, transparency, and possible redress mechanisms are already gaining traction.

As of now, the leadership of the Africa University of Communication and Business has yet to issue a comprehensive public statement addressing the concerns raised by Haruna Rashid Yussif.

The coming days are expected to be decisive as stakeholders await clarity, accountability, and a resolution that preserves the integrity of student governance on campus.

The silence from authorities at the Africa University of Communication and Business is only adding to the pressure. Students across campus are beginning to ask tough questions about accountability, fairness, and whether the SRC election truly reflected the will of the people.

Student politics may often mirror national dynamics, but this situation is fast escalating beyond routine disagreement. If not addressed swiftly, it risks eroding trust in the very system meant to represent student voices.

For now, all eyes are on the university’s leadership. Will they step in to investigate and restore confidence, or allow the controversy to deepen?

One thing is clear: this isn’t just about an election anymore. It’s about credibility.

Nigeria is mourns the death of Nollywood actor Solomon Akiyesi, whose passing was confirmed on Monday.

The President of the Actors Guild of Nigeria, Abubakar Yakubu, disclosed that the actor died in his sleep on Sunday in Abuja.

According to Yakubu, Akiyesi “slept and did not wake up.” He added that the late actor’s body has been placed in a morgue in the capital as the guild awaits further information from his family. The exact cause of death has not yet been made public.

Akiyesi, who began acting in the late 1990s, appeared in more than 100 movies and became known for roles in Marry Who You Love, Deadly Affair, and Desperate Ladies. Tributes have continued to pour in on social media, with colleagues and fans celebrating his impact on Nigeria’s film industry.

Ghanaian versatile artist CityGod Aruu has publicly expressed disappointment over what he describes as his unexplained exclusion from the hit song “Monto,” a track widely associated with Kweisey Pee, in which he was featured.

In a recent interview on Despite Media’s NEAT F.M with Abena Moet, CityGod Aruu lamented that despite his alleged involvement in the creative process behind the song, his name was not featured or credited when the record gained mainstream attention. According to him, the situation has left his fans questioning the circumstances surrounding the release.

“Only Kweisey Pee can explain why my name was not included on ‘Monto,’” Aruu stated, hinting at unresolved issues behind the scenes. While he stopped short of making direct accusations, his remarks suggest a deeper concern about recognition and fairness within collaborative projects.

The song “Monto” has enjoyed notable success since its release, gaining traction across streaming platforms and within Ghana’s music circles. However, Aruu’s statement has now shifted part of the conversation toward transparency in crediting contributions, an issue that continues to surface in the creative industry.

Industry observers note that such disputes are not uncommon, especially among rising acts navigating collaborations without clearly defined agreements. Situations like this often highlight the importance of proper documentation, communication, and mutual understanding among artistes and their teams.

As of now, Kweisey Pee has not publicly responded to the claims. Fans and stakeholders alike will be watching closely to see whether clarification or resolution emerges in the coming days.

CityGod Aruu’s remarks add to the ongoing dialogue about artist recognition in Ghana’s evolving music landscape, where talent, collaboration, and credit must align to sustain trust and growth within the industry.

CityGod is currently out with two singles, “ Obaa Hemaa” and “Day Dreaming, Featuring Qwesi Ded Buddy.