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The Exposé that Redefined the Creative Vote: Inside Kojo Preko Dankwa’s Deep Dive into the Creative Arts Agency

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For years, Ghana’s creative sector occupied a paradoxical space celebrated rhetorically by politicians yet structurally neglected in practice. Despite campaign promises, policy declarations, and public endorsements, many creatives experienced weak institutional support, unclear funding pathways, poor stakeholder engagement, and limited accountability within the Creative Arts Agency (CAA).

By the later years of the NPP administration, dissatisfaction had quietly hardened into distrust. What was missing was a credible, organised, and persistent voice capable of articulating the sector’s grievances in a way that could not be ignored.

That voice emerged forcefully in Kojo Preko Dankwa, President of the Foundation of Concerned Arts Professionals (FOCAP).

 

The Exposé: From Complaint to Documentation.

Unlike routine criticism that often circulates on social media and quickly fades, Kojo Preko Dankwa’s intervention took a different route. It was methodical, public-facing, and sustained.

Through press conferences, policy statements, interviews, and sector briefings, he laid out a detailed critique of the Creative Arts Agency, focusing on:

  • Institutional opacity in decision-making
  • Exclusion of key creative stakeholders from policy formulation
  • Lack of measurable impact despite budgetary allocations
  • Failure to build sustainable industry frameworks for artists and practitioners
  • Political symbolism without structural delivery

Crucially, these were not framed as partisan attacks but as industry-based assessments, backed by lived experiences from practitioners across music, film, visual arts, theatre, fashion, and events.

The power of Kojo Preko Dankwa’s exposé lay not only in its content but in its timing and credibility.

By the time the critique gained national attention, creatives were already frustrated. The exposé simply gave language, structure, and leadership to sentiments that had long existed beneath the surface.

FOCAP’s platform amplified voices that had previously been fragmented. What once sounded like individual complaints now emerged as a collective indictment of institutional failure.

This reframing was critical. The issue was no longer about personalities within the Agency it became a referendum on how the ruling party related to the creative economy as a whole.

While it would be simplistic to claim that one exposé alone “lost” the NPP power nationally, within the creative sector, the impact was unmistakable.

The ruling party gradually lost:

  • Moral authority among creatives
  • Narrative control over its creative-sector record
  • Trust as a stakeholder-friendly government

Creative professionals who double as influencers, cultural opinion leaders, and community mobilisers began openly distancing themselves. Endorsements dried up. Public enthusiasm softened. Silence replaced solidarity.

In political terms, this amounted to a collapse of soft power within a sector that shapes youth culture, public discourse, and national image.

At the heart of the controversy was the perception that the Creative Arts Agency had become politically ornamental rather than functionally transformative.

Kojo Preko Dankwa’s critique consistently returned to one central question:
What measurable value has the Agency delivered to creatives since its establishment?

The inability of authorities to convincingly answer this question deepened suspicion and reinforced the exposé’s credibility.

 

Why This Moment Matters Beyond Party Politics

This episode marked a turning point in Ghana’s creative advocacy. It demonstrated that:

  • The creative sector can organise beyond individual celebrity voices
  • Policy critique can be evidence-driven and sustained
  • Cultural workers can influence political outcomes without partisan alignment

In effect, the exposé elevated creatives from campaign accessories to policy stakeholders.

 

A Warning to Future Governments

The fallout from the Creative Arts Agency exposé sends a clear message to any administration:

The creative sector is no longer satisfied with symbolism, appointments, or occasional grants. It demands structure, accountability, inclusion, and results.

Any government that ignores this does so at its own risk.

Kojo Preko Dankwa’s deep dive into the Creative Arts Agency did more than expose institutional weaknesses; it redefined the political consciousness of Ghana’s creative sector. What emerged was not just criticism, but a shift in power: from political patronage to sector-led accountability.

And in that shift lies the real reason the NPP lost ground within the creative community, not because creatives turned political, but because politics failed to keep faith with creativity.

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[EDITORIAL] Why Ghana Should Dedicate a Special Day as World Fugu Day: Projecting Culture and Inspiring the Diaspora

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In an era where culture has become a powerful tool for diplomacy, identity, and economic growth, nations that consciously preserve and project their heritage stand taller on the global stage. Ghana, a country celebrated for its rich traditions and creative ingenuity, has a unique opportunity to further solidify its cultural footprint by dedicating a special day as Ghana’s World Fugu Day, a day to honour, celebrate, and globalise one of its most iconic traditional attires: Fugu, also known as Batakari.

Fugu is not merely a piece of clothing. It is a living symbol of history, craftsmanship, and identity, deeply rooted in the northern regions of Ghana and widely embraced across the country. Over generations, it has evolved from a ceremonial and everyday garment into a powerful emblem of unity, dignity, and cultural pride. From traditional rulers and farmers to presidents, creatives, and the Ghanaian diaspora, Fugu has transcended class, geography, and time.

Fugu as Cultural Identity and Heritage

The weaving of Fugu represents indigenous knowledge systems passed down through generations. Each strip of handwoven fabric reflects patience, skill, and community labour. In a world increasingly dominated by fast fashion and mass production, Fugu stands as a reminder of sustainability, authenticity, and African excellence.

Dedicating a World Fugu Day would formally recognise this heritage and protect it from cultural erosion. It would encourage documentation, education, and intergenerational transmission of weaving techniques, motifs, and meanings, ensuring that younger generations understand not only how Fugu is worn but what it represents.

A Tool for Diaspora Engagement and Cultural Reconnection

For millions of Ghanaians and people of African descent living abroad, culture remains a vital link to home. Clothing, in particular, has become a powerful expression of identity among the diaspora. A World Fugu Day would offer a unifying global moment for Ghanaians and African-descended communities to reconnect with their roots through fashion, storytelling, exhibitions, and cultural exchange.

Such a day could be celebrated simultaneously in Ghana and in major cities across the world, London, New York, Toronto, Berlin, Johannesburg,g transforming Fugu into a global cultural symbol while reinforcing Ghana’s leadership in Pan-African cultural advocacy.

Economic and Creative Industry Opportunities

Beyond symbolism, a World Fugu Day holds significant economic potential. The creative economy thrives when culture is intentionally promoted. Local weavers, textile producers, designers, models, photographers, stylists, and fashion entrepreneurs would benefit from increased demand and visibility.

With the right policy support, Ghana’s World Fugu Day could stimulate:

  • Job creation along the textile and fashion value chain
  • Export opportunities for Ghana-made fabrics and designs
  • Fashion tourism, exhibitions, and trade fairs
  • Collaborations between traditional artisans and contemporary designers

This initiative aligns directly with Ghana’s broader creative-arts and cultural-tourism agenda, positioning heritage as a driver of sustainable development rather than a relic of the past.

Cultural Diplomacy and Nation Branding

Globally, countries such as India, Japan, and Scotland have successfully elevated traditional attire into national symbols that attract admiration and economic value. Ghana can do the same with Fugu. A World Fugu Day would serve as a soft-power tool, projecting Ghana as a nation confident in its identity and proud of its cultural diversity.

Through embassies, cultural centres, and international partnerships, Ghana could use World Fugu Day to host fashion showcases, panel discussions, and cultural festivals, strengthening bilateral relations and enhancing the country’s global brand.

A Call to Leadership and Vision

Dedicating a special day as Ghana’s World Fugu Day is not just a cultural gesture; it is a statement of vision. It affirms that Ghana values its heritage, its people, and its creative future. It signals to the world and to the diaspora that Ghana is intentional about culture as a pillar of national development.

Mr. President, by championing this initiative, Ghana would take another bold step in leading Africa’s cultural renaissance. Fugu is more than cloth. It is history, identity, and possibility woven together. A World Fugu Day would allow Ghana to tell its story proudly, globally, and on its own terms.

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AFRO CONNECT Unveils UP AND GRINDING EP: A Bold New Chapter for Ghana’s Emerging Music Talent

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Ghana’s music ecosystem is on the brink of an exciting transformation as AFRO CONNECT officially unveils its long-awaited music project, UP AND GRINDING, a seven-track EP designed to spotlight, nurture, and professionalise emerging talent across the country and the African continent.

At a time when conversations around sustainability, talent development, and creative infrastructure dominate Africa’s music discourse, UP AND GRINDING arrives not merely as a musical release but as a purposeful intervention. The project represents AFRO CONNECT’s strategic commitment to strengthening the foundation of Ghana’s music industry by identifying untapped artistes and guiding them through a structured creative and professional development process.

Unlike conventional compilation projects, UP AND GRINDING is rooted in mentorship, collaboration, and long-term vision. Each track reflects the raw ambition, resilience, and lived realities of upcoming artistes who are navigating the demanding journey from obscurity to recognition. The EP captures the spirit of the “grind”  the relentless pursuit of excellence against limited resources, exposure gaps, and structural challenges that many emerging African musicians face.

AFRO CONNECT’s approach goes beyond studio sessions and releases. The project is anchored on artist grooming, music business education, and industry readiness. From songwriting and vocal development to branding, performance discipline, and audience engagement, participating artistes are equipped with the tools necessary to transition from passion-driven creativity into sustainable music careers. This holistic model positions UP AND GRINDING as both a creative product and a developmental platform.

Musically, the EP draws from a rich blend of Afrobeat, Afropop, hip-hop, highlife influences, and contemporary African sounds, reflecting the diversity and evolving identity of Ghana’s new-age music culture. Each track offers a distinct sonic experience while maintaining a unifying narrative of ambition, growth, and self-belief. The production quality underscores AFRO CONNECT’s emphasis on professionalism, ensuring that emerging talents are presented at industry-competitive standards.

SOSO, Project Manager

Beyond entertainment, UP AND GRINDING speaks to a broader cultural and economic agenda. Ghana’s creative industry continues to expand its global footprint, yet many young artists struggle to access platforms that can amplify their voices. AFRO CONNECT positions itself as a bridge between raw talent and opportunity, fostering inclusivity and creating access points within an industry often defined by gatekeeping.

The project also aligns with Africa’s growing creative economy narrative, where music is increasingly recognised as a viable contributor to employment, cultural diplomacy, and national branding. By investing in emerging artists at the grassroots level, AFRO CONNECT contributes to the long-term sustainability of the music value chain from creators and producers to marketers, event organisers, and digital distributors.

UP AND GRINDING further reinforces the idea that success in the music industry is not instantaneous but built through consistency, discipline, and collaboration. The title itself reflects a mindset shared by many young Africans, a determination to rise, despite systemic limitations, through hard work and strategic support.

As the EP rolls out across digital streaming platforms and promotional circuits, AFRO CONNECT envisions UP AND GRINDING as the first of many initiatives aimed at reshaping how emerging talents are discovered, developed, and deployed within the industry. The project sets a precedent for private-sector-led creative development, demonstrating that intentional investment in talent can yield both artistic excellence and economic value.

In an era where African music continues to command global attention, UP AND GRINDING stands as a timely reminder that the future of the industry lies in nurturing the next generation. Through this project, AFRO CONNECT is not only releasing music but building careers, strengthening culture, and contributing meaningfully to Ghana’s creative future.

UP AND GRINDING is more than an EP; it is a movement, a mindset, and a statement that Ghana’s next wave of music stars is already on the rise.

 

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Renowned Gospel Music Icon Ron Kenoly Passes On at 81

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Renowned American gospel singer, worship leader, and pastor Ron Kenoly has passed away at the age of 81. The sad news was first announced by his longtime music director on social media, sparking an outpouring of tributes from fans and gospel ministers worldwide.

Renowned American evangelist, Bishop Francis Wale Oke, also confirmed the news in a heartfelt post on Facebook.

 

Farewell to a true worshipper, Ron Kenoly,” he wrote. “A man of humility, a vessel of grace, and a devoted servant who dedicated his life to the glory of God.

 

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